Seanan McGuire - Midnight Blue-Light Special

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Cryptid, noun: 1. Any creature whose existence has been suggested but not proven scientifically. Term officially coined by cryptozoologist John E. Wall in 1983. 2. That thing that's getting ready to eat your head. 3. See also: "monster." The Price family has spent generations studying the monsters of the world, working to protect them from humanity—and humanity from them. Enter Verity Price. Despite being trained from birth as a cryptozoologist, she'd rather dance a tango than tangle with a demon, and when her work with the cryptid community took her to Manhattan, she thought she would finally be free to pursue competition-level dance in earnest. It didn't quite work out that way...
But now, with the snake cult that was killing virgins all over Manhattan finally taken care of, Verity is ready to settle down for some serious ballroom dancing—until her on-again, off-again, semi-boyfriend Dominic De Luca, a member of the monster-hunting Covenant of St. George, informs her that the Covenant is on their way to assess the city's readiness for a cryptid purge. With everything and everyone she loves on the line, there's no way Verity can take that lying down.
Alliances will be tested, allies will be questioned, lives will be lost, and the talking mice in Verity's apartment will immortalize everything as holy writ—assuming there's anyone left standing when all is said and done. It's a midnight blue-light special, and the sale of the day is on betrayal, deceit...and carnage.

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“Hey, ugly !” I shouted, and fired. Shrieking, the manananggal hit the wall, using her momentum to flip herself around and start coming back toward me. I fired twice more. As far as I could tell, I hit her both times. It didn’t slow her down one bit. I dove to the side just as she sliced through the air where I’d been standing, that unearthly shriek issuing from her throat the entire time.

“I fucking hate things that can’t be killed,” I muttered, rolling back to my feet. The manananggal was coming back for another pass. That was, in a messed-up kind of way, a good thing. Mentally, I shouted, Sarah! Go find her legs!

My cousin stuck her head out from under the table, eyes wide. You’re kidding, right? came the telepathic demand.

No! Hurry! I fired at the manananggal again, keeping her attention on me. It wasn’t hard to do. Most things focus on the person with the gun.

I hate you, said Sarah, and slid out from under the table, using the sound of gunfire and screaming to cover her as she slipped through the open doorway, into the dark beyond.

* * *

The manananggal are native to the Philippines, where they live disguised among the human population, using them for shelter and sustenance at the same time. They spend the days looking just like everyone else. It’s only when the sun goes down that they open their wings and separate their torsos from their lower bodies. That’s when they fly into the night, looking for prey. Even that could be forgiven—humanity has made peace with stranger things—if it weren’t for what they prey on.

Infants, both newly-born and just about to be born. The manananggal will also feed on the mothers, but only if they’re still carrying or have given birth within the last twenty-four hours. Weak prey. Innocent prey. Prey that, in this modern world, is conveniently herded into maternity wards and hospital beds, making it easy for the manananggal to come in and eat its fill. As this one had been doing, moving in a rough circle through the local maternity wards, slaughtering humans and cryptids with equal abandon.

She’d been getting sloppier, and her kills had been getting more obvious. That was a bad sign. That meant the manananggal was getting ready to find a mate and make a nest . . . and that was something I couldn’t allow to happen.

I’m a cryptozoologist. It’s my job to protect the monsters of the world. But when those monsters become too dangerous to be allowed to roam free, I’m also a hunter. I don’t enjoy that side of my work. That doesn’t mean I get to stop doing it.

The manananggal seemed to realize that her tactics weren’t getting her anywhere. With a ringing scream, she hit the wall again, and then turned to fly straight at me, her arms held out in front of her as she went for a chokehold. I ducked. Not fast enough. Her claws raked across the top of my left bicep, slicing through the fabric of my shirt and down into my flesh. I couldn’t bite back my yelp of pain, which seemed to delight the manananggal; her scream became a cackle as she flew past me, flipped around, and came back for another strike.

I put two bullets into her throat. That barely slowed her down . . . but it slowed her enough for me to get out of her path. She slammed into the wall, hard. I tensed, expecting another pass. It never came. Instead, her wings thrashed once, twice, and she sank to the floor in a glassy-eyed heap, brackish blood oozing from the gunshot wounds peppering her body.

Breathing shallowly, I moved toward the body. She didn’t move. I prodded her with the toe of my shoe. She didn’t move. I shot her three more times, just to be sure. (Saving ammunition is for other people. People who aren’t bleeding.) She didn’t move.

“I hate you,” announced Sarah from the doorway behind me.

I turned. She held up the canister of garlic salt I’d ordered her to bring, turning it upside-down to show that it was empty.

“Legs are toast,” she said. “As soon as I poured this stuff down her feeding tube, the lower body collapsed.”

“Oh. Good. That’s a note for the field guide.” I touched my wounded arm gingerly. “This stings. Do you remember anything about manananggal being venomous?”

Sarah grimaced. “How about we ask the nurse?”

“Good idea,” I said, and let her take my arm and lead me away from the fallen manananggal, and the remains of the last infants she would ever slaughter.

This is how I spend my Saturday nights. And sadly, these are the nights I feel are most successful.

Two

“Treat your weapons like you treat your children. That means cleaning them, caring for them, counting on them to do the best they can for you, and forgiving them when they can’t.”

—Enid Healy

The Freakshow, a highly specialized nightclub somewhere in Manhattan

A WEEK HAD PASSED since the manananggal incident, giving me sufficient time to file my reports, update the family field guide (this just in: manananggal are venomous), and pay two follow-up visits to St. Giles’ Hospital, where Dr. Morrow and the Caladrius nurse (whose name turned out to be Lauren) were happy to patch me up free of charge. The manananggal’s claws didn’t even leave a scar. I had resolved a threat, and saved a bunch of babies—and their mothers—from being eaten. Not bad for a ballroom dancer from Portland.

I hit the stairs leading down from the nightclub roof almost five whole minutes before my shift was scheduled to start. For me, that’s practically getting to work early, especially these days. We had a little snake cult incident last year, and the city’s cryptids are still all worked up about it. That’s meant more mediation, more handholding through interactions with the human world, and, unfortunately, more hunting, since some of the more predatory types of cryptid took the destabilization of Manhattan as an invitation to move in and start chowing down on the locals. It seems like I’m out on the streets every other night, teaching some idiot that you don’t act like that in my city.

Candy was standing by the base of the stairs, eating a ham and gold leaf sandwich. (It’s a house special. Angel calls it “the Adam Lambert,” and serves it with a pickle and a shot of Goldschläger. Bartenders are weird.) “You’re late,” she called, as I went blowing past her like my shoes were on fire.

“I have five minutes!” I shouted back, and kept on running until I hit the dressing room, and dove into chaos.

Picture a medium-sized room, maybe twenty feet by twenty feet square. Now add standing lockers cannibalized from a high school gym, with the requisite long wooden benches stretching between the rows. Great. Now add half a dozen women, all of them jockeying for position at the single long mirror lining one wall, and you’ll have some idea of what I was walking into.

Sometimes I think I’d rather deal with a herd of angry unicorns than a bunch of women trying to get themselves ready for work. “I’m here,” I announced to no one in particular as I walked past the throng and made my way between two racks of lockers to my assigned spot. The “real world skills” I’ve learned from my years of struggling to launch a dance career are mostly limited to things like putting on mascara on a moving bus, but I definitely know better than to come between an amateur kick-line and their own reflections.

I opened my locker and tossed in my bag before starting to squirm out of my street clothes. Five minutes was cutting it close for getting into my uniform and putting on my makeup. I’d done it before, but that didn’t mean I could waste time watching the clown car antics unfolding in front of the mirror.

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