Джордж Мартин - Fire & Blood

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Fire & Blood: краткое содержание, описание и аннотация

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With all the fire and fury fans have come to expect from internationally
bestselling author George R. R. Martin, this is the first volume of the
definitive two-part history of the Targaryens in Westeros.
Centuries before the events of A Game of Thrones, House Targaryen—the only
family of dragonlords to survive the Doom of Valyria—took up residence on
Dragonstone. Fire and Blood begins their tale with the legendary Aegon the
Conqueror, creator of the Iron Throne, and goes on to recount the generations
of Targaryens who fought to hold that iconic seat, all the way up to the civil
war that nearly tore their dynasty apart.
What really happened during the Dance of the Dragons? Why did it become so
deadly to visit Valyria after the Doom? What is the origin of Daenerys’s three
dragon eggs? These are but a few of the questions answered in this essential
chronicle, as related by a learned maester of the Citadel and featuring more
than eighty all-new black-and-white illustrations by artist Doug Wheatley.
Readers have glimpsed small parts of this narrative in such volumes as The
World of Ice & Fire, but now, for the first time, the full tapestry of
Targaryen history is revealed.
With all the scope and grandeur of Gibbon’s The History of the Decline and
Fall of the Roman Empire, Fire and Blood is the ultimate game of thrones,
giving readers a whole new appreciation for the dynamic, often bloody, and
always fascinating history of Westeros.

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Such tales grow in the telling, to be sure, and we cannot know how much of this, if any, is to be believed. Though Sandoq could not read or write, Mushroom tells us he was fond of music, and would oft sit in the shadows of Lady Larra’s bedchamber playing sweet sad notes on a queer stringed instrument of goldenheart and ebony that stood near as tall as he did. “I could sometimes make the lady laugh, though she did not understand more than a few words of our tongue,” the fool says, “but the Shadow’s playing always made her weep, and strange to say she liked that better.”

It was a different sort of music that Sandoq the Shadow played at the gates of Maegor’s Holdfast, as Ser Amaury’s guardsmen rushed at him with sword and spear. That night his chosen instruments were a tall black shield of nightwood, boiled hide, and iron, and a great curved sword with a dragonbone hilt whose dark blade shone in the torchlight with the distinctive ripples of Valyrian steel. His foes howled and cursed and shouted as they came at him, but the Shadow made no sound save with his steel, sliding through them silent as a cat, his blade whistling left and right and up and down, drawing blood with every cut, slashing through their mail as if they had been clad in parchment. Mushroom, who claims to have seen the battle from the roof above, testifies that “it did not look so much like a swordfight as like a farmer reaping grain. With every stroke more stalks would topple, but these stalks were living men who screamed and cursed as they fell.” Ser Amaury’s men did not lack for courage, and some lived long enough to strike blows of their own, but the Shadow, always moving, caught their blades upon his shield, then used that shield to shove them backward, off the bridge onto the hungry iron spikes below.

Let this be said of Ser Amaury Peake: his dying did not disgrace the Kingsguard. Three of his men were dead upon the drawbridge and two more were twisting on the spikes below by the time Peake slid his own blade from its scabbard. “He was clad in white scale armor under his white cloak,” Mushroom tells us, “but his helm was openface and he had not brought a shield, and sorely did Sandoq make him answer for these lacks.” The Shadow made a dance of it, the fool says; betwixt each fresh wound he dealt Ser Amaury, he would kill one of his remaining minions before turning back to the white knight. Yet Peake fought on with stubborn valor, and near the end, for half a heartbeat, the gods gave him his chance when the last of the guards somehow got his hand around Sandoq’s sword, and ripped it from the Shadow’s grasp before he went tumbling off the bridge. From his knees, Ser Amaury staggered back to his feet and charged his unarmed foe.

Sandoq tore Viserys’s battleaxe from the wood where the prince had buried it and split Ser Amaury’s head and helm in half from crest to gorget. Leaving the corpse to topple onto the spikes, the Shadow paused long enough to shove the dead and dying from the drawbridge before retreating inside Maegor’s Holdfast, whereupon the king commanded the bridge to be raised, the portcullis lowered, and the gates barred. The castle-within-the-castle stood secure.

And so it would remain for eighteen days.

