Terry Brooks - Running With The Demon

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Twenty years ago, Terry Brooks turned fantasy fiction on its head with The Sword of Shannara, the first fantasy novel to make the mainstream bestseller lists, and the first in an unbroken string of thirteen bestselling books. Now, in Running with the Demon, Brooks does nothing less than revitalize fantasy fiction again, inventing the complex and powerful new mythos of the Word and the Void, good versus evil still, but played out in the theater–in–the–round of the “real world” of our present.
On the hottest Fourth of July weekend in decades, two men have come to Hopewell, Illinois, site of a lengthy, bitter steel strike. One is a demon, dark servant of the Void, who will use the anger and frustration of the community to attain a terrible secret goal. The other is John Ross, a Knight of the Word, a man who, while he sleeps, lives in the hell the world will become if he fails to change its course on waking. Ross has been given the ability to see the future. But does he have the power to change it?
At stake is the soul of a fourteen–year–old girl mysteriously linked to both men. And the lives of the people of Hopewell. And the future of the country. This Fourth of July, while friends and families picnic in Sinnissippi Park and fireworks explode in celebration of freedom and independence, the fate of Humanity will be decided …
A novel that weaves together family drama, fading innocence, cataclysm, and enlightenment, Running with the Demon will forever change the way you think about the fantasy novel. As believable as it is imaginative, as wondrous as it is frightening, it is a rich, exquisitely–written tale to be savored long after the last page is turned.

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She blocked the feelings of guilt that immediately assailed her and turned away, racing on. It was better this way. She knew Robert; he would not turn back. She would attempt an explanation later. If there was a later. Desperation and anger swept aside her attempts at forming an apology. She had done what she had to do. It didn't matter that she had promised not to use the magic, that she hated to use it, that it left her feeling sullied and drained. Gran was gone, and in moments she would face her killer, and all she had to rely qn was the magic she had just used on Robert.

A fierce glee rocked her, a strange sense of chains being cast aside and freedom being gained. The defiance she felt at having done something forbidden lent her a certain satisfaction. The magic was a part of her. Why should it ever be wrong to use it?

She charged down the slope into the ravine that separated the picnic grounds from the deep woods, feeling her feet beginning to slide on the loose earth and long grasses. She caught herself with her hands to keep from falling, straightened up again as she reached the base of the ravine, and ran on. The bridge that spanned the little creek appeared through the gloom, and she thundered onto it, tennis shoes pounding as she crossed to the far side and began to climb the slope into the woods.

When she reached the top of the rise, she slowed again. Ahead, a wicked green light pulsed faintly within the trees, like the heartbeat of something alive. She pushed the thought aside and went on, jogging now, her breathing slowing, her eyes flicking from side to side watchfully, trying to penetrate the wall of shadows. The trail had narrowed, choked with brush and hemmed by the trees, a twisting serpent's spine. It was black there, so dark that only the greenish light gave any illumination against the night. She was being drawn to it; she could not pretend otherwise. She repeated the words of Gran's note over and over in her mind, a litany to lend her courage.

She brushed at the insects that buzzed at her, thick clouds of them that flew at her eyes and mouth. Her fear returned in a sudden wave as she pictured what waited ahead. But she did not turn back. She could not. It was no different now than it had been when she had gone to save Bennett Scott from the feeders. No different at all.

Please, Pick, don't give up. I'm coming.

Moments later, she stepped from the woods into the clearing where the big oak stood. The tree was a vast, crooked monster within the darkness, its bark wet–looking and ravaged, as if skin split from the bones and muscles of a corpse. The wicked green light emanated from here, given off by the trunk of the old tree, pulsing slowly, steadily against the darkness. Nest stared in dismay. The tree was still intact, but it had the look of a dying creature. It reminded her of pictures she had seen of animals caught in steel traps, their limbs snared, their eyes glazed with fear and pain.

The demon stood next to the tree, his calm eyes fixed on her. He seemed to think nothing was out of place, nothing awry. It was all she could do to make herself meet his gaze.

"Where is Pick?" she demanded.

