Piter Beagle - Two Hearts

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Two Hearts: краткое содержание, описание и аннотация

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Эта повесть является как бы связующим звеном, переходом между знаменитым «Последним Единорогом» и пишущимся новым романом. «Два Сердца» — история 9-летней девочки Сьюз, которая пытается спасти свою деревню от грифона, обосновавшегося в местном лесу. Жители мирились с налетами хищника, пока он ограничивался козами да овцами, но через некоторое время дело дошло до человеческих жертв. Когда Сьюз теряет свою лучшую подругу, она решает найти короля, чтобы он решил эту проблему. Так мы встречаемся со старыми знакомыми — королем Лиром и Магом Шмендриком. Старый король Лир лично возглавляет охоту на грифона...

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I wanted so much to see them that night, Schmendrick and Molly and the king. I wanted to sleep out there on the ground with them, and listen to their talk, and then maybe I'd not worry so much about the morning. But of course there wasn't a chance of that. My family would hardly let me out of their sight to wash my face. Wilfrid kept following me around, asking endless questions about the castle, and my father took me to Catania, who had me tell the whole story over again, and agreed with him that whomever the king had sent this time wasn't likely to be any more use than the others had been. And my mother kept feeding me and scolding me and hugging me, all more or less at the same time. And then, in the night, we heard the griffin, making that soft, lonely, horrible sound it makes when it's hunting. So I didn't get very much sleep, between one thing and another.

But at sunrise, after I'd helped Wilfrid milk the goats, they let me run out to the camp, as long as Malka came with me, which was practically like having my mother along. Molly was already helping King Lir into his armor, and Schmendrick was burying the remains of last night's dinner, as though they were starting one more ordinary day on their journey to somewhere. They greeted me, and Schmendrick thanked me for doing as he'd asked, so that the king could have a restful night before he —

I didn't let him finish. I didn't know I was going to do it, I swear, but I ran up to King Lir, and I threw my arms around him, and I said, "Don't go! I changed my mind, don't go!" Just like Lisene.

King Lir looked down at me. He seemed as tall as a tree right then, and he patted my head very gently with his iron glove. He said, "Little one, I have a griffin to slay. It is my job."

Which was what I'd said myself, though it seemed like years ago, and that made it so much worse. I said a second time, "I changed my mind! Somebody else can fight the griffin, you don't have to! You go home! You go home now and live your life, and be the king, and everything.…" I was babbling and sniffling, and generally being a baby, I know that. I'm glad Wilfrid didn't see me.

King Lir kept petting me with one hand and trying to put me aside with the other, but I wouldn't let go. I think I was actually trying to pull his sword out of its sheath, to take it away from him. He said, "No, no, little one, you don't understand. There are some monsters that only a king can kill. I have always known that — I should never, never have sent those poor men to die in my place. No one else in all the land can do this for you and your village. Most truly now, it is my job." And he kissed my hand, the way he must have kissed the hands of so many queens. He kissed my hand too, just like theirs.

Molly came up then and took me away from him. She held me close, and she stroked my hair, and she told me, "Child, Sooz, there's no turning back for him now, or for you either. It was your fate to bring this last cause to him, and his fate to take it up, and neither of you could have done differently, being who you are. And now you must be as brave as he is, and see it all play out." She caught herself there, and changed it. "Rather, you must wait to learn how it has played out, because you are certainly not coming into that forest with us."

"I'm coming," I said. "You can't stop me. Nobody can." I wasn't sniffling or anything anymore. I said it like that, that's all.

Molly held me at arm's length, and she shook me a little bit. She said, "Sooz, if you can tell me that your parents have given their permission, then you may come. Have they done so?"

I didn't answer her. She shook me again, gentler this time, saying, "Oh, that was wicked of me, forgive me, my dear friend. I knew the day we met that you could never learn to lie." Then she took both of my hands between hers, and she said, "Lead us to the Midwood, if you will, Sooz, and we will say our farewells there. Will you do that for us? For me?"

I nodded, but I still didn't speak. I couldn't, my throat was hurting so much. Molly squeezed my hands and said, "Thank you." Schmendrick came up and made some kind of sign to her with his eyes, or his eyebrows, because she said, "Yes, I know," although he hadn't said a thing. So she went to King Lir with him, and I was alone, trying to stop shaking. I managed it, after a while.

The Midwood isn't far. They wouldn't really have needed my help to find it. You can see the beginning of it from the roof of Ellis the baker's house, which is the tallest one on that side of the village. It's always dark, even from a distance, even if you're not actually in it. I don't know if that's because they're oak trees (we have all sorts of tales and sayings about oaken woods, and the creatures that live there) or maybe because of some enchantment, or because of the griffin. Maybe it was different before the griffin came. Uncle Ambrose says it's been a bad place all his life, but my father says no, he and his friends used to hunt there, and he actually picnicked there once or twice with my mother, when they were young.

King Lir rode in front, looking grand and almost young, with his head up and the blue plume on his helmet floating above him, more like a banner than a feather. I was going to ride with Molly, but the king leaned from his saddle as I started past, and swooped me up before him, saying, "You shall guide and company me, little one, until we reach the forest." I was proud of that, but I was frightened too, because he was so happy, and I knew he was going to his death, trying to make up for all those knights he'd sent to fight the griffin. I didn't try to warn him. He wouldn't have heard me, and I knew that too. Me and poor old Lisene.

He told me all about griffins as we rode. He said, "If you should ever have dealings with a griffin, little one, you must remember that they are not like dragons. A dragon is simply a dragon — make yourself small when it dives down at you, but hold your ground and strike at the underbelly, and you've won the day. But a griffin, now…a griffin is two highly dissimilar creatures, eagle and lion, fused together by some god with a god's sense of humor. And so there is an eagle's heart beating in the beast, and a lion's heart as well, and you must pierce them both to have any hope of surviving the battle." He was as cheerful as he could be about it all, holding me safe on the saddle, and saying over and over, the way old people do, "Two hearts, never forget that — many people do. Eagle heart, lion heart — eagle heart, lion heart. Never forget, little one."

We passed a lot of people I knew, out with their sheep and goats, and they all waved to me, and called, and made jokes, and so on. They cheered for King Lir, but they didn't bow to him, or take off their caps, because nobody recognized him, nobody knew. He seemed delighted about that, which most kings probably wouldn't be. But he's the only king I've met, so I can't say.

The Midwood seemed to be reaching out for us before we were anywhere near it, long fingery shadows stretching across the empty fields, and the leaves flickering and blinking, though there wasn't any wind. A forest is usually really noisy, day and night, if you stand still and listen to the birds and the insects and the streams and such, but the Midwood is always silent, silent. That reaches out too, the silence.

We halted a stone's throw from the forest, and King Lir said to me, "We part here, little one," and set me down on the ground as carefully as though he was putting a bird back in its nest. He said to Schmendrick, "I know better than to try to keep you and Sooz from following —" he kept on calling Molly by my name, every time, I don't know why — "but I enjoin you, in the name of great Nikos himself, and in the name of our long and precious friendship.…" He stopped there, and he didn't say anything more for such a while that I was afraid he was back to forgetting who he was and why he was there, the way he had been. But then he went on, clear and ringing as one of those mad stags, "I charge you in her name, in the name of the Lady Amalthea, not to assist me in any way from the moment we pass the very first tree, but to leave me altogether to what is mine to do. Is that understood between us, dear ones of my heart?"

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