The rest of the Red Keep was in the hands of Ser Marston Waters and his Kingsguard, whilst beyond the castle walls Ser Lucas Leygood and his gold cloaks kept a firm grip on King’s Landing. Both of them presented themselves before the holdfast the next morning, to demand that the king leave his sanctuary. “Your Grace does us wrong to think we mean him harm,” Ser Marston said, as the corpses of the men Sandoq had slain were brought up from the moat. “We acted only to protect Your Grace from false friends and traitors. Ser Amaury was sworn to protect you, to give his own life for yours if need be. He was your leal man, as I am. He did not deserve such a death, at the hands of such a beast.”

King Aegon was unmoved. “Sandoq is no beast,” he answered from the battlements. “He cannot speak, but he hears and he obeys. I commanded Ser Amaury to be gone, and he refused. My brother warned him what would happen if he stepped beyond the axe. The vows of the Kingsguard include obedience, I thought.”

“We are sworn to obey the king, sire, this is so,” replied Ser Marston, “and when you are a man grown, my brothers and I will gladly fall upon our swords should you command that of us. So long as you remain a child, however, we are required by oath to obey the King’s Hand, for the Hand speaks with the king’s voice.”

“Lord Thaddeus is my Hand,” Aegon insisted.

“Lord Thaddeus sold your realm to Lys and must answer for it. I will serve as your Hand until such time as his guilt or innocence can be proved.” Ser Marston unsheathed his sword and went to one knee, saying, “I swear upon my sword in the sight of gods and men that none shall do you harm whilst I stand beside you.”

If the Lord Commander believed those words would sway the king, he could not have been more wrong. “You stood beside me when the dragon ate my mother,” Aegon answered. “All you did was watch. I will not have you watch while they kill my brother’s wife.” Then he left the battlements, and no words of Marston Waters could induce him to return that day, or the next, or the next.

On the fourth day Grand Maester Munkun appeared together with Ser Marston. “I beseech you, sire, end this childish folly and come out, that we may serve you.” King Aegon gazed down on him, saying naught, but his brother was less reticent, commanding the Grand Maester to send forth “a thousand ravens” so the realm might know the king was being held a captive in his own castle. To this the Grand Maester made no answer. Nor did the ravens fly.

In the days that followed, Munkun made several further appeals, assuring Aegon and Viserys that all that had been done was lawful, Ser Marston went from pleas to threats to bargaining, and Septon Bernard was brought forth to pray loudly for the Crone to light the king’s way back to wisdom, all to no avail. These efforts drew little or no response from the boy king beyond a sullen stubborn silence. His Grace was roused to anger only once, when his master-at-arms, Ser Gareth Long, took his turn attempting to convince the king to yield. “And if I will not, who will you punish, ser?” King Aegon shouted down at him. “You may beat poor Gaemon’s bones, but you will get no more blood from him.”

Many and more have wondered at the seeming forebearance of the new Hand and his allies during this stalemate. Ser Marston had several hundred men within the Red Keep, and Ser Lucas Leygood’s gold cloaks numbered more than two thousand. Maegor’s Holdfast was a formidable redoubt, to be sure, but it was but weakly held. Of the Lyseni who had come to Westeros with Lady Larra, only Sandoq the Shadow and six more remained at her side, the rest having gone with her brother Moredo to the Vale. A few men loyal to Lord Rowan had made their way to Maegor’s before its doors were closed, but there was not a knight, a squire, or a man-at-arms amongst them, nor amongst the king’s own attendants. (There was one knight of the Kingsguard within the holdfast, but Ser Raynard Ruskyn was a prisoner, having been overwhelmed and wounded by the Lyseni at the very start of the king’s defiance.) Mushroom tells us that Queen Daenaera’s ladies donned mail and took up spears to help make it appear that King Aegon had more defenders than he did, but this ruse could not have fooled Ser Marston and his men for long, if indeed it fooled them at all.

Thus the question must be asked: Why did Marston Waters not simply take the holdfast by storm? He had more than enough men. Whilst some would have been lost to Sandoq and the other Lyseni, even the Shadow would surely have been overwhelmed in the end. Yet the Hand held back, continuing his attempts to end the “secret siege” (as this confrontation would later become known) with words, when swords would most likely have brought it to a swift conclusion.

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