John Shirley - A Song Called Youth

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A Song Called Youth: краткое содержание, описание и аннотация

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In a near-future dystopia, a limited nuclear strike has destroyed portions of Europe, bringing the remaining nation-cities under control of the Second Alliance, a frighteningly fundamentalist international security corporation with designs on world domination. The only defense against the Alliance’s creeping totalitarianism is the New Resistance, a polyglot team of rebels that includes Rick Rickenharp, a retro-rocker whose artistic and political sensibilities intertwine, and John Swenson, a mole who has infiltrated the Alliance. As the fight continues and years progress, so does the technology and brutality of the Alliance… but ordinary people like the damaged visionary Smoke, Claire Rimpler on FirStep, and Dance Torrence and his fellow urban warriors on Earth are bound together by the truth and a single purpose: to keep the darkness from becoming humankind’s Total Eclipse—or die trying!
An omnibus of all three novels—revised by the author—of the prophetic, still frighteningly relevant cyberpunk masterpieces:
,
, and
. With an introduction by Richard Kadrey and biographical note by Bruce Sterling. “John Shirley was cyberpunk’s patient zero, first locus of the virus, certifiably virulent.”
—William Gibson

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“A ‘corporate family’ isn’t a real family. They’re using you. Look what they got you to do! To me!

“You got some seven hundred thousand newbux. That’s more than you would ever have made on any of your harebrained schemes. If you worked for one of the big companies you’d be making decent money in the first place. You insist on being freelance, so you’re left out in the cold, and you should be grateful for what they—” She snipped the sentence in two with a brisk sibilance and turned away.

“So we’ve dropped the pretenses now. You’re saying I should be grateful for the money Worldtalk gave me. Julie— what did they take from my memory?

“I don’t know! You didn’t tell me what you were working on and—anyway I don’t believe they took anything. I—goddammit.” She went to the bathroom to pointedly take her Restem, making a lot of noise opening the prescription bottle so he’d hear and know it was his fault she had to take a tranquilizer.

Kessler was in a bar with his attorney, Bascomb. Herman Bascomb was drunk, and drugged. The disorder of his mind seemed splashed onto the room around him: the dancers, the lights, the holograms that made it look, in the smoky dimness, as if someone was there dancing beside you who wasn’t. A touristy couple on the dance floor stopped and stared at another couple: horned, half-human, half-reptile, she with her tongue darting from between rouged lips; he with baroque fillips of fire flicking from his flattened nostrils. The touristy couple laughed off their embarrassment when the DJ turned off the holo and the demon couple vanished.

Bascomb chuckled and sucked some of his cocaine fizz through a straw that lit up with miniature advertisements when it was used, lettering flickering luminous green up and down its length. Bascomb was young, tanned, and preppie; he wore an iridescent Japanese Action Suit.

Sitting beside him, Kessler squirmed on his barstool and ordered another scotch. He wasn’t comfortable with Bascomb like this. Kessler was used to seeing Bascomb in his office, a neat component of Featherstone, Pestlestein, and Bascomb, Attorneys at Law, friendly but not too friendly, intense but controlled.

My own fault, Kessler told himself; chase the guy down when he’s off work, hassle his wife till she tells me where he hangs out, find out things I don’t want to know. Like the fact that he’s bisexual and flirting with the waiter.

The bar was circular, rotating slowly through the club, leaving the dance floor behind now to arrive at the cruising rooms. As they talked it turned slowly past flesh-pink holographic porn squirmings and edged into the soft music lounge. Each room had its own idiosyncratic darkness, shot through with the abstracted glamour of the candy-apple-red and hot-pink and electric-blue neon running up the corners to zigzag the ceiling like a time-lapse photo of nighttime traffic. The kitschy design was another annoyance for Kessler.

Bascomb turned on his stool to look at the porn and the live copulation; his mouth was open in a lax smile. Kessler looked over his shoulder. Again in the dimness the holos were nearly indistinguishable from the real article; a drunken swinger tried to fondle a woman with four breasts, only to walk through her, discovering her unreal. “Do we have to talk here?” Kessler asked, turning back to the bar.

