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Лорел Гамильтон: The Lunatic Cafe

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Лорел Гамильтон The Lunatic Cafe

The Lunatic Cafe: краткое содержание, описание и аннотация

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Don't fall in love with a werewolf, it interferes with your work. Especially when you're a preternatural expert like Anita Blake. The local werewolves have come to her for help after a number of them have gone missing — perhaps because she's dating the leader of the pack.

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"I don't suppose you would remove his cross so I could order him about?"

My eyes flicked to the vampire. She was looking at me. The cop stirred, struggling like a dreamer in the grip of a nightmare. She turned her eyes back to him, and the struggles ceased.

"I don't think so," I said. I knelt, trying to keep my attention on both of them. I touched the Browning, and wrapped cold fingers around it. My hands were stiff from being exposed to the cold for so long. I wasn't sure how fast I could draw right at that moment. Maybe I should look into some gloves. Maybe ones with the fingertips cut out.

I shoved the Browning in my coat pocket, hand still gripping it. My hand would warm up, and I could shoot through my coat if I had to.

"Without the cross I could make him go away. Why can't I control you like that?"

"Just lucky, I guess."

Her eyes flicked to me. Again, he stirred. She had to stare at him while she talked to me. It was interesting to see how much concentration it took. She was powerful but it had its limits.

"You are the Executioner," she said.

"What of it?"

"I didn't believe the stories. Now I believe some of the stories."

"Bully for you. Now, what do you want?"

A slight smile curled her lipsticked mouth. "I want you to leave Jean-Claude alone."

I blinked, not sure I'd heard right. "What do you mean, leave him alone?"

"Don't date him. Don't flirt with him. Don't talk to him. Leave him alone."

"Glad to," I said.

She turned to me, startled. You don't get to surprise a two-hundred-year-old vamp often. Her face looked very human with its wide eyes and little o of surprise.

The cop gave a snort and looked around wildly. "What the hell?" He looked at both of us. We looked like two petite women out for the evening. He glanced down at his gun and seemed embarrassed. He didn't remember why it was out. He put the gun away, muttering apologies and backing away from us. The vampire let him go.

"You'd leave Jean-Claude alone, just like that?" she asked.

"You bet."

She shook her head. "I do not believe you."

"Look, I don't care what you believe. If you have the hots for Jean-Claude, more power to you. I've been trying to get him off my back for years."

Again that shake of the head, sending her yellow hair flying about her face. It was a very girlish gesture. It would have been cute if she hadn't been a corpse.

"You are lying. You desire him. Anyone would."

I couldn't argue that. "You got a name?"

"I am Gretchen."

"Well, Gretchen, I wish you joy of the Master. If you need any help sinking your fangs into him, let me know. I would love for him to find a nice little vampire to settle down with."

"You mock me."

I shrugged. "A little, but it's habit, nothing personal. I mean what I said. I don't want Jean-Claude."

"You don't think he's beautiful?" Her voice was soft with surprise.

"Well, yeah, but I think tigers are beautiful. I still don't want to sleep with one."

"No mortal could resist him."

"This one can," I said.

"Stay away from him, or I'll kill you," she said.

Gretchen wasn't listening to me, not really. She heard the words, but the meaning didn't sink in. Reminded me of Jean-Claude.

"Look, he chases me. I'll stay away from him if he'll let me. But don't threaten me."

"He's mine, Anita Blake. Come against me at your peril."

It was my turn to shake my head. Maybe she didn't know I had a gun pointed at her. Maybe she didn't know it had silver-plated bullets in it. Maybe she had lived for a couple of centuries and had grown arrogant. Yeah, that was probably it.

"Look, I don't have time for this right now. Jean-Claude is yours, great, fine. I'm thrilled to hear it. Keep him away from me, and I will be the happiest woman alive or dead." I didn't want to turn my back on her, but I had to go. If she wasn't going to jump me here and now, Dolph was waiting at a murder scene. I had to go.

"Gretchen, what are you and Anita talking about?" Jean-Claude stalked towards us. He was wearing, I kid you not, a black cape. It was a Victorian style with a collar. A top hat with a white silk band completed the look.

Gretchen gazed at him. It was the only word for it. The naked adoration in her face was sickening, and very human. "I wanted to meet my rival."

I wasn't her rival, but I didn't think she'd believe that.

"I told you to wait outside so you would not meet her. You knew that." The last three words were spat out, thrown at her like rocks.

She flinched. "I meant no harm this night."

That was almost a lie, but I didn't say anything. I could have told him that she'd threatened me, but somehow it seemed like tattling. She'd gone to a lot of trouble to get me alone. To warn me off. Her love for him was so naked. I could not enlist his help against her. Foolish, but true. Besides, I didn't like owing Jean-Claude favors.

"I'll leave you two lovebirds alone."

"What lies did you tell her about us?" His words scalded the air. I could feel myself choking on his rage. Jesus.

She fell to her knees, hands held upward, not to avoid a blow, but beseeching, reaching for him. "Please, I only wanted to meet her. To see the mortal that would steal you from me."

I did not want to see this, but it was like a car crash. I couldn't quite bring myself to leave.

"She steals nothing. I have never loved you."

The pain was raw on her face, and even under the makeup she looked less human. Her face was thinning out, bones growing more apparent, as if her skin were shrinking.

He grabbed her arm and pulled her roughly to her feet. His white-gloved fingers dug into her arm. If she'd been human, there would have been bruises. "Get hold of yourself, woman. You are losing control."

Her thinning lips drew back from fangs. She hissed at him, jerking free of his hand. She covered her face with hands that were almost claws. I'd seen vampires show their true form, but never by accident, never in the open, where anyone might see. "I love you." The words came out muffled and twisted, but the feeling in those three words was very real. Very. . human.

"Get out of sight before you disgrace us all," Jean-Claude said.

She raised a face to the light that was no longer human. The pale skin glowed with an inner light. The makeup sat on that glowing surface. The blush, eye shadow, lipstick seemed to float above the light, as if her skin would no longer absorb them. When she turned her head, I could see the bones in her jaws like shadows inside her skin. "This is not over between us, Anita Blake." The words fell out from between fangs and teeth.

"Leave us!" Jean-Claude's words were an echoing hiss.

She launched herself skyward, not a leap, not levitation, just upward. She vanished into the darkness with a backwash of wind.

"Sweet Jesus," I whispered it.

"I am sorry, ma petite . I sent her out here so this would not happen." He walked towards me in his elegant cape. A gust of icy wind whistled around the corner, and he had to make a grab for the top hat. It was nice to know that at least his clothing didn't obey his every whim.

"I've got to go, Jean-Claude. The police are waiting for me."

"I did not mean for this to happen tonight."

"You never mean for anything to happen, Jean-Claude. But it happens anyway." I put a hand up to stop his words. I didn't want to hear any more of them.

"I've got to go." I turned and walked towards my car. I transferred my gun back to its holster when I was safely across the icy street.

"I am sorry, ma petite ." I whirled to tell him to get the hell away from me. He wasn't there. The streetlight glowed down on empty sidewalk. I guess he and Gretchen hadn't needed a car.

7

There is a glimpse of stately old homes to the right just before you turn onto Highway 44. The houses hide behind a wrought-iron fence and a security gate. When the homes were built, they were the height of elegance and so was the neighborhood. Now the town houses are an island in a rising flood of project housing and dead-eyed children who shoot each other over a scuffed sneaker. But the old money stayed, determined to be elegant, even if it kills them.

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