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Iain Banks: The State of The Art

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The first ever collection of Iain Banks's short fiction, this volume includes the acclaimed novella, The State of the Art. This is a striking addition to the growing body of Culture lore, and adds definition and scale to the previous works by using the Earth of 1977 as contrast. The other stories in the collection range from science fiction to horror, dark-coated fantasy to morality tale. All bear the indefinable stamp of Iain Banks's staggering talent.

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I sat down on a tree stump, drawing my coat about me. The gun was in my hand; on, ready, ranged, set. I had tried to be thorough and professional, as though I knew what I was doing; I’d even left a hired motorbike in some bushes on the far side of the escarpment, down near the busy parkway. I might actually get away with this. So I told myself, anyway. I looked at the gun.

I considered using it to try and rescue Maust, or maybe using it to kill myself; I’d even considered taking it to the police (another, slower form of suicide). I’d also considered calling Kaddus and telling him I’d lost it, it wasn’t working, I couldn’t kill a fellow Culture citizen… anything. But in the end; nothing.

If I wanted Maust back I had to do what I’d agreed to do.

Something glinted in the skies above the city; a pattern of falling, golden lights. The central light was brighter and larger than the others.

I had thought I could feel no more, but there was a sharp taste in my mouth, and my hands were shaking. Perhaps I would go berserk, once the ship was down, and attack the Lev too; bring the whole thing smashing down (or would part of it go spinning off into space? Maybe I ought to do it just to see). I could bombard half the city from here (hell, don’t forget the curve shots; I could bombard the whole damn city from here); I could bring down the escort vessels and attacking planes and police cruisers; I could give the Vreccile the biggest shock they’ve ever had, before they got me…

The ships were over the city. Out of the sunlight, their laser-proof mirror hulls were duller now. They were still falling; maybe five kilometres up. I checked the gun again.

Maybe it wouldn’t work, I thought.

Lasers shone in the dust and grime above the city, producing tight spots on high and wispy clouds. Searchlight beams faded and spread in the same haze, while fireworks burst and slowly fell, twinkling and sparkling. The sleek ships dropped majestically to meet the welcoming lights. I looked about the tree-lined ridge; alone. A warm breeze brought the grumbling sound of the parkway traffic to me.

I raised the gun and sighted. The formation of ships appeared on the holo display, the scene noon-bright. I adjusted the magnification, fingered a command stud; the gun locked onto the flagship, became rock-steady in my hand. A flashing white point in the display marked the centre of the vessel.

I looked round again, my heart hammering, my hand held by the field-anchored gun. Still nobody came to stop me. My eyes stung. The ships hung a few hundred metres above the state buildings of the Inner City. The outer vessels remained there; the centre craft, the flagship, stately and massive, a mirror held up to the glittering city, descended towards the Great Square. The gun dipped in my hand, tracking it.

Maybe the Culture ambassador wasn’t aboard the damn ship anyway. This whole thing might be a Special Circumstances set-up; perhaps the Culture was ready to interfere now and it amused the planning Minds to have me, a heretic, push things over the edge. The Culture ambassador might have been a ruse, just in case I started to suspect… I didn’t know. I didn’t know anything. I was floating on a sea of possibilities, but parched of choices.

I squeezed the trigger.

The gun leapt backwards, light flared all around me. A blinding line of brilliance flicked, seemingly instantaneously, from me to the starship ten kilometres away. There was a sharp detonation of sound somewhere inside my head. I was thrown off the tree stump.

When I sat up again the ship had fallen. The Great Square blazed with flames and smoke and strange, bristling tongues of some terrible lightning; the remaining lasers and fireworks were made dull. I stood, shaking, ears ringing, and stared at what I’d done. Late-reacting sprinterceptiles from the escorts criss-crossed the air above the wreck and slammed into the ground, automatics fooled by the sheer velocity of the plasma bolt. Their warheads burst brightly among the boulevards and buildings of the Inner City, a bruise upon a bruise.

The noise of the first explosion smacked and rumbled over the park.

The police and the escort ships themselves were starting to react. I saw the lights of police cruisers rise strobing from the Inner City; the escort craft began to turn slowly above the fierce, flickering radiations of the wreck.

I pocketed the gun and ran down the damp path towards the bike, away from the escarpment’s lip. Behind my eyes, burnt there, I could still see the line of light that had briefly joined me to the starship; bright path indeed, I thought, and nearly laughed. A bright path in the soft darkness of the mind.

I raced down to join all the other poor folk on the run.

Odd Attachment

Depressed and dejected, his unrequited love like a stony weight inside him, Fropome looked longingly at the sky, then shook his head slowly and stared disconsolately down at the meadow in front of him.

A nearby grazer cub, eating its way across the grassy plain with the rest of the herd, started cuffing one of its siblings. Normally their master would have watched the pretended fight with some amusement, but today he responded with a low creaking noise which ought to have warned the hot-blooded little animals. One of the tumbling cubs looked up briefly at Fropome, but then resumed the tussle. Fropome flicked out a vine-limb, slapping the two cubs across their rumps. They squealed, untangled, and stumbled mewling and yelping to their mothers on the outskirts of the herd.

Fropome watched them go, then — with a rustling noise very like a sigh — returned to looking at the bright orange sky. He forgot about the grazers and the prairie and thought again about his love.

His lady-love, his darling, the One for whom he would gladly climb any hillock, wade any lakelet; all that sort of thing. His love; his cruel, cold, heartless, uncaring love.

He felt crushed, dried-up inside whenever he thought of her. She seemed so unfeeling, so unconcerned. How could she be so dismissive? Even if she didn’t love him in return, you’d have thought at least she’d be flattered to have somebody express their undying love for her. Was he so unattractive? Did she actually feel insulted that he worshipped her? If she did, why did she ignore him? If his attentions were unwelcome, why didn’t she say so?

But she said nothing. She acted as though all he’d said, everything he’d tried to express to her was just some embarrassing slip, a gaffe best ignored.

He didn’t understand it. Did she think he would say such things lightly? Did she imagine he hadn’t worried over what to say and how to say it, and where and when? He’d stopped eating! He hadn’t slept for nights! He was starting to turn brown and curl up at the edges! Food-birds were setting up roosts in his nestraps!

A grazer cub nuzzled his side. He picked the furry little animal up in a vine, lifted it up to his head, stared at it with his four front eyes, sprayed it with irritant and flung it whimpering into a nearby bush.

The bush shook itself and made a grumbling noise. Fropome apologized to it as the grazer cub disentangled itself and scuttled off, scratching furiously.

Fropome would rather have been alone with his melancholy, but he had to watch over the grazer herd, keeping them out of acidcloys, pitplants and digastids, sheltering them from the foodbirds' stupespittle and keeping them away from the ponderously poised boulderbeasts.

Everything was so predatory. Couldn’t love be different? Fropome shook his withered foliage.

Surely she must feel something . They’d been friends for seasons now; they got on well together, they found the same things amusing, they held similar opinions… if they were so alike in these respects, how could he feel such desperate, feverish passion for her and she feel nothing for him? Could this most basic root of the soul be so different when everything else seemed so in accord?

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