Guy Kay - Sailing to Sarantium

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Sailing to Sarantium: краткое содержание, описание и аннотация

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Valerius the Trakesian has great ambition. Rumored to be responsible for the ascension of the previous Emperor, his uncle, amid fire and blood, Valerius himself has now risen to the Golden Throne of the vast empire ruled by the fabled city, Sarantium.
Valerius has a vision to match his ambition: a glittering dome that will proclaim his magnificence down through the ages. And so, in a ruined western city on the far distant edge of civilization, a not-so-humble artisan receives a call that will change his life forever.
Crispin is a mosaicist, a layer of bright tiles. Still grieving for the family he lost to the plague, he lives only for his arcane craft, and cares little for ambition, less for money, and for intrigue not at all. But an imperial summons to the most magnificent city in the world is a difficult call to resist.
In this world still half-wild and tangled with magic, no journey is simple; and a journey to Sarantium means a walk destiny. Bearing with him a and a Queen's seductive promise, Crispin sets out for the fabled city from which none return unaltered, guarded only by his own wits and a bird soul talisman from an alchemist's treasury.
In the Aldwood he encounters a great beast from the mythic past, and in robbing the zubir of its prize he wins a woman's devotion and a man's loyalty-and loses a gift he didn't know he had until it was gone.
In Sarantium itself, where rival Factions vie in the streets and palaces and chariot racing is as sacred as prayer, Crispin will begin his life anew. In an empire ruled by intrigue and violence, he must find his own source of power. And he does: high on the scaffolding of the greatest art work ever imagined, while struggling to deal with the dangers-and the seductive lures-of the men and women around him.
Guy Gavriel Kay's magnificent historical fantasies draw from the twin springs of history and legend to create seamless worlds as vibrant as any in literature. Sailing to Sarantium begins THE SARANTINE MOSAIC, a new and signal triumph by today's most esteemed master of high fantasy.

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They had a phrase along the Imperial road. He's sailing to Sarantium, they said when some man threw himself at an obvious and extreme hazard, risking all, changing everything one way or another, like a desperate gambler at dice putting his whole stake on the table. That's what he was doing.

Unexpected, really. Not his nature. Exciting, he had to admit. He tried to remember the last time he'd felt excited. Perhaps with a girl, but not really, that was different. Nice enough, though. Vargos wished he felt a little better. He knew two of the girls here fairly well and they liked him enough. On the other hand there were soldiers here. The girls would be busy all night. Just as well. He needed his sleep.

They were still laughing-and starting to sing now-in the common room. He felt himself drifting off. Martinian was there with the burly, smooth-faced tribune. Unexpected.

He dreamt that night that he was flying. Out of the inn and across the road under both moons and all the stars. West first, over the chapel of the Sleepless Ones, hearing their slow chanting in the night, seeing the candles burning through the windows of the dome. He flew past that image of holy Jad and turned north over the Aldwood.

League upon league he flew above the forest, north and farther north and farther, seeing the black trees touched by mingled moonlight in the iron cold. League upon league the great forest rolled, and Vargos wondered in his dream how anyone could do other than worship a power that dwelled therein.

Then west again for a time across the grass-covered ridges of soft hills and over the wide, slow river meandering south with the road beside it. Another forest on the other side of the gleaming water, as black, as vast, as Vargos flew over it, north and north in the clear, cold night. He saw where the oaks ended and the pines began, and then at last he saw by the moons a range of mountains he had always known, and he was flying lower over fields he had tilled himself in childhood, seeing a stream he had swum in during summers gone, and the first tiny outlying houses of the village, his own home near the small shrine and the Elder's house with the branch bound above the door, and then he saw the graveyard in his dream, and his father's grave.

It was unusual for a man to travel any distance with a female slave, but it was learned by the soldiers of the Fourth Sauradian that the artisan had taken possession of the girl only the night before-some sort of wager won, the story went-and it was not at all unusual that a man might want a body with him on a windy autumn night. Why pay for a whore when you had your own woman to do the needful? The girl was too skinny to be really warm, but she was young, and yellow-haired, and probably had other talents.

