Guy Kay - Sailing to Sarantium

He'd overheard men talking in a cookshop one day when he was still a boy. His father's head, he'd learned, had been completely severed from his shoulders. By an axe blow. Had landed some distance away, blood spraying from the toppling, headless body. Like a red fountain, one of the I men told the other in an awed voice. It was dramatic enough, unsetding enough even for soldiers, to have become a tale: the death of the stonemason, Horius Crispus.

Crispin had been ten years old when he'd heard that. An Inici axe. The tribes that went west to Ferrieres had been wilder. Everyone said that. The girl had said it tonight. They'd pressed south into Batiara constantly, harrying the northern farms and villages. The Antae sent armies, including the urban militia, into Ferrieres just about every year. Usually they were successful campaigns, bringing back needed slaves. There were casualties, however. Always. The Inicii, even outnumbered, knew how to I fight. A red fountain. He ought not to have heard such a thing. Not at ten years of age. He'd had dreams after, for a long time, had been unable to tell them to his mother. He was certain, even then, that the men in that cookshop would have been appalled had they known Horius's boy had been listening to them.

When her tears had stopped, Kasia's explanation tonight had been clear enough: there was no place for her at home any more. Once sold, once a slave, sent up or down a hall to any man's room, she had no hope of a life among her own people. There was no going back, marrying, raising a family, sharing in the traditions of a tribe. Those traditions did not allow space for what she'd been forced to become, whatever she had been in the time before the plague when she had a father and brother for shelter.

A man captured and enslaved might escape and return to his village with honour and status-a living emblem of defiant courage. Not a girl sold to the traders for winter grain. The village of her childhood was barred to her now, on the far side of a doorway to the past and there was no key. One could feel some sorrow for other's griefs, Crispin thought, awake and listening to the wind.

In the crowded, roiling streets of Sarantium, amid the arcades and workshops and sanctuaries and so many people from so many lands she could-perhaps-create a life for herself. Not an easy or a sure thing for a woman, but she was young, had intelligence and spirit. No one need learn she had been an inn girl in Sauradia, and if they did. well, the Empress Alixana herself had been little better in her day. More expensive, but not different in kind, if any of the rumours were true.

Crispin supposed they slit your nose, or worse, for saying that. It was blowing hard outside. He could hear that shutter banging and the high keening of the wind. The Day of the Dead. Was it the wind?

The fire had taken the edge off the chill in the room, and he was under two good blankets. He thought, unexpectedly, of the queen of the Antae, young and afraid, her fingers in his hair as he knelt before her. The last time his head had been cracked like this. He was tired and his jaw hurt. He really shouldn't have been drinking with the soldiers tonight. Extremely stupid. Imbecilic, someone would have said. Decent man, though, Carullus of the Fourth. A surprise. Liked to hear himself talk. That image of the god, on the chapel dome. Mosaicists had made it, artisans, like himself. But not. Something else. He wished he knew their names, wished someone did. Would write to Martinian about that; try to order his thoughts. He could see the god's eyes in his mind right now.

As vividly as he had ever seen anything. That fog this morning, nothing to see at all, all colours leached from the world. Voices pursuing, the dogs the dead man. The forest and what took them into it. He had feared those woods at first sight, all the way back at the border, and yet he had walked in the Aldwood, after all, black, dense trees, leaves falling, a sacrifice in the glade. No. Not quite. The completion of a sacrifice.

How did one deal with so much? By drinking wine with soldiers? Perhaps. Oldest refuge, one of the oldest. By pulling blankets up to one's bruised face in bed, and falling asleep, sheltered from the knife of wind and the night? Though not the night that was always there now.

Caius Crispus, too, had a dream in that cold dark, though in his he did not fly. He saw himself walking the echoing corridors of an empty palace and he knew what it was, where he was. Had been there with Martinian years ago: the Patriarchal Palace in Rhodias, most glittering emblem of religious power-and wealth-in the Empire. Once, at any rate. In its day.

Crispin had seen it in dusty, emptied-out decay, long after the Antae sack and conquest: most of the rooms looted and empty, closed up. He and Martinian had been walking through it-a cadaverous, coughing cleric as their guide-to view a celebrated old wall mosaic a patron wanted copied for his summer house in Baiana by the sea. The two of them had been admitted, reluctantly, by virtue of a letter-and probably a sum of money-from their wealthy patron, to walk through echoing emptiness and dust.

The High Patriarch lived, worshipped, schemed, dictated his ceaseless flow of correspondence to all quarters of the known world on the two upper floors, seldom venturing from there save on holy days, when he crossed the covered bridge over the street to the Great Sanctuary and led services in the name of Jad, bright gold in glory on the dome.

The three men had walked endless empty ground-level corridors- their resonating footsteps a kind of reproach-and had finally come to the room with the to-be-copied work. A reception hall, the cleric muttered, fumbling through a ring of keys on his belt. He tried several, coughing, before finding the correct one. The mosaicists walked in, paused, and then set about opening shutters, though from the first glance they had both seen there was little point.

The mosaic-running the length and full height of a wall-was a rum, though not from the wearing of time or the effects of inadequate technique. Hammers and axes had been taken to this, daggers, sword hilts, maces, staves, boot heels to the lower parts, scrabbling fingers. It had been a marinescape-they knew that much. They knew the studio that had been commissioned, though not the names of those who had actually done the work: mosaicists names, like those of other decorative artisans, were not deemed worth preserving.

Hues of dark blue and a splendid green were still there as evidence of the original scheme near the wood-panelled ceiling. There would have been precious stones used here: for the eyes of a squid or sea-horse, the shining scales offish, coral, shells, the gleam of eels or undersea vegetation. They had all been looted, the mosaic hacked apart in the process. One would feel ill, Crispin thought, were this not so much the expected thing in Rhodias after the fall. There had been a fire set in the room at some point. The charred walls bore black, silent witness.

They stood gazing a while in silence, noses tickled by stirred dust in streaming sunlight, then methodically closed all the shutters again and walked with the afflicted cleric back down the same branching corridors and out into the vast, nearly empty spaces of the city once the centre of the world, of an Empire, once thronged with teeming, vibrant, brutal existence.

In his dream, Crispin was alone in that palace, and it was even darker, emptier than he had known it that one time in a life that seemed fright-endingly remote now. Then, he'd been a newly married man, rising in his guild, acquiring some wealth, the beginnings of a reputation, flush with the wondrous, improbable reality that he adored the woman he'd wed the year before and she loved him. In the corridors of dream he walked a palace looking for Ilandra, knowing she was dead.