Terry Brooks - The Gypsy Morph

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Terry Brooks won instant acclaim with his phenomenal New York Times bestseller The Sword of Shannara. Its sequels earned Brooks legendary status. Then his darkly enthralling the Word and the Void trilogy revealed new depths and vistas to his mastery of epic fantasy. Armageddon’s Children and The Elves of Cintra took Brooks’s remarkable mythos to a breathtaking new level by delving deep into the history of Shannara. And now, The Gypsy Morph rounds out–with an adventure of unforgettably imaginative scope–the first phase of a new chapter in this classic series.
Eighty years into the future, the United States is a no–man’s-land: its landscape blighted by chemical warfare, pollution, and plague; its government collapsed; its citizens adrift, desperate, fighting to stay alive. In fortified compounds, survivors hold the line against wandering predators, rogue militias, and hideous mutations spawned from the toxic environment, while against them all stands an enemy neither mortal nor merciful: demons and their minions bent on slaughtering and subjugating the last of humankind.
But from around the country, allies of good unite to challenge the rampaging evil. Logan Tom, wielding the magic staff of a Knight of the Word, has a promise to keep–protecting the world’s only hope of salvation–and a score to settle with the demon that massacred his family. Angel Perez, Logan’s fellow Knight, has risked her life to aid the elvish race, whose peaceful, hidden realm is marked for extermination by the forces of the Void. Kirisin Belloruus, a young elf entrusted with an ancient magic, must deliver his entire civilization from a monstrous army. And Hawk, the rootless boy who is nothing less than destiny’s instrument, must lead the last of humanity to a latter–day promised land before the final darkness falls.
The Gypsy Morph is an epic saga of a world in flux as the mortal realm yields to a magical one; as the champions of the Word and the Void clash for the last time to decide what will be and what must cease; and as, from the remnants of a doomed age, something altogether extraordinary rises.

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Time after time it circled the mountains that cradled the valley, infusing itself within the guardian mists, bleeding out of the boy who slept, and becoming what it must. The wild magic would endure until its time was finished, and then it would go back into the ether and wait until one day it would be born again into the world. The mists thickened and strengthened, and the madness and destruction of civilization’s collapse were locked outside the valley in which the survivors of the caravan were beginning their new lives.

When it was all used up, drained away entirely, and all that remained of the boy was flesh and blood and bone, the boy awoke. No longer a gypsy morph, the wild magic no longer a part of him, he stood within the mists and remembered that his life was something more than what the wild magic had demanded of him. There was a residue, a leaving. That part of him that was human had loved a girl and fathered a child. That part of him had lived among other children, who had been his friends and been left behind when he had come into the mountains and created the wall of mist.

He wanted to go back to them. He wanted to go home.

So the boy Hawk, who was a man now, a man whose mortal coil was no different from that of any other, walked out of the mists into the valley, alive and well and whole, and went in search of his life.

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