Fritz Leiber - Swords Against Death

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Swords Against Death
The Fafhrd and Gray Mouser stories follow the lives of two larcenous but likable rogues as they adventure across the fantasy world of Nehwon. The pieces in
follow the duo as they shake the dust of Lankhmar from their feet in the wake of the deaths their of their first loves. There follow a miscellaneous series of adventures from their wanderings.

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What Vlana and Ivrian thought of all this in their eternal dwelling in the Shadowland is entirely their business and that of Death, on whose horrid visage they now could look with no fear whatever.

X: Bazaar of the Bizarre

The strange stars of the World of Nehwon glinted thickly above the black-roofed city of Lankhmar, where swords clink almost as often as coins. For once there was no fog.

In the Plaza of Dark Delights, which lies seven blocks south of the Marsh Gate and extends from the Fountain of Dark Abundance to the Shrine of the Black Virgin, the shop-lights glinted upward no more brightly than the stars glinted down. For there the vendors of drugs and the peddlers of curiosa and the hawkers of assignations light their stalls and crouching places with foxfire, glowworms, and fire-pots with tiny single windows, and they conduct their business almost as silently as the stars conduct theirs.

There are plenty of raucous spots a-glare with torches in nocturnal Lankhmar, but by immemorial tradition soft whispers and a pleasant dimness are the rule in the Plaza of Dark Delights. Philosophers often go there solely to meditate, students to dream, and fanatic-eyed theologians to spin like spiders abstruse new theories of the Devil and of the other dark forces ruling the universe. And if any of these find a little illicit fun by the way, their theories and dreams and theologies and demonologies are undoubtedly the better for it.

Tonight, however, there was a glaring exception to the darkness rule. From a low doorway with a trefoil arch new-struck through an ancient wall, light spilled into the Plaza. Rising above the horizon of the pavement like some monstrous moon a-shine with the ray of a murderous sun, the new doorway dimmed almost to extinction the stars of the other merchants of mystery.

Eerie and unearthly objects for sale spilled out of the doorway a little way with the light, while beside the doorway crouched an avid-faced figure clad in garments never before seen on land or sea… in the World of Nehwon. He wore a hat like a small red pail, baggy trousers, and outlandish red boots with upturned toes. His eyes were as predatory as a hawk's, but his smile as cynically and lasciviously cajoling as an ancient satyr's.

Now and again he sprang up and pranced about, sweeping and re-sweeping with a rough long broom the flagstones as if to clean path for the entry of some fantastic emperor, and he often paused in his dance to bow low and loutingly, but always with upglancing eyes, to the crowd gathering in the darkness across from the doorway and to swing his hand from them toward the interior of the new shop in a gesture of invitation at once servile and sinister.

No one of the crowd had yet plucked up courage to step forward into the glare and enter the shop, or even inspect the rarities set out so carelessly yet temptingly before it. But the number of fascinated peerers increased momently. There were mutterings of censure at the dazzling new method of merchandising — the infraction of the Plaza's custom of darkness — but on the whole the complaints were outweighed by the gasps and murmurings of wonder, admiration and curiosity kindling ever hotter.

The Gray Mouser slipped into the Plaza at the Fountain end as silently as if he had come to slit a throat or spy on the spies of the Overlord. His ratskin moccasins were soundless. His sword Scalpel in its mouseskin sheath did not swish ever so faintly against either his tunic or cloak, both of gray silk curiously coarse of weave. The glances he shot about him from under his gray silk hood half thrown back were freighted with menace and a freezing sense of superiority.

Inwardly the Mouser was feeling very much like a schoolboy — a schoolboy in dread of rebuke and a crushing assignment of homework. For in the Mouser's pouch of ratskin was a note scrawled in dark brown squid-ink on silvery fish-skin by Sheelba of the Eyeless Face, inviting the Mouser to be at this spot at this time.

Sheelba was the Mouser's supernatural tutor and — when the whim struck Sheelba — guardian, and it never did to ignore his invitations, for Sheelba had eyes to track down the unsociable though he did not carry them between his cheeks and forehead.

But the tasks Sheelba would set the Mouser at times like these were apt to be peculiarly onerous and even noisome — such as procuring nine white cats with never a black hair among them, or stealing five copies of the same book of magic runes from five widely separated sorcerous libraries or obtaining specimens of the dung of four kings living or dead — so the Mouser had come early, to get the bad news as soon as possible, and he had come alone, for he certainly did not want his comrade Fafhrd to stand snickering by while Sheelba delivered his little wizardly homilies to a dutiful Mouser… and perchance thought of extra assignments.

Sheelba's note, invisibly graven somewhere inside the Mouser's skull, read merely, When the star Akul bedizens the Spire of Rhan, be you by the Fountain of Dark Abundance, and the note was signed only with the little featureless oval which is Sheelba's sigil.

The Mouser glided now through the darkness to the Fountain, which was a squat black pillar from the rough rounded top of which a single black drop welled and dripped every twenty elephant's heartbeats.

The Mouser stood beside the Fountain and, extending a bent hand, measured the altitude of the green star Akul. It had still to drop down the sky seven finger widths more before it would touch the needle-point of the slim star-silhouetted distant minaret of Rhan.

The Mouser crouched doubled-up by the black pillar and then vaulted lightly atop it to see if that would make any great difference in Akul's attitude. It did not.

He scanned the nearby darkness for motionless figures… especially that of one robed and cowled like a monk — cowled so deeply that one might wonder how he saw to walk. There were no figures at all.

The Mouser's mood changed. If Sheelba chose not to come courteously beforehand, why he could be boorish too! He strode off to investigate the new bright arch-doored shop, of whose infractious glow he had become inquisitively aware at least a block before he had entered the Plaza of Dark Delights.

Fafhrd the Northerner opened one wine-heavy eye and without moving his head scanned half the small firelit room in which he slept naked. He shut that eye, opened the other, and scanned the other half.

There was no sign of the Mouser anywhere. So far so good! If his luck held, he would be able to get through tonight's embarrassing business without being jeered at by the small gray rogue.

He drew from under his stubbly cheek a square of violet serpent-hide pocked with tiny pores so that when he held it between his eyes and the dancing fire it made stars. Studied for a time, these stars spelled out obscurely the message: When Rhan-dagger stabs the darkness in Akul-heart, seek you the Source of the Black Drops.

Drawn boldly across the prickholes in an orange-brown like dried blood — in fact spanning the violet square — was a seven-armed swastika, which is one of the sigils of Ningauble of the Seven Eyes.

Fafhrd had no difficulty in interpreting the Source of the Black Drops as the Fountain of Dark Abundance. He had become wearily familiar with such cryptic poetic language during his boyhood as a scholar of the singing skalds.

Ningauble stood to Fafhrd very much as Sheelba stood to the Mouser except that the Seven-Eyed One was a somewhat more pretentious archimage, whose taste in the thaumaturgical tasks he set Fafhrd ran in larger directions, such as the slaying of dragons, the sinking of four-masted magic ships, and the kidnapping of ogre-guarded enchanted queens.

Also, Ningauble was given to quiet realistic boasting, especially about the grandeur of his vast cavern-home, whose stony serpent-twisting back corridors led, he often averred, to all spots in space and time — provided Ningauble instructed one beforehand exactly how to step those rocky crooked low-ceilinged passageways.

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