Terry Brooks - Running With The Demon

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Twenty years ago, Terry Brooks turned fantasy fiction on its head with The Sword of Shannara, the first fantasy novel to make the mainstream bestseller lists, and the first in an unbroken string of thirteen bestselling books. Now, in Running with the Demon, Brooks does nothing less than revitalize fantasy fiction again, inventing the complex and powerful new mythos of the Word and the Void, good versus evil still, but played out in the theater–in–the–round of the “real world” of our present.
On the hottest Fourth of July weekend in decades, two men have come to Hopewell, Illinois, site of a lengthy, bitter steel strike. One is a demon, dark servant of the Void, who will use the anger and frustration of the community to attain a terrible secret goal. The other is John Ross, a Knight of the Word, a man who, while he sleeps, lives in the hell the world will become if he fails to change its course on waking. Ross has been given the ability to see the future. But does he have the power to change it?
At stake is the soul of a fourteen–year–old girl mysteriously linked to both men. And the lives of the people of Hopewell. And the future of the country. This Fourth of July, while friends and families picnic in Sinnissippi Park and fireworks explode in celebration of freedom and independence, the fate of Humanity will be decided …
A novel that weaves together family drama, fading innocence, cataclysm, and enlightenment, Running with the Demon will forever change the way you think about the fantasy novel. As believable as it is imaginative, as wondrous as it is frightening, it is a rich, exquisitely–written tale to be savored long after the last page is turned.

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After a time, he begins to see the feeders. There are only a few, prowling the ruins, dark shapes barely visible in the gloom, eyes yellow and gleaming. He knows instinctively what they are. They are far away, down within the rubble, and they do not seem aware of him. He feels a twinge in his right hand, and looks down to find that he holds the black staff. Where he grips it, light pulses softly. The light signals the readiness of the staff's magic to respond to his summons. The magic is his to wield in his service to the Word. It is vast and formidable. It enables him to withstand almost anything. It gives him the power to destroy and to defend. It is the Word's magic, drawn from deep within the earth. It whispers to him in seductive tones and makes him promises it cannot always keep. His immediate response is to want to cast the staff away, but something rooted deep within forbids him from doing so.

He feels exposed on the hillside, and starts to move tentatively toward the shelter of some trees. When he does so, he finds that he no longer limps, that his leg is healed. He is not surprised; he knew it would be so.

When he reaches the trees, the Lady is waiting for him. She is a small, faint whiteness within the dark, as ethereal as gossamer. She looks at him, smiles, and then fades. She is not real after all, he realizes; she is not even there. She is a memory. He has been to this place before, in another, earlier time, before the destruction, and coming here again has triggered the memory.

He begins to understand now. He is living in the future, but only in his sleep. It is the cost of the magic he wields, the title he bears, and the responsibility he shoulders. He will live his life henceforth in two worlds–the present when awake, the future when asleep. The images come in a rush, like the waters of a river overflowing its banks in a flood. He is a Knight of the Word, and he must prevent the future in which he stands. But he needs the knowledge the future can give him in order to do so. He must learn from the future of the mistakes and missed opportunities of the past. If he can discover them, perhaps he can correct them. Each time he sleeps, he has another chance to learn. Each time he sleeps, the future whispers secrets of the, past. But the future is never the same because the past advances and alters it. Nor does his sleep lend order, coherence, or chronology to what he witnesses. The future comes to him as it will and reveals itself as it chooses. He cannot control it; he must simply abide it.

And survive. For he is hunted by the demons and their allies, by the once–men who serve them, and by the things that are given over to the Void. Few remain who can resist them. He is one. They hunt him every night of his life. They have caught him more than once. They have killed him, he thinks, but he does not know for sure. The future changes each night. Perhaps it changes his fate as well.

He recalls all of it now. He has his memories of the past to fill in the gaps, so that even though it is his first night, he is a veteran of his dreams already. The truths rise up and confront him. He is crippled so that he will not ever give up the staff. Without the staff, he has no magic. Without the staff, he is helpless. If he cannot walk without the staff to aid him, he is far less likely to be careless with it. After all, it is his only protection. He is crippled so that he will remember.

