Mike Carey - Vicious Circle

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Following in the footsteps of megasellers Neil Gaiman and Jim Butcher, comic book writer Mike Carey presents his second hip supernatural thriller featuring freelance exorcist Felix Castor.
Castor has reluctantly returned to exorcism after the case of the Bonnington Archive ghost convinced him that he really can do some good with his abilities ('good', of course, being a relative term when dealing with the undead). But his friend, Rafi, is still possessed; the succubus, Ajulutsikael (Juliet to her friends), still technically has a contract on him; and he's still—let's not beat around the bush—dirt poor. Doing some consulting for the local constabulary helps pay the bills, but Castor needs a big, private job to really fill the hole in his overdraft.
That's what he needs. What he gets, good fortune and Castor not being on speaking terms, is a seemingly insignificant 'missing ghost' case that inexorably drags himself and his loved ones into the middle of a horrific plot to raise one of Hell's fiercest demons. When Satanists, sacrifice farms, stolen spirits and possessed churches all appear on the same police report, the name of Felix Castor can't be too far behind...

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‘As opposed to killing both you and your demon whore, which I so clearly could? Yes. Take it. It’s the best offer you’re going to get.’

He was right there. I threw the locket across to him and he caught it one-handed. Juliet’s eyes narrowed, but that was the only move she made: the only move she could make.

Gwillam signalled to his men – a clockwise rotation of his index finger in the air which clearly meant ‘pack up the tents’. They started to file away in good order, two of them carrying Zucker, just as the stained-glass windows to either side of the church door blew out in party-coloured shards, vomiting smoke and fire up into the night.

Gwillam went last of all, and he lingered for a moment as if there was something else on his mind.

‘I told you that we investigated Ditko two years ago – very shortly after you signed him in at the Charles Stanger clinic,’ he said.

‘Yeah. You told me that.’

‘It might make you feel a little better about your part in all of this if I tell you something we found out at that time.’ I didn’t say anything that could have been interpreted as ‘Oh, do tell’ but Gwillam went on anyway, looking at me thoughtfully. ‘Fanke had a mistress back then – dead now. In his sexual liaisons he’s always favoured the young and stupid: he seems – seemed, I should say – to take a certain pleasure in imprinting his own will on people too weak or vapid to resist.

‘Her name was Jane – plain Jane – but she’d rechristened herself Guinevere when she joined the Satanist Church. Obviously she was living out some romantic fantasy of her own. Most people still called her Jane, in spite of all her efforts, but she was introduced as Guinevere to Rafael Ditko and he usually shortened it to Ginny.’

Memory sideswiped me like a truck. Did Ginny see all this? Where is she? Is she outside?

‘My Christ!’ I breathed.

Gwillam nodded, seeing that I’d made the connection. ‘When Ditko raised Asmodeus that night, it was a move in a game – a game that Fanke was playing against God. Abbie Torrington was another such move. Perhaps she was originally destined to be sacrificed on a different altar, to a different devil. But Ditko failed, and you . . . well, you did what you did. He chose his own path, of course, but your choices were made for you a long time ago, Castor. You’re one of Heaven’s soldiers too, whether you believe that or not. You’re the brand that he takes from the fire, already burning, to smite his foes. Perhaps when he’s done with you there’ll still be something left to save.’

‘Go fuck yourself,’ I snarled. As clever ripostes go, I had to admit, it lacked something. Actually, it lacked pretty much everything.

Gwillam turned and walked away, his steps ringing on the cobbles until the whoop of approaching sirens drowned them out. It sounded like Detective Sergeant Basquiat had finally checked her messages.

I didn’t have my whistle, but I didn’t need it for this. I whistled a few bars between my teeth for Juliet, ragged and halting: the notes that cut the strings Gwillam had laid on her. When she could, she turned to face me, her gaze deep and searching.

‘Debriefing comes later,’ I said. ‘No smutty double meanings intended. Right now, if I were you, I’d be somewhere else.’

Juliet glanced at the first of the police cars as it turned the corner and came belting towards us. Then, in the glare of its headlights, she turned back to me and nodded once, as if to say that there’d be answers she’d insist on.

When the cars rattled to a halt on the cobbles to either side of me, I was the last man standing.

23

In the secure unit at the Whittington, I’d at least had a magazine – along with a phone on a trolley, all the small change I could pick up off the floor and a werewolf-themed cabaret. In the remand cells at the Uxbridge Road cop shop, all I had were the clothes I stood up in, minus belt and jacket.

The graffiti on the cell wall were varied and imaginative, but even they palled after a while. Kicking on the door got no response except for muffled swear words from the guy in the cell next door, who muttered and raved to himself in a variety of different voices in between times. Even the cockroaches, bred in the wild and proud of spirit, refused to race. After three hours or so I began to understand why they’d taken the belt: if I’d still had it, I’d have hanged myself. Alternatively, if there’d been any sheets on the cot bunk, I’d have slept.

Basquiat arrived some time towards morning, with Fields tagging along as usual to hold her coat and feed her straight lines. The guard on duty unlocked the door for her and signed her in, then set one of the interview tape recorders down on the floor and left, giving her a respectful nod.

She left the tape recorder where it was, though, signalling for me to sit down on my bunk while she took the edge of the table and Fields stood by the door, ignored.

‘So,’ she said.

I waited for something more solid to go on.

‘A burning church full of dead men in black gowns. Another one, in red, lying dead outside. And you, kneeling next to a woman who’s been tied up with duct tape.’

‘I admit that looks fairly suspicious at first glance,’ I said.

Basquiat smiled coldly. ‘Just a little, yeah. But then we start to look at the small print. The guy in red checks out as Anton Fanke, so I guess he got tired of Belgium.’

‘A man who’s tired of Belgium . . .’

‘Don’t get smart, Castor. I like you better when you’re scared and desperate. And besides, I didn’t get to the good part yet. Fanke was carrying a gun that my friends in ballistics greeted like a long-lost friend. It’s the one that killed Melanie Torrington. And one of the corpses in the church had a knife with Abigail Torrington’s blood on the blade. A whole lot of fingerprints, including Fanke’s – but not yours.

‘So my case against you for those earlier murders starts to look a little shaky. I’ve still got you for Peace, of course – you at the scene of the crime, and your prints on the gun that killed him. But that duct-taped woman has been telling us all kinds of things about the late Mister Fanke. Stuff that you wouldn’t believe.’

The mention of Pen made me wince. ‘I think I’d believe most of it,’ I said.

‘Yeah, maybe you would at that. Anyway, it seems like he was looking for Peace even before you were – looking in some of the same places, like that club in Soho Square. So maybe your story about him hiring you to do his legwork makes a little more sense now.’

The first thing that Bourbon Bryant had said to me when I’d asked him about Peace: seems like he’s flavour of the month all of a sudden. Why the hell hadn’t I made the connection and asked him who else had been sniffing around?

‘And he’s got more of a motive, because he and Peace had some kind of legal skirmish a few years back, and it turns out Peace has been chasing him all around Europe ever since. Something about parental visiting rights to a little girl named Abigail Jeffers. Was that—?’

‘—Abigail Torrington. Yeah, it was.’

‘Thought so. Otherwise we’d have been talking about a hell of a lot of weird coincidences. So Fanke murdered Abbie, but Peace – what? I’m a little hazy on this part.’

‘The idea was to do more than just murder her, Basquiat. She was going to be used up, body and soul, to bring the demon Asmodeus onto the mortal plane. But Peace stepped in before Fanke could finish the ritual – broke the circle and took away Abbie’s ghost. Her spirit. That was what Fanke was looking for. And that was what he took away with him after he killed Peace.’

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