Ширли Мерфи - The Grass Tower

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Bethany's talent for ESP takes a new direction when her visions take her to another place.

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“These are the meat pies we had at the party,” Bethany said, curling down and getting crumbs on her chin. They stared at each other, suddenly remembering, with goosepimples, that wild flight into unfathomable space. Fear touched them again then, and each drew back imperceptively into her own being, into her own autonomy—fear at being less than whole. And stubbornness touched them too, each wanting to be more master of herself. And yet, because of this, they seemed easier with each other suddenly. Maybe you had to be your own master before you could be easy with another. And Bethany thought, with new awareness, what it was to not be master of yourself: When something other than your own will ruled your mind, you fell away into nothing. They shuddered equally, and drew farther from each other still; they needed more space; but it was an agreeable drawing away, and they regarded each other with increased friendliness, and with the bright joy rising again, unbidden.

After a while, “You don’t want to leave Corrinne,” Bethany said. “She—she’s more like your mother than Senora Ruiz.”

“Corrinne won’t come with us,” Nina said sadly. “How could she not, after Grandfather asked her like that.” But Corrinne would not. And it was true. Corrinne who stood silently, her hands in dishwater or flour, listening to the two of them spit at each other and make up, Corrinne who, when she scolded, made it direct and not hateful and soon over, Corrinne who hugged Bethany just as if she were her own, it would be Corrinne who, when they left, Ninea would grieve for. Whom Bethany would grieve for, too.

“But why won’t she?” Bethany reached for two more empanadas. “Why not?”

“All she says is that I’m old enough to be on my own and this is her country and she’ll never set foot outside it. Stubborn,” Ninea said. “She’ll never change her mind.” And Corrinne had said, “You two are like snakes at each other sometimes. You were made two to give, not to take.”

Then Justin’s letter came:

Mr. Hickby has started on the new wing; Reid is working full time with him at it and taking his meals with me. I thought at first you two would share a room, but I have changed that. It seems to me you might each prefer your own place. After all, twins or not, you are separate people who have grown up independent of one another. You can’t be expected to do and think everything alike. Just being twins may make you touchy with each other, and with your special talents, perhaps touchier still. It seems to me it may be very hard to get used to having a shadow of yourself around. At any rate, two rooms it is, and there will be a sitting room for all to share.

And she added at the last, Reid misses you, Bethany.

When Ninea had read the letter, she stood silent and staring at Bethany. She wanted to say, They’re right you know, the words stood clear in the air between them. She said nothing, though there were tears in her eyes. At last she said, to change the subject, “Grandfather is holding something back, something about us.”

“Yes. Can you tell what?”

Ninea shook her head. “I get a thought sometimes, of you standing in the wind on the grass tower, only your hair is long again and you’re older, almost a woman,” she said, puzzled. “Or is it me?” And they had heard Grandfather pause in conversation several times as if his thoughts were suddenly elsewhere. “Do you see it in his mind? He—”

“No,” Bethany said jealously, “I don’t get as much from him as you do.”

Even Corrinne said, “Your Grandfather has a sadness, you can see it in his eyes.” She looked at them sternly. “You two must try to bring joy to his life. You must not be a trial to him.” Corrinne made them a very special dinner on their last night in Panama, and Bethany felt a terrible lump in her middle at leaving the old lady. She kissed her good-by the next morning just as tearfully as Ninea did. The parting with Senora Ruiz was not nearly so painful.

They left the house before sunup to board their flight for San Francisco, and as the plane took off, the sky was streaked with a deep pink. They were wearing their new red plaid skirts and red sweaters so they were stared at for their twinness more than ever. The stewardess grinned at them, asked Grandfather how he told them apart, and gave them special breakfasts from the first class section. If there were tensions between them, if there were questions, these things were still momentarily. Even going through customs in Los Angeles, when they had to get off the plane and open their luggage then get back on, they were stared at and remarked over, and when at last they came down the ramp in San Francisco, and Justin saw them, Bethany could not contain her glee. You could see it in Justin’s face, as if, even knowing they would be alike, she had not been able to imagine they would be so alike as this. And when Reid, working on the new wing— golden lumber against the dark weathered gray of the old house—heard the car and came to open the doors for them, Bethany thought he would not know her. “Are you Reid?” she asked in her best imitation of Ninea’s accent. She put out her hand. “I am Ninea.”

He looked deeply at her, then turned to look at the real Ninea, then turned once again to Bethany and took her hand firmly. “How do you do?” he said very formally. “May I kiss you hello? Or should I only kiss Bethany?” And he let go her hand and put out his arms to Ninea so that Bethany, outdone, shrieked, “No!” Then she saw the laughter behind his eyes, and flushed.

The new rooms, already framed and roofed, made three sides around a little deck. The sitting room was at the back, on the inland side, and Bethany’s and Ninea’s rooms flanked the deck and thrust their bay windows toward the sea. The sitting room opened to the kitchen, and had its own fireplace and a skylight. The girls stood breathing the scent of new wood and staring upward at the rafters and the filtered light, and outward at the sea, and Bethany could feel the serenity in Ninea then, as if she had come home.

Chapter 13

They were standing in front of the empty mercantile, their red sweaters reflecting in the dusty windows, windows that seemed, to Bethany, still to hold a smeared image of candlelight in their depths. Show me the ritual, Ninea thought eagerly. Make the drapes pull back, make her say the words—

No. I don’t want to. She turned to face Ninea and said aloud, “I really don’t.” But in spite of herself the words seemed to hang on the air between them—

“Yes!” Ninea whispered, “—as the sea rises and the winds tear at the heavens. And then Selma made the signs over the candles, and you—”

“Oh, don’t,” Bethany pleaded. “Please don’t.”

Ninea drew back and dropped her head, looking up at Bethany through her lashes for an instant, then turned away. “Yes. All right.” But her thoughts went heavy; she wanted the darkness to come around them. Bethany stared.

“Ninea, don’t! You can’t want—” She put her hand on Ninea’s arm, and felt, in spite of her anger, a terrible tenderness for her sister. As if Ninea truly couldn’t help it, as if the very anger and hurt that had colored her childhood had made her somehow so susceptible to the darkness. But Ninea didn’t want sympathy. She spun away then turned to face Bethany with her dark eyes huge with quick fury, searching Bethany’s face belligerently. Changeable as quicksilver, she was. “You can’t!” Bethany said, almost screaming, “You can’t feel like that, want that!” She was furious.

“We could—” Ninea breathed, a devilish look on her face, “Together we could do anything.”

Bethany stared back at her stubbornly, and they stood glowering at each other. Then quite suddenly Ninea looked down and all her fierceness was gone, like the stuffing out of a doll. She moved to touch Bethany’s hand. “I’m sorry, I— Sometimes, I don’t know, it’s as if I do things to make people hate me, to make you angry. I’m sorry, Bethany.” Bethany put her arm around her, and they stood quietly.

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