The soldiers were aware by now that the Rhodian was more important than he looked. He had also formed an unlikely bond with their tribune over dinner. This was sufficiently surprising as to elicit its own measure of respect. The girl had been escorted, untouched, to the room assigned the artisan. Orders had been explicit. Carullus, who liked to describe himself to anyone who would listen as a gentle soul, was known to have had men crippled and turned out of his company to beg for botching orders on an assignment. His principal centurion was the only one who knew that this had been done once only, soon after Carulluss promotion to tribune and his command of five hundred. The centurion was under standing orders to make certain all new recruits knew the tale, properly embellished. It was useful for soldiers to be somewhat afraid of their officers.

Kasia, about to sleep under a different roof than Morax's for the first time in a year, had settled beside the fire in the bedroom, feeding it the occasional log, to wait for the man who owned her now. The room was smaller than the better ones in Morax's inn, but it did have this fire. She sat on her cloak-Martinian's cloak-and gazed into the flames. Her grandmother had been skilled at reading futures in tongues of fire, but Kasia lacked any such gift and only found her mind drifting as she watched the fire dance. She was sleepy but there was no pallet in the room, only the one bed, and she had no idea what to expect when the Rhodian came upstairs. She could hear singing from below: Martinian and the man who had knocked him senseless. Men were very strange. She remembered the night before, in Morax's, when she had been sent up to find a thief in Martinian's room and everything had changed. He had saved her life twice now. At the inn and then, somehow, with a magical bird in the Aldwood.

She had been in the Aldwood today.

Had seen a power of the wood, known only in her grandmother's tales told by another smoky northern fire. She had walked from the sacred glade and the black forest alive, unsacrificed, to see that someone else's heart had been torn from his chest. A man she had known, had been forced to sleep with more than once. She had been violently ill, looking down at what remained of Pharus, unable not to remember him using her body, seeing what had now been done to his. She remembered the mist in the field, her hand on the mule. Voices, and the dogs hunting her. Martinian drawing his sword.

Already, curiously, the interlude in the forest itself was receding, blurring, becoming lost in a kind of fog of its own, too difficult to master or retain. Had she actually seen a zubir with those dark eyes, that dwarfing size? Had it really been that large? Kasia had the strangest sense, drowsy and half-entranced by the fire, that she was meant to have been dead by now, that her entire being was.. unrooted, oddly light, because of that. A spark flew and landed on the cloak; she brushed it quickly away. Could the future of such a person be known? Could her grandmother have seen anything at all in this fire, or was Kasia now a blankness, unwritten from this moment forward, unknowable? A kind of living ghost? Or freed from fate because of that? We'll talk tonight, Martinian had said in the litter, before drifting to sleep again. Need to sort out your life.

Her life. A north wind was blowing outside; a clear night tonight but very cold, winter behind the wind. She put more wood-a little waste-fully-on the fire. Saw that her hands were shaking. She laid one palm against her chest, feeling for the presence, the beating of her heart. After a while she realized her cheeks were wet and she wiped away the tears.

She had fallen into a shallow, fitful sleep, but they made a great deal of noise coming up the stairs and one of the merchants in the room across the hall shouted at them, causing a soldier to pound truculently on the shouter's door, eliciting further laughter from his fellows. Kasia was therefore on her feet in the middle of the room when they pushed open the unlocked door and Martmian stumbled in, supported-almost carried, in fact-by two soldiers of the Fourth Sauradian, with two more behind.

Weaving erratically, they led him over and spilled him onto the bed, good humoured and amused, despite-or because of-another furious volley of shouts from the room across. It was very late and they weren't being quiet. Kasia knew all about this: by law, the Imperial Inns had to put up as many as twenty soldiers at a time free of charge, doubling up paying guests to make room for them. They had to do it, but no one needed to enjoy the disruption of those nights.

One of the soldiers, a Soriyyan by his colouring, gazed at Kasia in the flicker of the firelight. "He's all yours," he said, gesturing to the man sprawled untidily on the bed. "Not much to you. Want to come down with us? Men who can hold their wine then hold a girl?"

"Shut fucking up," another said. "Orders."

The Soriyyan looked for a moment as if he'd object, but just then the man on the bed intoned, quite clearly, though with his eyes closed, "It is considered indisputable that the rhetoric of Kallimarchos was instrumental in the onset of the First Bassanid War. Given this as a proposition, ought later generations then lay the blame for so many cruel deaths at the philosopher's tomb? A vexing question."

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