Bascomb ignored the question and returned to an earlier one. “The bottom line, Jim, is that you are a nobody. Now, if you were, say, a Nobel-Prize-winning professor at Stanford, we might be able to get you your day in court, we might get a grand jury to investigate the people at Worldtalk…” Bascomb was talking without looking away from the intermingling porn and people. “But as it is you’re a mildly successful video editor who makes a hobby of working up a lot of rather ingenuous media theories. Every day some crank or someone looking for attention announces a Great Idea has been stolen from their brains, and ninety-nine percent of the time they turn out to be paranoids or liars or both. I’m not saying you’re a paranoid or a liar. I believe you. I’m just saying I’m probably the only one who will.”

“But I have the seven hundred sixty thousand NB… that shouldn’t be there. That ought to be proof of something.”

“Did you request the name of the depositor?”

“Unrecorded.”

“Then how are you going to prove a connection?”

“I don’t know. But I know an idea was stolen from me. I want it back, Bascomb. And I can’t work it up again on my own from scratch—they took all my notes, files, recent research, everything that could lead me back to it.”

“Sucks.” Bascomb said sympathetically. They had rotated into the lounge; people on couches watched videos and conversed softly. Sometimes they were talking to holos; you knew when you were talking to a holo because they said outrageous things. They were programmed that way to ease the choking boredom of lounge-bar conversation. “I want it back, Bascomb.” Kessler repeated, his knuckles white on the rim of the bar.

Bascomb shrugged and said, “You haven’t been in this country long; maybe you don’t know how it works. First off, you have to understand that…” He paused to sip from his cocaine fizz; he became more animated almost instantly, chattering on: “You have to understand that you can’t get it back the way it was taken. Whoever it was probably came in while you were asleep. Which adds credence to your theory that Julie was involved. She waits up or pretends to sleep, lets them in, they gas you to keep you out, shoot you up with the receptivity drug. They’ve got microsurgicals in the big box they’ve brought with them, right? They look at the screen they’ve set up that translates your impulses into a code they can understand. They get some dream free-association maybe. But that tells them they’re ‘on-line’ in your brain. Then they put a request to the brain, fed into it in the form of neurohormonal transmitter molecules they manufacture in their box—”

“How do you know so much about this?” Kessler asked, unable to keep the edge of suspicion out of his voice.

“We get a case like yours once or twice a year. I did a lot of research on it. The ACLU has a small library on the subject. It really gets their goat. We didn’t win those cases, by the way; they’re tough to prove…” He paused to sip his fizz, his eyes sparkling and dilated. Kessler was annoyed by Bascomb’s treating his case like a conversation piece.

“Let’s get back to what happened to me.”

“Okay, uh—so they made a request to the biological computer we call a brain, right? They asked it what it knew about whatever it was they wanted to take from you, and your brain automatically begins to think about it and sends signals to the cortex of the temporal lobes or to the hippocampus; they ‘ride’ the electrochemical signals back to the place where the information is stored. They use tracer molecules that attach themselves to the chemical signals. When they reach the hippocampus or the temporal lobes, the tracer molecules act as enzymes to command the brain to simply unravel that particular chemical code. They break it down on the molecular level. They extract some things connected to it, and the chain of ideas that led to it, but they don’t take so much they make you an idiot because they probably want your wife to cooperate and to stay with Worldtalk. You might not be close but she’s doesn’t need the guilt. Anyway, the brain chemistry is such that you can ask the brain a question with neurohumoral transmitter molecules, but you can’t imprint on the memory, in an orderly way. You can feed in experiences, things which seem to be happening now—you can even implant them ready-made so they crop up at a given stimulus—but you can’t feed in ready-made memories. Probably that’s ’cause memories are holographic, involving complexes of cell groups. Like you can pull a thread to unravel a coat fairly easily but you can’t ravel it back up so easily… Look at that exquisite creature over there, she’s lovely, isn’t she? Like to do some imprinting on her. I wonder if she’s real. Uh, anyway… You can’t put it back in. They take out, selectively, any memory of anything that might make you suspect they tampered with you, but lots of people begin to suspect anyway, because when they free associate over familiar pathways of the brain and then come to a gap—well, it’s jarring. But they can’t prove anything.”

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