Лорел Гамильтон - Circus of the Damned

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Anita Blake is an expert on creatues of the night. She's dined with shapeshifters, danced with werewolves and been wooed — but not won — by Jean-Claude, the Master Vampire of the City. Now a darkly dangerous vampire named Alejandro has hit town and wants Anita for his human servant.

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There was a line of cars pulled over to the side of the narrow gravel road. The tires were playing hell with the grass, but if you didn't park off to one side, nobody could use the road. Of course, how many people needed to use a cemetery road at 10:30 at night? Animators, voodoo priests, pot-smoking teenagers, necrophiliacs, satanists. You had to be a member of a legitimate religion and have a permit to worship in a cemetery after dark. Or be an animator. We didn't need a permit. Mainly because we didn't have a reputation for human sacrifice. A few bad apples have really given voodooists a bad name. Being Christian, I sort of frown on satanism. I mean, they are, after all, the bad guys. Right?

As soon as my foot hit the road, I felt it. Magic. Someone was trying to raise the dead, and they were very near at hand.

The new guy had already raised two zombies. Could he do a third?

Charles and Jamison could only do two a night. Where had Bert found someone this powerful on such short notice?

I walked past five cars, not counting my own. There were nearly a dozen people pressed around the grave. The women were in skirt-suits; the men all wore ties. It was amazing how many people dressed up to come to the graveyard. The only reason most people come to the graveyard is for a funeral. A lot of clients dress for one, semiformal, basic black.

It was a man's voice leading the mourners in rising calls of, "Andrew Doughal, arise. Come to us, Andrew Doughal, come to us."

The magic built on the air until it pressed against me like a weight. It was hard to get a full breath. His magic rode the air, and it was strong, but uncertain. I could feel his hesitation like a touch of cold air. He would be powerful, but he was young. His magic tasted untried, undisciplined. If he wasn't under twenty-one, I'd eat my hat.

That's how Bert had found him. He was a baby, a powerful baby. And he was raising his third zombie of the night. Hot damn.

I stayed in the shadows under the tall trees. He was short, maybe an inch or two taller than me, which made him five-four at best. He wore a white dress shirt and dark slacks. Blood had dried on the shirt in nearly black stains. I'd have to teach him how to dress, as Manny had taught me. Animating is still on an informal apprenticeship. There are no college courses to teach you how to raise the dead.

He was very earnest as he stood there calling Andrew Doughal from the grave. The crowd of lawyers and relatives huddled at the foot of the grave. There was no family member inside the blood circle with the new animator. Normally, you put a family member behind the tombstone so he or she could control the zombie. This way, only the animator could control it. But it wasn't an oversight, it was the law. The dead could be raised to request and dictate a will but only if the animator, or some neutral party, had control of it.

The mound of flowers shuddered and a pale hand shot upward, grabbing at the air. Two hands, the top of a head. The zombie spilled from the grave like it was being pulled by strings.

The new animator stumbled. He fell to his knees in the soft dirt and dying flowers. The magic stuttered, wavering. He'd bitten off one zombie more than he could finish. The dead man was still struggling from the grave. Still trying to get its legs free, but there was no one controlling it. Lawrence Kirkland had raised the zombie, but he couldn't control it. The zombie would be on its own with no one to make it mind. Uncontrolled zombies give animators a bad name.

One of the lawyers was saying, "Are you all right?"

Lawrence Kirkland nodded his head, but he was too exhausted to speak. Did he even now realize what he'd done? I didn't think so. He wasn't scared enough.

I walked up to the huddled group. "Ms. Blake, we missed you," the lawyer said. "Your. . associate seems to be ill."

I gave them my best professional smile. See nothing wrong. A zombie isn't about to go amuck. Trust me.

I walked to the edge of the blood circle. I could feel it like a wind pushing me back. The circle was shut, and I was on the outside. I couldn't get in unless Lawrence asked me in.

He was on all fours, hands lost in the flowers of the grave. His head hung down, as if he was too tired to raise it. He probably was.

"Lawrence," I said softly, "Lawrence Kirkland."

He turned his head in slow motion. Even in the dark I could see the exhaustion in his pale eyes. His arms were trembling. God, help us.

I leaned in close so the audience couldn't hear what I said. We'd try to keep the illusion that this was just business as usual, as long as I could. If we were lucky, the zombie would just wander away. If we weren't lucky, it would hurt someone. The dead are usually pretty forgiving of the living, but not always. If Andrew Doughal hated one of his relatives, it would be a long night.

"Lawrence, you have to break the circle and let me in," I said.

He just stared at me, eyes dull, no glimmer of understanding. Shit.

"Break the circle, Lawrence, now."

The zombie was free to its knees. Its white dress shirt gleamed against the darkness of the burial suit. Uncomfortable for all eternity. Doughal looked pretty good for the walking dead. He was pale with thick grey hair. The skin was wavy, pale, but there were no signs of rot. The kid had done a good job for the third zombie of the night. Now if only I could control it, we were home free.

"Lawrence, break the circle, please!"

He said something, too low for me to hear. I leaned as close as the blood would let me get and said, "What?"

"Larry, name's Larry."

I smiled, it was too ridiculous. He was worried about me calling him Lawrence instead of Larry with a rogue zombie climbing out of the dirt. Maybe he'd snapped under the pressure. Naw.

"Open the circle, Larry," I said.

He crawled forward, nearly falling face first into the flowers. He scraped his hand across the line of blood. The magic snapped. The circle of power was gone, just like that. Now it was just me.

"Where's your knife?"

He tried to look back over his shoulder but couldn't manage it. I saw the blade gleam in the moonlight on the other side of the grave.

"Just rest," I said. "I'll take care of it."

He collapsed into a little ball, hugging his arms around himself, as if he was cold. I let him go, for now. The first order of business had to be the zombie.

The knife was lying beside the gutted chicken he'd used to call the zombie. I grabbed the knife and faced the zombie over the grave. Andrew Doughal was leaning against his own tombstone, trying to orient himself.

It's hard on a person, being dead; it takes a few minutes to wake up the dead brain cells. The mind doesn't quite believe that it should work. But it will, eventually.

I pushed back the sleeve of my leather jacket and took a deep breath. It was the only way, but I didn't have to like it. I drew the blade across my wrist. A thin, dark line appeared. The skin split and blood trickled out, nearly black in the moonlight. The pain was sharp, stinging. Small wounds always felt worse than big ones. . at first.

The wound was small and wouldn't leave a scar. Short of slitting my wrist, or someone else's, I couldn't remake the blood circle. It was too late in the ceremony to get another chicken and start over. I had to salvage this ceremony, or the zombie would be free with no boss. Zombies without bosses tended to eat people.

The zombie was still sitting on its tombstone. It stared at nothing with empty eyes. If Larry had been strong enough, Andrew Doughal might have been able to talk, to reason on his own. Now he was just a corpse waiting for orders, or a stray thought.

I climbed onto the mound of gladioluses, chrysanthemums, carnations. The perfume of flowers mixed with the stale smell of the corpse. I stood knee-deep in dying flowers and waved my bleeding wrist in front of the zombie's face.

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