Gail Carriger - Soulless

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Soulless: краткое содержание, описание и аннотация

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Alexia Tarabotti is laboring under a great many social tribulations. First, she has no soul. Second, she's a spinster whose father is both Italian and dead. Third, she was rudely attacked by a vampire, breaking all standards of social etiquette.
Where to go from there? From bad to worse apparently, for Alexia accidentally kills the vampire — and then the appalling Lord Maccon (loud, messy, gorgeous, and werewolf) is sent by Queen Victoria to investigate.
With unexpected vampires appearing and expected vampires disappearing, everyone seems to believe Alexia responsible. Can she figure out what is actually happening to London's high society? Will her soulless ability to negate supernatural powers prove useful or just plain embarrassing? Finally, who is the real enemy, and do they have treacle tart?
SOULLESS is a comedy of manners set in Victorian London: full of werewolves, vampires, dirigibles, and tea-drinking.

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Interview

Have you always known that you wanted to be a writer?

Actually, I'm still not entirely convinced I am one. I seem to have stumbled upon authordom inadvertently. I'm not complaining—never that—just startled.

When you aren 't writing, what do you like to do in your spare time?

Drink tea. Although, come to think on it, I do that while I'm writing as well. Truth be told, eating, reading, sleeping, and breathing occupy a considerable amount of my time (generally in that order and often all at the same time).

Who/what would you consider to be your influences?

Jane Austen, P. G. Wodehouse, Gerald Durrell, a tea obsessed expatriate British mum, years of historical study, and a lifetime of BBC costume dramas have all played pivotal roles in Alexia's inception.

Soulless has such a clever melding of alternate history, romance, and the supernatural. How did you derive the idea for this novel?

I knew I wanted to write urban fantasy, and there's one thing I've never been able to understand in the genre: if immortals were mucking about, wouldn't they have been mucking about for a very long time? A speculation arose: what if all those strange and unexplainable bends in history were the result of supernatural interference? At which point I asked myself, what's the weirdest most eccentric historical phenomenon of them all? Answer: the Great British Empire. Clearly, one tiny little island could only conquer half the known world with supernatural aid. Those absurd Victorian manners and ridiculous fashions were obviously dictated by vampires. And, without a doubt, the British army regimental system functioned on werewolf pack dynamics. Of course, as soon as I started scribbling away about a land of bustles and top hats, romance and comedy had to enter the fray. I mean to say, bustles! Then I tossed nineteenth-century science into the mix and realized that if the Victorians were studying vampires and werewolves (which they would do, if they knew about them), not to mention developing weapons against them, technology would have evolved differently. Enter a sprinkling of steampunk, and suddenly, I was juggling more subgenres than Ivy has ugly hats! But then again, you can never have too many hats.

Do you have a favorite character? If so, why?

I'm torn between Professor Lyall and Floote. I have a little bit of a thing for capable and efficient gentlemen with quiet humors and calm dispositions.

What adventures can we look forward to seeing Alexia in next?

I shall say only that Alexia has always wanted to travel by dirigible...

Finally, if you had the opportunity to have tea with Lord Maccon, Alexia, or Lord Akeldama, who would you choose and why?

Oh, Lord Akeldama without a doubt. Alexia and I should never get along—we are far too much alike—and Lord Maccon hasn't any manners to speak of. Now, Lord Akeldama may be outrageous, but he's a charming conversationalist, and he knows such fascinating things.

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