Her voice sounded impossibly childish and small, and she saw herself as the demon must see her, a young girl, weaponless and desperate in the face of power she could not even begin to comprehend.

The demon smiled at her. "He's right over there," he replied, and pointed.

Five feet or so off the ground, a small metal cage hung from the branches of a cherry. Within its shadowed interior, Nest could just make out a crumpled form.

"Safely tucked away," the demon said. "To keep him from meddling where he shouldn't. He was flying about on that owl, trying to see what I was up to, but he wasn't very smart about it." He paused. "A cage wasn't necessary for the owl."

A feathered heap lay at the edge of the trees, wings splayed wide. Daniel. "He came right at me when I knocked the sylvan off his back," the demon mused. "Can you imagine?"

He motioned vaguely at the cage. "You do know about syl–vans and cages, don't you? Well, perhaps not. Sylvans can't stand being caged. It drains away their spirit. Happens rather swiftly, as a matter of fact. A few hours, and that's it. That will be the fate of your friend if someone doesn't release him."

Nest! Pick gasped in a frantic attempt to signal her. Then he went silent again, his voice choked off.

"Your little friend would like to say something to you about his condition, I'm sure," the demon breathed softly, "but I think it best he save his strength. Don't you?"

Nest felt alone and vulnerable, felt as if everything was being stripped from her. But that was the plan, wasn't it? "Let him go!" she ordered, staring at the demon as if to melt him with the heat of her anger.

The demon nodded. "After you do what I tell you." He paused. "Child of mine."

Her skin crawled at the sound of his words, and a new wave of rage swept through her. "Don't call me that!"

The demon smiled, satisfaction reflecting in his eyes. "You' know then, don't you? Who told you? Evelyn, before she died? The sylvan?" He shrugged. "I guess it doesn't matter. That you know is what matters. That you appreciate the special nature of our relationship. Who you are will determine what you become, and that is what we are here to decide."

He looked past her, suddenly startled. A hint of irritation flashed across his strange empty features. "Ah, it's the bad penny. He's turned up after all."

John Ross emerged from the trees, sweat–streaked and hard–eyed. He seemed taller and broader than she remembered, and the black staff gleamed and shimmered with silver light. "Get behind me," he said at once, his green eyes fixed on the demon.

"Oh, she doesn't want to do that!" the demon sneered, and threw something dark and glittering at the ravaged oak.

Instantly the tree exploded in a shower of bark and wood splinters, and the green light trapped within burst forth.

Old Bob crossed to the fireworks from his home as the crow flies, not bothering with the service road or any of the pathways, the beam of his flashlight scanning the darkness before him–as he went. The weariness he had felt earlier fell away in the face of his fear, and a rush of adrenaline surged through him, infusing him with new strength. The sounds of laughter and conversation and the momentary flare of sparklers guided him through the broad expanse of the grassy flats, and in moments he had reached the rear edge of the crowd.

He began to ask at once if anyone had seen Mel Riorden. He knew most of the people gathered, and once he got close enough to make out their faces, he simply offered a perfunctory greeting and inquired about Mel. He was a big man with a no–nonsense way about him, a man who had just suffered a terrible loss, and those he spoke with were quick to reply. He moved swiftly in response, easing forward through the crowd toward the cordoned perimeter west of the slide. He was sweating freely, his underarms and back damp, his face flushed from his efforts. He did not have a definite plan. He was not even certain that he needed one. He might be mistaken about Deny Howe. He might be overreacting. If he was, fine. He would feel foolish, but relieved. He could live with that. He would find Derry, talk to him, possibly confront him with his suspicions, and deal with his feelings later.

He wove his way through knots of people sprawled on blankets and seated in lawn chairs, through darting children and ambling teens. The viewing area was packed. Some looked at him with recognition, and a few spoke. Some he stopped to talk with took time to offer condolences on his loss, but most simply answered his questions about Mel and let him go his way. His eyes flicked left and right as he proceeded, searching the darkness. He could no longer see the riverbank clearly, and the trees had faded into a black wall. The fireworks would begin any moment.

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