Fritz Leiber: Swords Against Death

“Three in a night,” she cried. “You have killed the third. It is well, falconer.”

Stravas could be heard saying in a gasping voice, “I know you. I know you."

Still the falconer advanced, until she said quietly, “What is it? What do you want?” Then the falconer leaped at her with catlike swiftness and advanced the bloody sword so that it glittered redly against the black fabric covering her bosom.

And Fafhrd heard the Mouser say, “Move not, Atya. Nor command your birds to any evil action. Or you will die in a wink, as your falconer and his black pet died.”

For five choking heartbeats there was dead silence. Then the woman on the altar began to breathe in a dry, strangled way, and utter short, broken cries that were almost croakings.

Some of the black birds rose from their perches and beat about uncertainly, dipping in and out of the shafts of moonlight, though keeping clear of the altar. The woman began to sway and rock from side to side. The sword followed her unalterably, like a pendulum.

Fafhrd noted the second falconer move up beside him, raising his shortsword for a throw. Putting all his strength into one mighty leverage of wrist and forearm, Fafhrd snapped the last of the lashings, ponderously heaved himself and the chair up and forward, caught the falconer's wrist as it started to whip the shortsword forward, and hurtled down with him to the floor. The falconer squealed in pain and a bone snapped. Fafhrd lay heavily atop him, staring at the leather-masked, gauntleted Mouser and the woman.

“Two falconers in a night,” said the Mouser, mimicking the woman. “It is well, Fafhrd.” Then he continued pitilessly, “The masquerade is over, Atya. Your vengeance on the highborn women of Lankhmar has come to an end. Ah, but fat Muulsh will be surprised at his little dove! To steal even your own jewels! Almost too cunning, Atya!”

A cry of bitter anguish and utter defeat came from the woman, in which her humiliation and weakness showed naked. But then she ceased to sway and a look of utter desperation tightened her decadent face.

“To the Mountains of Darkness!” she cried out wildly. “To the Mountains of Darkness! Bear Tyaa's tribute to Tyaa's last stronghold!” And she followed this with a series of strange whistles and trillings and screams.

At this all the birds rose together, though still keeping clear of the altar. They milled wildly, giving vent to varied squawlings, which the woman seemed to answer.

“No tricks now, Atya!” said the Mouser. “Death is close.”

Then one of the black fowls dipped to the floor, clutched an emerald-studded bracelet, rose again, and beat with it through a deep embrasure in that wall of the temple which overlooked the River Hlal. One after another, the other birds followed its example.

As if in some grotesque ritual procession, they sailed out into the night, bearing a fortune in their claws: necklaces, brooches, rings and pins of gold, silver, and electrum set with all colors of jewels, palely rich in the moonlight.

After the last three for whom no jewels were left vanished, Atya raised her black-draped arms toward the two outjutting sculptures of winged women, as if imploring a miracle, gave voice to a mad lonely wail, recklessly sprang from the altar, and ran after the birds.

The Mouser did not strike, but followed her, his sword dangerously close. Together they plunged into the embrasure. There was another cry, and after a little the Mouser returned alone and came over to Fafhrd. He cut Fafhrd's bonds, and pulled away the chair, helping him up. The injured falconer did not move, but lay whimpering softly.

“She sprang into the Hlal?” asked Fafhrd, his throat dry. The Mouser nodded.

Fafhrd dazedly rubbed his forehead. But his mind was clearing, as the effects of the poison waned.

“Even as the names were the same,” he mumbled softly. “Atya and Tyaa!”

The Mouser went toward the altar and began to saw at the lashings of the cutpurse. “Some of your men tried to pepper me tonight, Stravas,” he said lightly. “I had no easy time eluding them and finding my way up the choked stairs.”

“I am sorry for that — now,” said Stravas.

“They were your men too, I suppose, who went jewel-stealing to Muulsh's house tonight?”

Stravas nodded, uncramping loosened limbs. “But I hope we're allies now,” he answered, “although there's no loot to share, except for some worthless glass and gew gaws.” He laughed grimly. “Was there no way to get rid of those black demons without losing all?”

“For a man plucked from the beak of death, you are very greedy, Stravas,” said the Mouser. “But I suppose it's your professional training. No, I for one am glad the birds have fled. Most of all I feared they would get out of hand — as would surely have happened had I killed Atya. Only she could control them. Then we'd have died surely. Observe how Fafhrd's arm is swollen.”

“Perhaps the birds will bring the treasure back,” said Stravas hopefully.

“I do not think so,” answered the Mouser.

Two nights later, Muulsh, the moneylender, having learned something of these matters from a broken-armed falconer who had long been employed to care for his wife's songbirds, sprawled comfortably on the luxurious bed in his wife's room. One pudgy hand clasped a goblet of wine, the other that of a pretty maid who had been his wife's hairdresser.

“I never really loved her,” he said, pulling the demurely smiling wench toward him. “It was only that she used to goad and frighten me.”

The maid gently disengaged her hand.

“I just want to hang the coverings on those cages,” she explained. “Their eyes remind me of hers.” And she shivered delicately under her thin tunic.

When the last songbird was shrouded and silent, she came back and sat on his knee.

Gradually the fear left Lankhmar. But many wealthy women continued to wear silver cages over their features, considering it a most enchanting fashion. Gradually style altered the cages to soft masks of silver network.

And some time afterward the Mouser said to Fafhrd, “There is a thing I have not told you. When Atya leaped into the Hlal, it was full moonlight. Yet somehow my eyes lost her as she fell, and I saw no splash whatever, although I peered closely. Then, as I lifted my head, I saw the end of that ragged procession of birds across the moon. Behind them came, I thought, a very much larger bird, flapping strongly.”

“And you think…” asked Fafhrd.

“Why, I think Atya drowned in the Hlal,” said the Mouser.

The big barbarian Fafhrd, outcast of the World of Nehwon's Cold Waste and forever a foreigner in the land and city of Lankhmar, Nehwon's most notable area, and the small but deadly swordsman the Gray Mouser, a stateless person even in careless, unbureaucratic Nehwon, and man without a country (that he knew of), were fast friends and comrades from the moment they met in Lankhmar City near the intersection of Gold and Cash Streets. But they never shared a home. For one obvious thing, they were by nature, except for their companionship, loners; and such are almost certain to be homeless. For another, they were almost always adventuring, tramping, or exploring, or escaping from the deadly consequences of past misdeeds and misjudgments. For a third, their first and only true loves — Fafhrd's Vlana and the Mouser's Ivrian — were foully murdered (and bloodily though comfortlessly revenged) the first night the two young men met, and any home without a best-loved woman is a chilly place. For a fourth, they habitually stole all their possessions, even their swords and daggers, which they always named Graywand and Heartseeker and Scalpel and Cat's Claw, no matter how often they lost them and pilfered replacements — and homes are remarkably difficult to steal. Here, of course, one does not count tents, inn-lodgings, caves, palaces in which one happens to be employed or perhaps the guest of a princess or queen, or even shacks one rents for a while, as the Mouser and Fafhrd briefly and later did in an alley near the Plaza of Dark Delights.