Wadjet (Naja wadjet). Once worshiped as gods, these sapient, highly-venomous cobras can reach seventeen feet in length when fully mature. They spend their lives in pair-bonds with human servants who enjoy extended lifespans thanks to the venom of the wadjet, and whose thumbs can come in extremely useful. Given recent discoveries about dragon biology, we are not discounting the possibility that these servants are another form of the wadjet themselves.
Waheela (Waheela sapiens). Therianthrope shapeshifters from the upper portion of North America, the waheela are a solitary race, usually claiming large swaths of territory and defending it to the death from others of their species. Waheela mating season is best described with the term “bloodbath.” Waheela transform into something that looks like a dire bear on steroids. They’re usually not hostile, but it’s best not to push it.
Here are a few songs to rock you through Verity’s adventures.
“Superheroine”—Liz Nickrenz
“Here It Goes Again”—OK Go
“I Know Where You Sleep”—Emilie Autumn
“He Said, She Said”—Maldroid
“Pot Kettle Black”—Tilly & the Wall
“The Cave”—Mumford & Sons
“No Spill Blood”—Oingo Boingo
“Ever Fallen In Love”—Peter Yorn
“One Engine”—The Decemberists
“Beautiful, Dirty, Rich”—Lady Gaga
“Catwoman”—Shakespear’s Sister
“If Looks Could Kill”—Heart
“Basket Case”—Green Day
“Uninvited Guest”—Marillion
“Fight Fire With Fire”—Kansas
“Shootout at the Candy Shop”—Jess Klein
“I Am the One Who Will Remember Everything”—Dar Williams
“The Places You Have Come to Fear the Most”—Dashboard Confessionals
“The Ghost in You”—Matthew Puckett
“Sentimental Heart”—She & Him
“Break In”—Halestorm
“93 Maidens”—Rachael Sage
“The Adventures of Rain Dance Maggie ”— The Red Hot Chili Peppers
“All the Stars in Texas”—Ludo
“Stay Young, Go Dancing”—Death Cab for Cutie
“Fairest of Them All”—Slaid Cleaves
“And We’ll Dance”—Thea Gilmore
So here we are again, as Midnight Blue-Light Special takes the floor, and Verity takes a well-earned break: the next two books will focus on her brother, Alex, as he deals with some problems of his own. Thank you all so much for reading, and for supporting this series so enthusiastically. Cheese and cake for everyone!
Betsy Tinney, to whom this book is dedicated, remains my ballroom pixie godmother, explaining all the nuances of dance culture. Phil Ames is still to blame for a surprising amount of this whole mess, while my webmaster, Chris Mangum, continues to tolerate my introducing cryptids into every single conversation we have.
As always, the machete squad provided proofreading and editorial services, doing everything in their power to make this book as good as it could possibly be. Kory Bing illustrated my fantastic Field Guide to the Cryptids of North America, which you can visit at my website—I want a fricken of my very own. Tara O’Shea continued to design amazing wallpapers, icons, and internal dingbats for these books, helping to create a large, unified world. I couldn’t be more thrilled.
My agent, Diana Fox, remains my personal superhero and one of my favorite human beings. My editor at DAW, Sheila Gilbert, looked at my first draft, saw what needed fixing, and made everything better. Huge thanks to everyone at DAW, and to my cover artist, Aly Fell, who continues to bring these people to life in an amazing new way.
Thanks to my Disney World girls—Amy, Brooke, Patty, Vixy, Rachel, and of course, Mom—and to Barfleet, for service above and beyond the call of duty. Thanks to Borderlands Books, for tolerating my large, often chaotic book events. And of course, thank you. I couldn’t write these books without you.
Any errors in this book are my own. The errors that aren’t here are the ones that all these people helped me fix. Thank you.