Mike Carey - The Naming of the Beasts

From my hotel – a Holiday Inn on Pijade Street – I called Jovan Ditko’s lawyer, a guy named Anastasiadis, and left a message. I’d already called twice from London, had the receptionist take down my contact details with agonising thoroughness, then got no reply. If he didn’t call back this time, I’d grab a cab out to the prison by myself and take pot luck. They could only say no. Well, that and beat me with rubber truncheons; but with EU membership still pending, I was gambling they’d be wanting to keep their noses clean.

As it turned out, though, the phone rang less than ten minutes after I’d hung up.

‘Mr Castor?’ The man’s voice was rich and resonant, and held barely a trace of accent.

‘Yes,’ I confirmed.

‘Dragan Anastasiadis. I believe you wanted to see a client of mine.’

‘That’s right. Jovan Ditko.’

‘And you are interested in Jovan Ditko because . . . ?’

‘I’m a friend of his brother, Rafael.’

A sound like soughing wind came down the line. ‘Ordinarily,’ Mr Anastasiadis said, ‘this would be a difficult thing to arrange. Since you are a foreigner, I would have to submit your name to the prison authorities and wait for approval. But today it is relatively easy. If you take a cab to the prison gates, I will meet you there.’

‘Thanks,’ I said. ‘Thanks a lot.’ And then, before he could hang up, ‘Mr Anastasiadis?’

‘Dragan.’

‘Dragan. Why is today easier?’

‘Because Jovan’s last appeal failed this morning, Mr Castor. Tomorrow he will hang.’

All prisons I’ve ever been in have felt pretty much the same to me. They may be more or less grim, more or less grey, more or less tolerant of torture and the meticulous demolition of the human spirit, but the same pall of despair and abnegation hangs over them all, a psychic fog sublimed out of shipwrecked lives. For an exorcist, the genius loci is always a very real presence: after my first few minutes in Irdrizovo Prison – an innocuous cluster of low whitewashed buildings behind an endless chain-link fence, vaguely reminiscent of a high-security Butlins – there was a taste in my mouth like rancid tin and a throbbing pain behind my eyes.

Dragan Anastasiadis seemed oblivious to this miasmic atmosphere. A tall fat man dressed immaculately in a light blue linen suit and a cream shoestring tie, he had met me at the gates as promised, shaken my hand and offered heart-felt commiserations that I didn’t really need – I’d never even met Jovan Ditko – and shepherded me past the various guard posts with dispatch.

He kept up a courteous, consultative manner in front of the guards, talking about the mechanics of the appeals process and the hopes he’d entertained that the president might be persuaded to intercede with a stay of execution at the last moment. But when we were briefly alone, waiting in a bare anteroom for someone to escort us through to the maximum-security wing, he let the mask slip.

‘The truth, Mr Castor,’ he said, ‘is that this entire legal process was a farce. The death penalty in Macedonia is available only for treason and the most atrocious war crimes. The man Jovan killed was a colonel in the army, but the motive had nothing to do with war. It was about a woman. The prosecution did not even contest this. But to kill a colonel, apparently, is a war crime – even if you kill him because he is having sex with your fiancée. And even if there is no war.’

He shrugged lugubriously.

‘What about The Hague?’ I asked. ‘I know you’re not part of the EU structure yet, but even a theoretical ruling . . .’

I broke off because Anastasiadis was already shaking his head. ‘For that very reason,’ he said, ‘they turned us down. They can’t afford to prejudice future relations with the Macedonian state by interfering in their sovereign affairs before they have any legal right to. No, my route ran along well-worn channels, and it became clear quite early in the process that the verdict would always be guilty. And to be fair, Jovan is guilty, as far as that goes. It was a horrible murder, marked by extreme and shocking brutality. But the death sentence offends me in my soul. And for a man I have defended, the offence is double. It is a guilt I have to carry now – that I could not stop this. It is a dyspepsia of the soul that will not go away.’

The expression on his face made the comparison seem like a valid one: he looked like a man who’d eaten a big lunch very quickly, and was now finding to his dismay that it didn’t want to sit still where it had been put. I’ve got enough guilt of my own without going looking for extra helpings, but I felt sorry for Anastasiadis. The law is a poor fit for a man with a tender conscience.

The sound of keys turning in locks and of bolts slamming back brought us both to our feet. Our escort had arrived, in the form of two prison guards as heavily armoured as riot police. They talked to Dragan, ignoring me. Their language was quick-fire, full of Greek-sounding liquid labials. Dragan answered in the same language. He pointed to me, and one of the men nodded. Then they led the way back through the door by which they’d just entered, locking it again behind us, across a small bare cinder yard where a solitary ghost loitered, almost invisible in the sun of noonday, and into a concrete bunker only two storeys high.

The yard was pleasantly warm, but a wall of heat hit us as we entered the maximum-security wing. The guards must have felt it even more than we did inside their elaborate body armour, but they gave no sign of discomfort. Anastasiadis fanned himself gently with the back of his hand. The air smelled of sweat, urine, disinfectant and something greasy and insinuating that might have been pomade.

The space inside was open-plan: ground floor and first-floor gallery all of a piece, both with cells leading off a bare, bleak central space. The cells we passed were open-plan too, with bars for walls. Each held two men: two pallets, side by side rather than bunked one above the other, two chairs, a table, a slop bucket. Men played cards in monastic silence or lay on their pallets and read. A uniformed guard sat at one end of the structure on a plastic chair, lethargic and disengaged. He looked as though he wouldn’t have stirred himself for anything less than a full-scale riot.

We went up to the first floor via a circular staircase, blocked off at the bottom by a lockable grille. There was a second grille at the top, which another guard had to open before we could step out onto the landing. Up here, close to the ceiling of the low building, the smell of piss was pervasive, hanging heavy in the still, overheated air. The prisoners in these second-storey cells lay to a man on their pallet beds, as still as the dead, arguably more so. A suicide net was slung over the open space in the centre of the gallery; more bizarrely, so were a few clothes lines on which socks and T-shirts in subtly varied shades of institutional grey hung limply.

Anastasiadis led the way to the furthest cell on the right, then waited while one of the two guards unlocked the door. Both guards remained in place while we entered, locking us in and then standing to either side of the door like unlovely bookends.

Jovan Ditko was sitting on the floor of the cell, dressed only in vest and pants. His head was bowed, the slop bucket cradled between his spread legs. He’d vomited into it, and he looked as though he might be about to do so again. Anastasiadis looked back through the bars at the guards, pointed to the bucket and spoke to them again. They shook their heads, only very slightly out of synch. Anastasiadis shouted, his face flushing suddenly red. One of the guards shouted back, while the other turned his face aside as though the controversy embarrassed or upset him.