Ellen Datlow - Sirens and Other Daemon Lovers

It was not long past my thirtieth birthday and, following the celebrations, my latest beloved, Delphina Corcos, had sent her maid to me with a letter, which advised me she had taken herself off to a distant temple, where she vowed to serve the Blind Eunuch of Chastity for eternity. Her decision had been swayed by a dream of brutish masculinity, in which I figured in some way—I forget the details now.

The banners of my birthday fete still adorned my halls, and I tore them down myself, in full sight of me servants, ranting against the whims of all women, to whom the security of love seemed to mean little at all. The letter in all its brevity was lost amid the debris. I dare say some maid picked it up in order to laugh at my loss with her female colleagues.

Still hot with grief and rage, I locked myself in my private rooms and here sat contemplating my hurts, with the light of summer shuttered away at the windows. Women: demonesses all! I heard the feet of servants patter past my doors, their whispers. Later, my steward would be sent to me by the housekeeper, and then, after hearing his careful inquiries as to my state of mind, I might consider reappearing in the house for dinner. Until then, I intended to surrender myself entirely to the indulgence of bitterness.

In the gloom, my little cat, Simew, came daintily to my side, rubbing her sleek fur against my legs, offering a gentle purr of condolence. She was a beautiful creature, a gift from a paramour some three years previously. Her fur was golden, each hair tipped with black along her flanks and spine, while her belly was a deep, rich amber. She was sleek and neat, loved by all in the house for her fastidiousness and affectionate nature. Now, I lifted her onto my lap, and leaned down to press my cheek against her warm flank. “Ah, Simmi, my sweet angel,” I crooned. “You are always faithful, offering love without condition. I would be lucky to find a mistress as accommodating as you.”

Simew gazed up at me, kneading my robes with her paws, blinking in the way that cats show us their affection. She could not speak, yet I felt her sympathy for me. I resolved then that my time with women was done. There was much to be thankful for: my health, my inheritance, and the love of a loyal cat. Though her life would be shorter man mine, her daughters and their children might be my companions until the day I died. Many men had less than this. Simew leaned against my chest, pressing her head into my hand, purring rapturously. It seemed she said to me, “My lord, what need have we of sharp-tongued interlopers? We have each other.”

Cheered at once, I put Simew down carefully on the floor and went to throw my shutters wide, surprising a couple of servants who were stationed beyond the window, apparently in the act of gathering flowers. I smiled at them and cried, “Listen for my sorrow all you like. You’ll not hear it.”

Embarrassed, the two prostrated themselves, quaking. I picked up my cat and strode to the doors. “Come, Simew, why waste time on lamenting? I shall begin a new painting.” Together, we went to my studio.

I decided I would paint a likeness of Simew, in gratitude for the comfort she had given me. It would have pride of place in my gallery of women. I arranged the cat on a crimson cushion, and for a while she was content to sit there, one leg raised like a mast as she set about grooming her soft belly Then, she became bored, jumped from her bed and began crying out her ennui. I had made only a few preliminary sketches, but could not be angry with her. While she explored the room, clambering from table to shelf, I ignored the sounds of falling pots and smashing vases, and concentrated on my new work. It would be Pu-ryah I would paint; a lissom, cat-headed woman. Simew’s face would be the model.

Pu-ryah is a foreign goddess. She came to us from the east, a hot land of desert and endless skies. She is born of the fire and will warm us, if we observe her rituals correctly. I had no intention of being burned. My brush flew over the canvas and I became unaware of the passing of time. When the steward, Medoth, came to me, mentioning politely that my dinner awaited me, I ordered him to bring the meal to the studio. I could not stop work.

I ate with one hand, food dropping from my fork to the floor, where Simew composed herself neatly and sifted through the morsels with a precise tongue. Medoth lit all my lamps and the candles, and even murmured some congratulatory phrase as he appraised my work. He made Pu-ryah’s sign with two fingers, tapping either side of his mouth. “The Lady of the Hearth will be pleased by this work,” he said.

I turned to wipe my brush. “Medoth, I had not taken you for a worshipper of Pu-ryah.”

He smiled respectfully. “It comes from my mother’s side of the family”

I laughed. “Of course. She is primarily a goddess of women, Medoth, but perhaps because she knows the ways of her daughters so intimately, she makes a sympathetic deity for those who suffer at their hands.”

Medoth cleared his throat. “Would you care for a glass of wine now, my lord?”

I worked until dawn, given energy by the fire of she whose portrait I made. Simew lay on some tangled rags by my feet, her tail gently resting across my toes. Sometimes, when I looked down at her, she would wake and roll onto her back to display her dark golden belly, her front paws held sweetly beneath her chin. She seemed to me, in lamplight, more lovely than any woman I had known, more generous, more yielding. If I were a cat, I would lie beside her and lick her supple fur with my hooked tongue, or I would seize the back of her neck in my jaws and mount her with furious lust. This latter, inappropriate thought made me shiver. Perhaps I had drunk too much wine after my meal.

As the pale, magical light of dawn stole through the diaphanous drapes at the long windows, I appraised my work. Fine detail still needed to be added, but the picture was mostly complete. Pu-ryah sat upon a golden throne that was encrusted with lapis lazuli. She was haughty, yet serene, and her eyes held the wisdom of all the spheres, the gassy heart of the firmament itself. She gazed out at me, and I felt that I had not created her at all, but that the pigment had taken on a life of its own, and my own heart had imbued it with soul. I had depicted her with bared breasts, her voluptuous hips swathed in veils of turquoise silk. Her skin was delicately furred and brindled with faint coppery stripes. Her attenuated, high-cheekboned face had a black muzzle, fading to tawny around the ruff, then white beneath the chin. Her eyes were topaz. Around her neck, I had painted a splendid collar of faience and gold, and rings adorned her slender fingers. Her claws were extended, lightly scraping the arms of the gilded chair. Behind her, dark drapery was drawn back to reveal a simmering summer night. I fancied I could hear the call of peacocks in the darkness beyond her scented temple, and the soft music she loved so much. Her taloned feet were laid upon flowers, thousands of flowers, and their exotic perfume invaded my studio, eclipsing the tart reeks of pigment and solvent. She was beautiful, monstrous, and compliant. If I closed my eyes, I could feel her strong arms around me, her claws upon my back. No woman of this earth could compare.

Weary but content, I went out into my garden to sample the new day. Dew had conjured scent from the shrubs and gauzed the thick foliage of the evergreens. Simew trotted before me along the curling pathways, pausing every so often to look back and make sure I was following. I felt at peace with myself, at the brink of some profound change in my life or my heart. Delphina Corcos seemed nothing more than a thin ghost; I could barely recall her face. Let her deny her womanhood and seek the stone embrace of the Eunuch. The day itself was full of sensuality, of nature’s urge to procreate. The woman was a fool to deny herself this.