Лорел Гамильтон - Circus of the Damned

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Anita Blake is an expert on creatues of the night. She's dined with shapeshifters, danced with werewolves and been wooed — but not won — by Jean-Claude, the Master Vampire of the City. Now a darkly dangerous vampire named Alejandro has hit town and wants Anita for his human servant.

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"No, you first," I said.

"I'm being a gentleman here," he said.

"I don't need or want doors opened for me. I'm quite capable, thank you."

"A feminist, my, my."

Truthfully, I just didn't want ol' Stephen at my back. But if he wanted to think I was a hard-core feminist, let him. It was closer to the truth than a lot of things.

He walked through the door. I glanced back to the ring. It looked smaller from up here. Muscular men dressed in glittering loincloths pulled a cart in on their bare shoulders. There were two things in the cart: a huge woven basket and a dark-skinned woman. She was dressed in Hollywood's version of a dancing girl's outfit. Her thick black hair fell like a cloak, sweeping to her ankles. Slender arms, small, dark hands swept the air in graceful curves. She danced in front of the cart. The costume was fake, but she wasn't. She knew how to dance, not for seduction, though it was that, but for power. Dancing was originally an invocation to some god or other; most people forget that.

Goosebumps prickled up the back of my neck, creeping into my hair. I shivered while I stood there and sweated in the heat. What was in the basket? The barker outside had said a giant cobra, but there was no snake in the world that needed a basket that big. Not even the anaconda, the world's heaviest snake, needed a container over ten feet tall and twenty feet wide.

Something touched my shoulder. I jumped and spun. Stephen was standing nearly touching me, smiling.

I swallowed my pulse back into my throat and glared at him. I make a big deal about not wanting him at my back, then let him sneak up behind me. Real swift, Anita, real swift. Because he'd scared me, I was mad at him. Illogical, but it was better to be mad than scared.

"Jean-Claude's just inside," he said. He smiled, but there was a very human glint of laughter in his blue eyes.

I scowled at him, knowing I was being childish, and not caring. "After you, fur-face."

The laughter slipped away. He was very serious as he stared at me. "How did you know?" His voice was uncertain, fragile. A lot of lycanthropes pride themselves on being able to pass for human.

"It was easy," I said. Which wasn't entirely true, but I wanted to hurt him. Childish, unattractive, honest.

His face suddenly looked very young. His eyes filled with uncertainty and pain.

Shit.

"Look, I've spent a lot of time around shapeshifters. I just know what to look for, okay?" Why did I want to reassure him? Because I knew what it was like to be the outsider. Raising the dead makes a lot of people class me with the monsters. There are even days when I agree with them.

He was still staring at me, with his hurt feelings like an open wound in his eyes. If he started to cry, I was leaving.

He turned without another word and walked through the open door. I stared at the door for a minute. There were gasps, screams from the crowd. I whirled and saw it. It was a snake, but it wasn't just the world's biggest cobra, it was the biggest freaking snake I'd ever seen. Its body was banded in dull greyish black and off-white. The scales gleamed under the lights. The head was at least a foot and a half wide. No snake was that big. It flared its hood, and it was the size of a satellite dish. The snake hissed, flicking out a tongue that was like a black whip.

I'd had a semester of herpetology in college. If the snake had been a mere eight feet or less, I would have called it a banded Egyptian cobra. I couldn't remember the scientific name to save myself.

The woman dropped to the ground in front of the snake, forehead to the ground. A mark of obedience from her to the snake. To her god. Sweet Jesus.

The woman stood and began to dance, and the cobra watched her. She'd made herself a living flute for the nearsighted creature to follow. I didn't want to see what would happen if she messed up. The poison wouldn't have time to kill her. The fangs were so damn big they'd spear her like swords. She'd die of shock and blood loss long before the poison kicked in.

Something was growing in the middle of that ring. Magic crawled up my spine. Was it magic that kept the snake safe, or magic that called it up, or was it the snake itself? Did it have power all its own? I didn't even know what to call it. It looked like a cobra, perhaps the world's biggest, yet I didn't even have a word for it. God with a little «g» would do, but it wasn't accurate.

I shook my head and turned away. I didn't want to see the show. I didn't want to stand there with its magic flowing soft and cold over my skin. If the snake wasn't safe, Jean-Claude would have had it caged, right? Right.

I turned away from the snake charmer and the world's biggest cobra. I wanted to talk to Jean-Claude and get the hell out of here.

The open door was filled with darkness. Vampires didn't need lights. Did lycanthropes? I didn't know. Gee, so much to learn. My jacket was unzipped all the way, the better for a fast draw. Though truthfully, if I needed a fast draw tonight, I was in deep shit.

I took a deep breath and let it out. No sense putting it off. I walked through the door into the waiting darkness without looking back. I didn't want to see what was happening in the ring. Truth was, I didn't want to see what was behind the darkness. Was there another choice? Probably not.

6

The room was like a closet with drapes all the way around. There was no one in the curtained darkness but me. Where had Stephen gone? If he had been a vampire, I would have believed the vanishing act, but lycanthropes don't just turn into thin air. So, there had to be a second door.

If I had built this room, where would I put an inner door? Answer: opposite the first door. I swept the drapes aside. The door was there. Elementary, my dear Watson.

The door was heavy wood with some flowering vine carved into it. The doorknob was white with tiny pink flowers in the center of it. It was an awfully feminine door. Of course, no rules against men liking flowers. None at all. It was a sexist comment. Forget I thought it.

I did not draw my gun. See, I'm not completely paranoid.

I turned the doorknob and swung the door inward. I kept pushing until it was flush against the wall. No one was hiding behind it. Good.

The wallpaper was off-white with thin silver, gold, and copper designs running through it. The effect was vaguely oriental. The carpeting was black. I didn't even know carpet came in that color. A canopy bed took up most of one side of the room. Black, gauzy curtains covered it. Made the bed indistinct, misty, like a dream. There was someone asleep in a nest of black covers and crimson sheets. A line of bare chest showed it was a man, but a wave of brown hair covered his face like a shroud. It all looked faintly unreal, as if he was waiting for movie cameras to roll.

A black couch was against the far wall, with blood-red pillows thrown along it. A matching love seat was against the last wall. Stephen was curled up on the love seat. Jean-Claude sat on one corner of the couch. He wore black jeans tucked into knee-high leather boots, dyed a deep, almost velvet black. His shirt had a high lace collar pinned at the neck by a thumb-size ruby pendant. His black hair was just long enough to curl around the lace.

The sleeves were loose and billowing, tight at the wrists with lace spilling over his hands until only his fingertips showed.

"Where do you get your shirts?" I asked.

He smiled. "Don't you like it?" His hands caressed down his chest, fingertips hesitating over his nipples. It was an invitation. I could touch that smooth white cloth and see if the lace was as soft as it looked.

I shook my head. Mustn't get distracted. I glanced at Jean-Claude. He was staring at me with those midnight blue eyes. His eyelashes were like black lace.

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