Max Gladstone - Two Serpents Rise

He needed a bed, or a comfortable couch. He’d catch hell from Teo in the morning for stumbling in unannounced, but her apartment was closer to the office than his, and he had stashed clothes in her closet—clubbing clothes, yes, but he could salvage an outfit from them for work.

He pushed the key home, turned the knob.

Light stung his eyes, and for a confused moment he thought, good, Teo’s still awake. He stepped into the living room.

Thirty seconds and a shriek later he staggered, eyes closed, out into the hallway. The door slammed behind him. His cheeks burned. From within, he heard two women’s voices raised in argument. He waited, eyes still shut, until Teo’s words assumed the weight of finality, and the other woman retreated toward the bedroom, cursing.

The latch turned and the door opened.

“You can look now,” Teo said.

She’d wrapped herself in a plush white bathrobe, hair a tangled mass on her forehead. Compton wound sinuously between her bare feet, and licked sweat from her ankles. Over Teo’s left shoulder, Caleb saw a blonde wearing white cotton briefs and nothing else stagger into the apartment’s one bedroom and slam the door. “She seems nice,” he said, lamely. Teo didn’t respond. He tried again: “Sorry. I’ll go.”

She assessed him with a glance: clothes in disarray, hair standing up, tie crooked and loose. “What happened?”

“The Bright Mirror thing went south. There was a girl there, and she woke the Tzimet up. I have to be in the office early, but I need sleep. Hoped I could use your couch.” I didn’t realize you were using it, he thought but didn’t say. “Sorry. Dumb idea.” He didn’t want to go home. “I hope I didn’t screw up anything for you.”

She sighed. “You didn’t screw anything up. Quite the opposite, in fact.”

“I’m sorry.”

“Don’t worry about it. Sam’s emotional. An artist. She’ll be fine in the morning. The couch is yours, if you want it.”

“I shouldn’t.”

“I can’t let you stumble back out into the night looking like a half-strangled puppy. I’ll tell her you’re one of my idiot cousins or something. Don’t make me regret it.”

“Too late,” he said, but she had already turned her back on him.

Lights off, he lay on Teo’s couch in the dark, staring up at the terrifying cubist landscapes that adorned her living room. A panorama of the Battle of Dresediel Lex hung over the couch, burning pyramids and torn sky, spears of flame and ice, bodies impaled on moonlight sickles, warring gods and Craftsmen rendered in vivid scrolls of paint. One corner of the painting showed Temoc locked in single combat with the King in Red, before he fell.

Caleb’s eyes drifted shut. Tzimet towered above him, reaching toward the cold stars. Compton dug claws into his leg. He rolled onto his side. Leather creaked.

He drifted to sleep, drowning in a black sea.

Dreams of knives and blood on stone woke Caleb to the hard harsh morning, to the light beyond Teo’s windows and to the crick in his neck. He pulled himself off the white leather couch like a man pulling himself out of hell, and staggered for her bathroom, rubbing one hand over the scars that webbed his torso.

A long shower later, he dripped across Teo’s living-room carpet to the hall closet. His nightclub suit would do, a sharp pressed gray with a white shirt, so long as he left the vermilion vest and spats and cravat behind. Yesterday’s shoes were scuffed, but serviceable. He’d have them polished on the way, and find a toothbrush, too.

From Teo’s spare pantry he scrounged a bowl of polenta, and two eggs, which he scrambled. On the table as he sat down to eat, he found a note written in her sharp hand.

I’d say help yourself to breakfast, but I know you already have.

See you at work. The door will lock behind you.

Sam’s pissed, by the way. No surprise. I’ll work my way back into her good graces, but you owe me coffee, at least.

The signature was an uppercase T in pen strokes so deep they dimpled the thick parchment.

The wall clock read 9:47 A.M. Caleb ate a hurried breakfast under the baleful stares of bloodthirsty paintings, washed his plate and the frying pan, and left in a rush, realizing only after Teo’s door clicked shut behind him that he had left his hat on her coffee table.

Dresediel Lex crushed him in a cacophonous embrace. Carts and carriages and wagons clogged the street outside Teo’s building. Drivers shouted at pedestrians, horses, and other drivers as if they could break gridlock by inventive language and the threat of violence. Couatl, buzzing optera, airbuses and simple balloons tangled in the flat blue sky.

Heat ruled the city, dry dominant heat like a god’s gaze or the breath of a forge. All bowed before the heat; buildings prostrated themselves, and people slouched nearly naked beneath the beating sun. By this hour Craftsmen, bankers, brokers, and all others who dressed for work were safely ensconced in air-conditioned offices. Actors and students and night-shift workers walked the streets in shorts, light shirts, miniskirts, tunics, sleeveless ponchos. Caleb caught himself following the long bare legs of three young women down the sidewalk, and closed his eyes. A sharp smile surfaced from the confusion of his memory: the woman, Mal.

He bought a newspaper from a corner stand for two thaums—cheap enough, but his head ached from spending even a little soulstuff. Hangover, had to be. He’d won a good chunk of soul the night before, shouldn’t need to visit the bank for a week or so. The newspaper held no news about Bright Mirror Reservoir, a good sign. The King in Red did not control the press directly, but news of a crisis like Bright Mirror had to be managed.

Caleb walked two blocks to the airbus station and caught the next dirigible downtown. The bus moved west and north, threading around and beneath skyspires toward the 700 block of Sansilva, where eighty-story pyramids rose to worship the sun.

No real worship had taken place there since Liberation, of course. Still, the pyramids impressed.

The air lost its haze, and the sky retreated from the earth. Craftsmen and Craftswomen drew power from starlight and moonlight, though they could also drink from the sun, or from candles, fires, living beings. Smoke and exhaust from the city’s wagons, factories, and cooking stoves would not disturb simple, day-to-day Craft, but the Concerns of the 700 block brooked no interference with their dark and delicate work. They burned their sky clean.

In the depths of winter, when rain washed sweat from the city’s brow and flash-flood rivers coursed down alleys, the sun still beat down on the 700 block. At night, sorcerous clouds covered the poorer districts, Skittersill and Stonewood, Monicola and Central and Fisherman’s Vale, reflecting light back to earth so that, in dark Sansilva, even the faintest stars would hang exposed to hungry Craftsmen.

Caleb got off the bus a half-block from RKC’s headquarters, the obsidian pyramid at 667 Sansilva. True Quechal protesters stood outside, chanting and waving clapboard signs: NO DEMONS IN OUR WATER. THE GODS DEFEND. NO WATER WITHOUT BLOOD. Half wore modern clothes, slacks and shirts and skirts, and half garments even Caleb’s father would have thought clownishly traditional: white dresses hemmed in silver cord for the women, and cotton kilts for the men, their bare and unscarred torsos covered with Quechal glyphs in red paint. Four black-uniformed Wardens watched the crowd, arms crossed. Sunlight glinted off their badges, and off the silver planes of their faces.

As Caleb approached, a soapbox preacher pointed to him with one gnarled finger and cried, “Flee this place! Traitors walk here, traitors to blood, traitors to Gods and their own kind!”