Iain Banks: The State of The Art

They went back to the car; it hummed into the night, tyres ripping at the rain-filled streets. I was left to watch the puddles grow, the gun hanging in my hand like guilt.

'I am a Light Plasma Projector, model LPP 91, series two, constructed in A/4882.4 at Manufactury Six in the Span-shacht-Trouferre Orbital, Ørvolöus Cluster. Serial number 3685706. Brain value point one. AM battery powered, rating: indefinite. Maximum power on single-bolt: 3.1x8 10joules, recycle time 14 seconds. Maximum rate of fire: 260 RPS. Use limited to Culture genofixed individuals only through epidermal gene analysis. To use with gloves or light armour, access "modes" store via command buttons. Unauthorized use is both prohibited and punishable. Skill requirement 12-75%C. Full instructions follow; use command buttons and screen to replay, search, pause or stop…

'Instructions, part one: Introduction. The LPP 91 is an operationally intricate general-purpose "peace"-rated weapon not suitable for full battle use; its design and performance parameters are based on the recommendations of—'

The gun sat on the table, telling me all about itself in a high, tinny voice while I lay slumped in a lounger, staring out over a busy street in Vreccis Low City. Underground freight trains shook the rickety apartment block every few minutes, traffic buzzed at street level, rich people and police moved through the skies in fliers and cruisers, and above them all the starships sailed.

I felt trapped between these strata of purposeful movements.

Far in the distance over the city, I could just see the slender, shining tower of the city’s Lev tube, rising straight towards and through the clouds, on its way to space. Why couldn’t the Admiral use the Lev instead of making a big show of returning from the stars in his own ship? Maybe he thought a glorified elevator was too undignified. Vainglorious bastards, all of them. They deserved to die (if you wanted to take that attitude), but why did I have to be the one to kill them? Goddamned phallic starships.

Not that the Lev was any less prick-like, and anyway, no doubt if the Admiral had been coming down by the tube Kaddus and Cruizell would have told me to shoot it down; holy shit. I shook my head.

I was holding a long glass of jahl — Vreccis City’s cheapest strong booze. It was my second glass, but I wasn’t enjoying it. The gun chattered on, speaking to the sparsely furnished main room of our apartment. I was waiting for Maust, missing him even more than usual. I looked at the terminal on my wrist; according to the time display he should be back any moment now. I looked out into the weak, watery light of dawn. I hadn’t slept yet.

The gun talked on. It used Marain, of course; the Culture’s language. I hadn’t heard that spoken for nearly eight standard years, and hearing it now I felt sad and foolish. My birthright; my people, my language. Eight years away, eight years in the wilderness. My great adventure, my renunciation of what seemed to me sterile and lifeless to plunge into a more vital society, my grand gesture… well, now it seemed like an empty gesture, now it looked like a stupid, petulant thing to have done.

I drank some more of the sharp-tasting spirit. The gun gibbered on, talking about beam-spread diameters, gyroscopic weave patterns, gravity-contour mode, line-of-sight mode, curve shots, spatter and pierce settings… I thought about glanding something soothing and cool, but I didn’t; I had vowed not to use those cunningly altered glands eight years ago, and I’d broken that vow only twice, both times when I was in severe pain. Had I been courageous I’d have had the whole damn lot taken out, returned to their human-normal state, our original animal inheritance… but I am not courageous. I dread pain, and cannot face it naked, as these people do. I admire them, fear them, still cannot understand them. Not even Maust. In fact, least of all Maust. Perhaps you cannot ever love what you completely understand.

Eight years in exile, lost to the Culture, never hearing that silky, subtle, complexly simple language, and now when I do hear Marain, it’s from a gun, telling me how to fire it so I can kill… what? Hundreds of people? Maybe thousands; it will depend on where the ship falls, whether it explodes (could primitive starships explode? I had no idea; that was never my field). I took another drink, shook my head. I couldn’t do it.

I am Wrobik Sennkil, Vreccile citizen number… (I always forget; it’s on my papers), male, prime race, aged thirty; part-time freelance journalist (between jobs at the moment), and full-time gambler (I tend to lose but I enjoy myself, or at least I did until last night). But I am, also, still Bahlln-Euchersa Wrobich Vress Schennil dam Flaysse, citizen of the Culture, born female, species mix too complicated to remember, aged sixty-eight, standard, and one-time member of the Contact section.

And a renegade; I chose to exercise the freedom the Culture is so proud of bestowing upon its inhabitants by leaving it altogether. It let me go, even helped me, reluctant though I was (but could I have forged my own papers, made all the arrangements by myself? No, but at least, after my education into the ways of the Vreccile Economic Community, and after the module rose, dark and silent, back into the night sky and the waiting ship, I have turned only twice to the Culture’s legacy of altered biology, and not once to its artefacts. Until now; the gun rambles on). I abandoned a paradise I considered dull for a cruel and greedy system bubbling with life and incident; a place I thought I might find… what? I don’t know. I didn’t know when I left and I don’t know yet, though at least here I found Maust, and when I am with him my searching no longer seems so lonely.

Until last night that search still seemed worthwhile. Now Utopia sends a tiny package of destruction, a casual, accidental message.

Where did Kaddus and Cruizell get the thing? The Culture guards its weaponry jealously, even embarrassedly. You can’t buy Culture weapons, at least not from the Culture. I suppose things go missing though; there is so much of everything in the Culture that objects must be mislaid occasionally. I took another drink, listening to the gun, and watching that watery, rainy-season sky over the rooftops, towers, aerials, dishes and domes of the Great City. Maybe guns slip out of the Culture’s manicured grasp more often than other products do; they betoken danger, they signify threat, and they will only be needed where there must be a fair chance of losing them, so they must disappear now and again, be taken as prizes.

That, of course, is why they’re built with inhibiting circuits which only let the weapons work for Culture people (sensible, non-violent, non-acquisitive Culture people, who of course would only use a gun in self-defence, for example, if threatened by some comparative barbarian… oh the self-satisfied Culture: its imperialism of smugness). And even this gun is antique; not obsolescent (for that is not a concept the Culture really approves of — it builds to last), but outdated; hardly more intelligent than a household pet, whereas modern Culture weaponry is sentient.

The Culture probably doesn’t even make handguns any more. I’ve seen what it calls Personal Armed Escort Drones, and if, somehow, one of those fell into the hands of people like Kaddus and Cruizell, it would immediately signal for help, use its motive power to try and escape, shoot to injure or even kill anybody trying to use or trap it, attempt to bargain its way out, and destruct if it thought it was going to be taken apart or otherwise interfered with.

I drank some more jahl. I looked at the time again; Maust was late. The club always closed promptly, because of the police. They weren’t allowed to talk to the customers after work: he always came straight back… I felt the start of fear, but pushed it away. Of course he’d be all right. I had other things to think about. I had to think this thing through. More jahl.