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Лорел Гамильтон: Obsidian Butterfly

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Лорел Гамильтон Obsidian Butterfly

Obsidian Butterfly: краткое содержание, описание и аннотация

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Anita Blake, vampire hunter, has dealt with — and destroyed — a lot of monsters, but her old mentor, Edward, may be worse than any of them. Edward's got problems: a malevolent force is mutilating the citizens of Albuquerque. If he is to stop it he'll need all of Anita's firepower and cunning.

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I just couldn't help the next question. "And have you met Ted before in a past life?"

"No, actually he's brand new to me, though Brenda says he is a very old soul."

"Brenda, your psychic?" I asked.

She nodded.

"I'll agree with the old soul part," I said.

Edward gave me a look over her head where she couldn't see him. It was a suspicious look.

"You've felt it, too, then, the way he resonates. That's what Brenda calls it, like a great heavy bell in her head whenever he's around."

Alarm bells more likely, I thought. Aloud I said, "Sometimes you can make your soul heavy in one lifetime."

She gave me a puzzled look. She wasn't stupid. There was intelligence in those brown eyes, but she was naive. Donna wanted to believe. It made her an easy mark for a certain kind of liar, like would-be psychics and men like Edward. Men who lied about who and what they were.

"I'd like to meet Brenda before I go home," I said.

Edward's eyes widened where she couldn't see them.

Donna smiled delightedly. "I'd love to introduce the two of you. She's never met an animator before. I know she'd get a kick out of meeting you."

"I'll bet," I said. I did want to meet Brenda, because I wanted to see if she was truly a psychic or just a charlatan. If she was professing to abilities she didn't possess, it was a crime, and I'd turn her in. I hated seeing supposed psychics take advantage of people. It was always amazing to me with the number of genuine talents around, how many fakes still managed to prosper.

We were passing a restaurant decorated in more blue and fuchsia tiles with small daisy-like flowers painted in the edges. There was a mural on one wall showing Spanish conquistadors and breechcloth-clad Native Americans as we came down the escalators. I was still managing to balance my carry-on without any trouble, all that weightlifting I guess.

There was a bank of pay phones set to one side. "Let me try to get hold of the kids one more time," Donna said. She kissed Edward's cheek and moved off towards the phones before I could react.

"Kids?" I said.

"Yes," he said, voice careful.

"How many?" I asked.

"Two."

"Ages?"

"Boy, fourteen; girl, six," he said.

"Where's their father?"

"Donna is a widow."

I looked at him, and the look was enough.

"No, I didn't do it. He died years before I met Donna."

I stepped close to him, turning my back so that Donna wouldn't see my face from the phones. "What are you playing at Edward? She has children and is so in love with you, it makes me gag. What on God's green earth could you be thinking?"

"Donna and Ted have been dating for about two years. They're lovers. She expected him to propose so he did." His face was still smiling Ted, but the voice was matter of fact and totally unemotional.

"You're talking like Ted's a third person, Edward."

"You're going to have to start calling me Ted, Anita. I know you. If you don't make it a habit, you'll forget."

I stepped into him in the relative silence, lowering my voice to a furious whisper.

"Fuck that. He is you, and you're fucking engaged. Are you going to marry her?"

He gave a small shrug.

"Shit," I said. "You can't. You cannot marry this woman."

His smile widened, and he stepped around me holding his hands out to Donna. He kissed her and asked, "How are the munchkins?" He turned her in his arms so he was half-hugging her, and had her turned away from me. His face was Ted, relaxed, but his eyes were warning me, "Don't screw this up." It was important to him for some reason.

Donna turned so she could see my face, and I fought to give blank face. "What were you two whispering about so urgently?"

"The case," Edward said.

"Oh, pooh," she said.

I raised eyebrows at Edward. Oh, pooh. The most dangerous man I'd ever met was engaged to a mother of two that said things like, "Oh pooh." It was just too weird.

Donna's eyes widened. "Where is your purse? Did you leave it on the plane?"

"I didn't bring one," I said. "I knew I'd have the bag and pockets."

She looked at me as if I'd spoken in tongues. "My god, I wouldn't know what to do without my monstrosity in tow." She pulled the huge purse around in front of her. "I'm such a pack rat."

"Where are your kids?" I asked.

"With my neighbors. They're a retired couple and are just great with my little girl, Becca." She frowned. "Of course, nothing seems to make Peter happy right now." She glanced at me. "Peter's my son. He's fourteen going on forty, and seems to have hit his teenage years with a vengeance. Everyone told me a teenager was hard, but I never dreamed how hard."

"Has he been getting into trouble?" I asked.

"Not really. I mean he's not into anything criminal." She added the last a little too quickly. "But he's just stopped listening to me. He was supposed to come home two weeks ago from school and watch Becca. Instead, he went to a friend's house. When I came home after the shop closed, the house was empty, and I didn't know where either of them were. The Hendersons had been out so Becca wasn't there. God, I was frantic. Another neighbor had taken her in, but if they hadn't been home, she'd have just had to wander the neighborhood for hours. Peter came home and just wasn't sorry. By the time he came home, I'd convinced myself he'd been abducted by someone and was lying dead in a ditch somewhere. Then he just comes strolling in as if nothing's wrong."

"Is he still grounded?" I asked.

She nodded, face very firm. "You bet he is. Grounded for a month, and I've taken every privilege I can think of away from him."

"What does he think of you and Ted getting married?" It was a sadistic question, and I knew it, but I just couldn't help myself.

Donna looked stricken, truly stricken. "He's not too keen on the idea."

Keen? "Well, he's fourteen, and a boy," I said. "He's bound to resent another male coming into his turf."

Donna nodded. "Yes, I'm afraid so."

Ted hugged her. "It'll be all right, honeypot. Pete and I will come to an understanding. Don't you worry."

I didn't like Edward's phrasing on that. I watched his face but couldn't see behind his Ted mask. It was as if for minutes at a time he just vanished into his alter ego. I hadn't been on the ground an hour and his Jekyll/Hyde act was already beginning to get on my nerves.

"Do you have any other bags?" Edward asked.

"Of course, she does," Donna said. "She's a woman."

Edward gave a small laugh that was more his own than Ted's. It was a small sound that made Donna glance at him and made me feel better.

"Anita isn't like any other woman I've ever met."

Donna gave him another look. Edward had phrased it that way on purpose.

He'd caught her jealous reasoning just as I had, and now he was playing to it.

It was one way to explain my strange reaction to the engagement news without risk of blowing his cover. I guess I couldn't blame him, but in a way I knew it was payback for my lack of social skills. His cover was important enough to him to let Donna think we'd been a couple, which meant it was pretty important to him. Edward and I had never had a single romantic thought about each other in our lives.

"I've got luggage," I said.

"See," Donna said, tugging on his arm.

"The carry-on bag wouldn't hold all the guns."

Donna stopped in the middle of saying something to Edward, then turned slowly to stare at me. Edward and I stopped walking because she had stopped. Her eyes were a little wide. She seemed to have caught her breath. She was staring at me, but not at my face. If it had been a guy, I might have accused him of staring at my chest, but that wasn't exactly what she was looking at. I followed her gaze and found that my jacket had slipped back over my left side exposing my gun. It must have happened when I readjusted the bag coming off the escalator. Careless of me. I'm usually pretty careful about exposing my arsenal in public. It tends to make people nervous, just like now. I shifted the bag, so that my jacket slid back over the shoulder holster like a curtain dropping back in place.

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