Fritz Leiber: Swords Against Death

“I wonder whose skull this may be?” said the Northerner calmly.

The Mouser regarded the thing, and the scattering of bones and fragments of bone beside it. His feeling of uneasiness was fast growing toward a climax, and he had the unpleasant conviction that, once it did reach a climax, something would happen. What was the answer to Fafhrd's question? What form of death had struck down that earlier intruder? It was very dark inside the treasure house. Didn't the manuscript mention something about a guardian? It was hard to think of a flesh-and-blood guardian persisting for three hundred years, but there were things that were immortal or nearly immortal. He could tell that Fafhrd was not in the least affected by any premonitory disquietude, and was quite capable of instituting an immediate search for the treasure. That must be prevented at all costs. He remembered that the Northerner loathed snakes.

“This cold, damp stone,” he observed casually. “Just the place for scaly, cold-blooded snakes."

“Nothing of the sort,” replied Fafhrd angrily. “I'm willing to wager there's not a single serpent inside. Urgaan's note said, ‘No deadly creature in rocky lair,’ and to cap that, ‘no serpent lethal-fanged yet fair.’”

“I am not thinking of guardian snakes Urgaan may have left here,” the Mouser explained, “but only of serpents that may have wandered in for the night. Just as that skull you hold is not one set there by Urgaan ‘with mortal eye a-glare,’ but merely the brain-case of some unfortunate wayfarer who chanced to perish here."

“I don't know,” Fafhrd said, calmly eyeing the skull.

“Its orbits might glow phosphorescently in absolute dark."

A moment later he was agreeing it would be well to postpone the search until daylight returned, now that the treasure house was located. He carefully replaced the skull.

As they re-entered the woods, the Mouser heard a little inner voice whispering to him, Just in time. Just in time. Then the sense of uneasiness departed as suddenly as it had come, and he began to feel somewhat ridiculous. This caused him to sing a bawdy ballad of his own invention, wherein demons and other supernatural agents were ridiculed obscenely. Fafhrd chimed in good-naturedly on the choruses.

It was not as dark as they expected when they reached the cottage. They saw to their horses, found they had been well cared for, and then fell to the savory mess of beans, porridge, and pot herbs that the peasant's wife ladled into oak bowls. Fresh milk to wash it down was provided in quaintly carved oak goblets. The meal was a satisfying one and the interior of the house was neat and clean, despite its stamped earthen floor and low beams, which Fafhrd had to duck.

There turned out to be six in the family, all told. The father, his equally thin and leathery wife, the older son, a young boy, a daughter, and a mumbling grandfather, whom extreme age confined to a chair before the fire. The last two were the most interesting of the lot.

The girl was in the gawkish age of mid-adolescence, but there was a wild, coltish grace in the way she moved her lanky legs and slim arms with their prominent elbows. She was very shy, and gave the impression that at any moment she might dart out the door and into the woods.

In order to amuse her and win her confidence, the Mouser began to perform small feats of legerdemain, plucking copper coins out of the ears of the astonished peasant, and bone needles from the nose of his giggling wife. He turned beans into buttons and back again into beans, swallowed a large fork, made a tiny wooden manikin jig on the palm of his hand, and utterly bewildered the cat by pulling what seemed to be a mouse out of its mouth.

The old folks gaped and grinned. The little boy became frantic with excitement. His sister watched everything with concentrated interest, and even smiled warmly when the Mouser presented her with a square of fine, green linen he had conjured from the air, although she was still too shy to speak.

Then Fafhrd roared sea-chanteys that rocked the roof and sang lusty songs that set the old grandfather gurgling with delight. Meanwhile the Mouser fetched a small wineskin from his saddlebags, concealed it under his cloak, and filled the oak goblets as if by magic. These rapidly fuddled the peasants, who were unused to so potent a beverage, and by the time Fafhrd had finished telling a bloodcurdling tale of the frozen north, they were all nodding, save the girl and the grandfather.

The latter looked up at the merry-making adventurers, his watery eyes filled with a kind of impish, senile glee, and mumbled, “You two be right clever men. Maybe you be beast-dodgers.” But before this remark could be elucidated, his eyes had gone vacant again, and in a few moments he was snoring.

Soon all were asleep, Fafhrd and the Mouser keeping their weapons close at hand, but only variegated snores and occasional snaps from the dying embers disturbed the silence of the cottage.

The Day of the Cat dawned clear and cool. The Mouser stretched himself luxuriously and, catlike, flexed his muscles and sucked in the sweet, dewy air. He felt exceptionally cheerful and eager to be up and doing. Was not this his day, the day of the Gray Mouser, a day in which luck could not fail him?

His slight movements awakened Fafhrd and together they stole silently from the cottage so as not to disturb the peasants, who were oversleeping with the wine they had taken. They refreshed their faces and hands in the wet grass and visited their horses. Then they munched some bread, washed it down with drafts of cool well water flavored with wine, and made ready to depart.

This time their preparations were well thought out. The Mouser carried a mallet and a stout iron pry-bar, in case they had to attack masonry, and made certain that candles, flint, wedges, chisels, and several other small tools were in his pouch. Fafhrd borrowed a pick from the peasant's implements and tucked a coil of thin, strong rope in his belt. He also took his bow and quiver of arrows.

The forest was delightful at this early hour. Bird cries and chatterings came from overhead, and once they glimpsed a black, squirrel-like animal scampering along a bough. A couple of chipmunks scurried under a bush dotted with red berries. What had been shadow the evening before was now a variety of green-leafed beauty. The two adventurers trod softly.

They had hardly gone more than a bowshot into the woods when they heard a faint rustling behind them. The rustling came rapidly nearer, and suddenly the peasant girl burst into view. She stood breathless and poised, one hand touching a treetrunk, the other pressing some leaves, ready to fly away at the first sudden move. Fafhrd and the Mouser stood as stock-still as if she were a doe or a dryad. Finally she managed to conquer her shyness and speak.

“You go there?” she questioned, indicating the direction of the treasure house with a quick, ducking nod. Her dark eyes were serious.

“Yes, we go there,” answered Fafhrd, smiling.

“Don't.” This word was accompanied by a rapid head-shake.

“But why shouldn't we, girl?” Fafhrd's voice was gentle and sonorous, like an integral part of the forest. It seemed to touch some spring within the girl that enabled her to feel more at ease. She gulped a big breath and began.

“Because I watch it from edge of the forest, but never go close. Never, never, never. I say to myself there be a magic circle I must not cross. And I say to myself there be a giant inside. Queer and fearsome giant.” Her words were coming rapidly now, like an undammed stream. “All gray he be, like the stone of his house. All gray — eyes and hair and fingernails, too. And he has a stone club as big as a tree. And he be big, bigger than you, twice as big.” Here she nodded at Fafhrd. “And with his club he kills, kills, kills. But only if you go close. Every day, almost, I play a game with him. I pretend to be going to cross the magic circle. And he watches from inside the door, where I can't see him, and he thinks I'm going to cross. And I dance through the forest all around the house, and he follows me, peering from the little windows. And I get closer and closer to the circle, closer and closer. But I never cross. And he be very angry and gnash his teeth, like rocks rubbing rocks, so that the house shakes. And I run, run, run away. But you mustn't go inside. Oh, you mustn't."