Лорел Гамильтон - Cerulean Sins

I had a sudden image of a dark, dark room, not pitch black, but as if the only light were reflected from somewhere else. There was a bed with a black silk cover and a figure lying under that cover. The room was oddly shaped, not square, not circular, almost hexagonal. There were windows, but I knew somehow that they did not look out upon the world. Windows to gaze down upon the darkness that never lifted, never changed.

I was drawn towards the bed, drawn the way you're drawn in nightmares. I didn't want to look, but I had to look; didn't want to see, and had to see.

I reached out towards that shining black silk, I could tell it was silk because of the way it reflected the light from down below, far down below outside the windows. The light flickered, and I knew it was firelight. Nothing electric had ever touched the darkness of this place.

My fingertips brushed the silk, and the body under the sheet moved in its sleep, moved the way someone will when they dream, but are not yet awake. I knew in that instant that I was a dream to her, too, and I couldn't truly be standing in her inner sanctum, that no matter how real or exact it was, I could not send myself to her, and pull the sheet away. Dreams could not do that. But I also knew in that same moment that all she had done to me today had been done in a sleep that had lasted long and longer, so long that the others sometimes thought she was dead, hoped she was dead, feared she was dead, prayed she was dead, if they had the courage of prayer left in them. Who do the soulless dead pray to?

A sigh moved through that close, airless room, and on that first breath of air, came a whisper of sound, the first sound that that room had heard in centuries, "Me."

It took me a moment to realize that it was the answer to my question. Who do the soulless dead pray to? Me, the whisper said.

The figure under the sheet shifted in its sleep again. Not awake, not yet, but she was swimming upwards, filling in herself, coming closer to wakefulness.

I jerked my hand back from that sheet; I stepped back from that bed. I did not want to touch her. More than anything else, I did not want to wake her. But since I didn't know how I'd gotten into her room, I couldn't figure out how to get out of it. I'd never been someone else's dream before, though people had accused me of being their nightmares. How do you stop being in someone else's dream?

That whisper echoed through the room again, "By waking them."

She'd answered my question again. Shit. I was beginning to have an awful idea. Could the darkness become lost in sleep? Could the dark become lost in the dark? Could the mother of all nightmares be trapped in the land of dreams?

"Not trapped," the whisper in the dark said.

"Then what?" I asked it out loud, and the body under the sheet rolled all the way over, feeling the silence with the hissing glide of silk over skin. My throat closed around the words, and I cursed myself for not thinking.

"Waiting," still the air breathing around me, not a voice, not really.

I thought really hard, waiting for what'?

There was no answer from the dark room. But there was a new noise. Someone beside me was breathing, deep, even breathing, as if they slept. Though I would have sworn that the figure on the bed hadn't been breathing a second ago.

I did not want to be here when she sat up, I so did not want to be here for that. What had she been waiting for all this time?

This time the voice came from the bed, the same voice as the wind, faint, long unused, so hoarse and soft that I couldn't tell if it were male or female. "Something of interest."

With that last, I finally felt something from that body. I'd been prepared for malice, evil, anger, but was totally unprepared for curiosity. As if she wondered what I was, and she hadn't wondered about anything in a millennia, or two, or three.

I smelled wolf, musky, sweet, pungent, so real I could feel it gliding over my skin. I suddenly had a cross around my neck, and the white glow filled the room. I think I could have seen the figure on the bed clearly by the light of the cross, but either I closed my eyes without remembering, or some things you shouldn't see, even in dreams.

I woke in the Jeep with Nathaniel and Caleb's worried faces hovering over me. There was a huge wolf sitting in the driver's seat, its long snout snuffling against my face. I reached up to touch that soft, thick fur, then saw the shine of liquid all over the driver's seat, where Jason had shape-shifted on the leather.

"Jesus, Mary, and Joseph, you couldn't have shape-shifted in the back in the cargo area. You had to shape-shift on the leather seats. It'll never come clean."

Jason growled at me, low and rumbling, and I didn't have to speak wolf to know what he was saying. I was being an ungrateful wretch. But it was so much easier to concentrate on my ruined upholstery than to think about the fact that I'd been in the presence of the Mother of all Vampires, the Mother of all Darkness, the Primordial Abyss made flesh. I knew through Jean-Claude's memories that they called her Mother Gentle, Marmи, a dozen different euphemisms to make her seem kind, and, well, motherly. But I'd felt her power, her darkness, and finally, at the end an intellect as cold and empty as any evil. She was curious about me the way some scientists are curious about a new species of insect. Find it, capture it, put it in a jar, whether it wants to go with you, or not. It's just an insect, after all.

They could call her Mother Gentle if they wanted to, but Mommy Dearest was a hell of a lot more accurate.

Caleb had climbed into the back of the Jeep to get the plastic I'd started carrying, for when I transported something messier than chickens, and spread it on the seat so Nathaniel could drive. I'd tried to insist on driving but Jason had growled at me. He had a point, I wasn't feeling my steadiest. Nathaniel, his eyes bled back to their normal lilac, had told me, "You passed out. You stopped breathing. Jason shook you, and you did this sort of gasp." Nathaniel shook his head, face very serious. "We had to keep shaking you, Anita. You kept not breathing."

If they'd been human I might have argued with them, that they only thought I'd stopped breathing, but they weren't human. If a bunch of shape-shifters were unable to hear or see me breathe, I had to believe them.

Had Mommy Dearest tried to kill me? Or had it been accidental—or incidental? She wouldn't have meant to kill me, but she might have done it by accident. And I'd touched enough of her thinking to know it wouldn't bother her. She wouldn't be sorry, she would feel no guilt. She didn't think like a person, or rather she didn't think like a nice, normal, civilized human. She thought like a sociopath—no empathy, no sympathy, no guilt, no compassion. In a strange way, that must be a very peaceful existence. Did you need more emotions than she possessed to be lonely? I'd think so, but I really didn't know. Lonely was not a word I would have applied to her. If you didn't understand the need for friendship or love, could you be lonely? I shrugged and shook my head.

"What is it?" Nathaniel asked.

"If you don't feel love or friendship, can you be lonely?"

He raised eyebrows at me. "I don't know. Why do you ask?"

"We've all just brushed up against the Mother of all Vampires, and she's more like the Mother of All Sociopaths. Human beings are rarely pure sociopaths. It's more like they're missing a piece here and there. True, pure sociopathy is really pretty rare, but Mommy Dearest qualifies, I think."

"It doesn't matter if she's lonely," Caleb said.

I glanced back at him. His brown eyes were very large, and underneath his fading tan he was pale. I sniffed the air before I could think, and the car was a playground of scents; the sweet musk of wolf, the clean vanilla of Nathaniel, and Caleb. Caleb smelled… young. I wasn't sure how to explain it but it was as if I could smell how tender his meat would be, how fresh his blood. He smelled clean, the scent of some lightly perfumed soap coated his skin, but underneath was another scent. Bitter and sweet all at the same time, the way blood is salty and sweet at the same time.