So it has been settled on him. His past is linked to his future. If he fails in his mission of service to the Word, the future he resides in each night will come to pass. He will be whole again, but he will inherit the destruction and ruin he surveys. And he will pay a further price. Magic summoned in the present will be lost to him in the future. Each time he uses the magic in his former life, he is deprived of it in the latter for an indeterminate amount of time. He must use the magic wisely and effectively when he invokes it, or one day, at a time or place not of his choosing, in a situation when he needs it most, he may find himself weaponless.

He stands alone within the trees on the hillside above the ruined city and ponders what it means for him to sleep and why he must always keep solitary and apart…

"Josie," he said softly, searching for the right words.

There was sudden movement in the shadows, the sound of rushing footsteps and heavy breathing. Ross turned as the shadows closed on him, swift and menacing. He stepped away from Josie, trying to place her behind him. He heard her gasp in surprise, saw the masked faces of the men who reached for him. He struggled to comprehend their muttered threats, and then they were upon him.

They bore him backward toward the crest of the rise, reaching for his arms and shoulders, trying to tear the staff from his hands. He cried out to them, No, wait, what are you doing? He fought to free himself, wrenching the staff away, shielding it. One took a swing at him, trying to hit him in the face, but he ducked aside. He could not move quickly, could not run with his bad leg. He was forced to stand. He heard one of them call him names, ugly and crude, heard another call him "spy" and "company pig." I'm not! he tried to explain. Josie shouted at them, furious, What are you doing? Stop it! Get away from him! He was in danger of going down. He braced himself against the rush and swung the high end of the staff sharply at the nearest attacker. He felt the wood connect with bone, and the man grunted and staggered back. He used the lower end to hammer the shins of another man, and that one howled openly in pain.

Then they were all over him, bearing him to the ground. Fists struck at him as he slammed into the earth. Someone was kicking at his ribs. He heard Josie scream, saw her rush forward to try to protect him, arms flailing. A boot slammed into his head, bringing pain and bright light. He tried to throw off the ones who held him down, tried to regain his feet. The staff had been pushed aside so that he could no longer bring it to bear. They were still trying to wrench it from his hands, to take away his only protection. He felt the blows rain down on him, felt blood fill his mouth. It was getting harder to breathe. Josie was still screaming, but her voice was hoarse, and it sounded as if a hand had been clamped over her mouth.

A boot pinned his left wrist to the earth. Don't do this! he wanted to scream at them, but could not make himself. He fought in silent, futile desperation to break free. They were wrenching at the staff, tearing at his fingers, leaving him no choice…

Stop, please!

The runes carved into the polished black surface began to pulse with light. A fiery heat burned its gnarled length.

No!

The magic exploded from the staff in a rush of white brilliance, detonating with such fury that it seemed to consume the air itself, a whirlwind of power unleashed. It was not summoned, but came alive on its own, reacting to its master's need. With a single incendiary burst, it flung John Ross's attackers into the night. They flew from him as if they were paper cutouts, weightless in a high wind, and he was free once more. He lay gasping for breath in the aftermath, the magic gone as swiftly as it had appeared. In the darkness, his attackers climbed dazedly to their feet and stumbled away, their resolve shattered, their purpose forgotten, their confusion profound.

Too late for me, John Ross thought in despair, knowing the price he would now be forced to pay for having required use of the magic. Way too late.

As he closed his eyes against his body's and spirit's pain, he heard Josie call his name, and in the ensuing silence he reached out his hand to find her.

CHAPTER 23

Nest Freemark sat with her friends on the grass at the edge of the pavilion and watched the dancers sway and glide to the strains of the music. All about them, families and couples sat visiting on blankets and lawn chairs, their faces reflecting the colors of the lanterns strung from the pavilion's eaves. The sun's heat lingered, but a faint breeze wafted off the river now and cooled those gathered just enough that they could put the salty aftertaste of the daylight's swelter behind them. The breeze and the music wove together, soothing nerves and easing discomfort. Smiles came out of hiding, and people remembered the importance of using kind words. The night was as soft as velvet, and it cradled them in its arms and eased them toward sleep.

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