Guy Kay - Sailing to Sarantium

Здесь есть возможность читать онлайн «Guy Kay - Sailing to Sarantium» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 1998, ISBN: 1998, Издательство: HarperPrism, Жанр: Фэнтези, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Sailing to Sarantium: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Sailing to Sarantium»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Valerius the Trakesian has great ambition. Rumored to be responsible for the ascension of the previous Emperor, his uncle, amid fire and blood, Valerius himself has now risen to the Golden Throne of the vast empire ruled by the fabled city, Sarantium.
Valerius has a vision to match his ambition: a glittering dome that will proclaim his magnificence down through the ages. And so, in a ruined western city on the far distant edge of civilization, a not-so-humble artisan receives a call that will change his life forever.
Crispin is a mosaicist, a layer of bright tiles. Still grieving for the family he lost to the plague, he lives only for his arcane craft, and cares little for ambition, less for money, and for intrigue not at all. But an imperial summons to the most magnificent city in the world is a difficult call to resist.
In this world still half-wild and tangled with magic, no journey is simple; and a journey to Sarantium means a walk destiny. Bearing with him a and a Queen's seductive promise, Crispin sets out for the fabled city from which none return unaltered, guarded only by his own wits and a bird soul talisman from an alchemist's treasury.
In the Aldwood he encounters a great beast from the mythic past, and in robbing the zubir of its prize he wins a woman's devotion and a man's loyalty-and loses a gift he didn't know he had until it was gone.
In Sarantium itself, where rival Factions vie in the streets and palaces and chariot racing is as sacred as prayer, Crispin will begin his life anew. In an empire ruled by intrigue and violence, he must find his own source of power. And he does: high on the scaffolding of the greatest art work ever imagined, while struggling to deal with the dangers-and the seductive lures-of the men and women around him.
Guy Gavriel Kay's magnificent historical fantasies draw from the twin springs of history and legend to create seamless worlds as vibrant as any in literature. Sailing to Sarantium begins THE SARANTINE MOSAIC, a new and signal triumph by today's most esteemed master of high fantasy.

Sailing to Sarantium — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Sailing to Sarantium», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Of course. Pardos knew the rumours and the fears and the threats- everyone did. He knew the young queen never took food or drink that had not been prepared by her own people and tasted first by them, that she never ventured forth, even within the palace, without a cadre of armed guards. Except here. In the sanctuary: veiled in mourning on her father's memorial day, in the sight of her people both high and low and of the holy clerics and the watching god, in a consecrated space where arms were forbidden, where she could assume she would be safe.

Except she couldn't.

"What," rasped the muscular, sweating man in front of the queen, ignoring the cleric, "does Batiara say about treason? What do the Antae do to rulers who betray them?" The words rang harshly in the holy space, ascended to the dome.

"What are you saying? How dare you come armed into a sanctuary?" The same cleric as before. A brave man, Pardos thought. It was said Sybard had challenged the Emperor of Sarantium on a question of faith, in writing. He would not be afraid here, Pardos thought. His own hands were trembling.

The bearded Antae reached into his cloak and pulled out a bunched-together sheaf of parchments. "I have papers!" he cried. "Papers that prove this false queen, false daughter, false whore, has been preparing to surrender us all to the Inicii!"

"That," said Sybard the cleric with astonishing composure, as a shocked swell of sound ran through the sanctuary, "is undoubtedly a lie. And even if it were not so, this is not the place or time to deal with it."

"Be silent, you gelded lapdog of a whore! It is Antae warriors who decide when and where a lying bitch dog meets her fate!"

Pardos swallowed hard. He felt stunned. The words were savage, unthinkable. This was the queen he was describing in that way.

Two things happened very quickly then, almost in the same moment. The bearded man drew his sword, and an even bigger, shaven-headed man behind the queen stood up and moved forward, placing himself directly in front of her. His face was expressionless.

"Stand aside, mute, or you will be slain," said the man with the sword. Throughout the sanctuary people had risen and now began pushing towards the doors. There was a scraping of benches, a babble of sound.

The other man made no movement, shielding the queen with only his body. He was weaponless.

"Put down your sword!" cried the cleric again from the altar. "This is madness in a holy place!"

"Kill her, already!" Pardos heard then, a flat, low tone, but quite distinct, from among the Antae seats near Gisel.

Someone screamed then. The movement of retreating bodies made the candles flicker. The mosaics overhead seemed to shift and alter in the eddies of light.

The queen of the Antae stood up.

Her back straight as a spear shaft, she lifted her two hands and drew back her veil, and then removed the soft hat with the emblem of royalty around it and laid it gently down on the raised chair so that every man and woman there could see her face.

It was not the queen.

The queen was youthful, golden-haired. Everyone knew. This woman was no longer young, and her hair was a dark brown with grey in it. There was a cold, regal fury in her eyes, though, as she said to the man before her, beyond the intervening mute, "You are unmasked, Agila, in treachery. Submit yourself to judgement."

Pardos was watching the perspiring man named Agila as he lost what remained of his self-control. He could see it happen-the dropping jaw, the gaping, astonished eyes, then the foul, obscene cry of rage.

The unarmed mute was the first to die, being nearest. Agila's sword swept in a vicious backhand that took the man at an angle across the upper chest, biting deeply into his neck. Agila tore the blade back and free as the man fell, soundlessly, and Pardos saw blood fly through holy space to spatter the clerics, the altar, the holy disk. Agila stepped right over the toppled body and plunged his sword straight into the heart of the woman who had impersonated the queen, balking him.

She screamed as she died, taken by agony, twisting and falling backwards onto the bench beside her chair. One hand clutched at the blade in her breast as if pulling it to herself. Pardos saw Agila rip it back, savagely, slicing her palm open.

There was screaming everywhere by then. The movement to the doors became a frenzied press, near to madness. Pardos saw an apprentice he knew stumble and fall and disappear. He saw Martinian gripping his own wife and Crispin's mother tightly by the elbows as they entered the frantic press, steering towards the exits with everyone else. Couvry and Radulph were right behind them. Then Couvry moved up, even as Pardos watched, and took Avita Crispina's other arm, shielding her.

Pardos stayed where he was, on his feet but motionless.

He could never afterwards say exactly why, only that he was watching, that someone had to watch.

And observing in this way-quite close, in fact, a still point amid swirling chaos-Pardos saw the Chancellor, Eudric Goldenhair, step forward from his place near the fallen woman and say in a voice that resonated, "Put up your sword, Agila, or it will be taken from you. What you have done is unholy and it is treachery and you will not be allowed to flee, or to live."

His manner was amazingly calm, Pardos thought. He watched as Agila wheeled swiftly towards the other man. A space had cleared, people were fleeing the sanctuary.

"Fuck yourself with your dagger, Eudric! You horse-buggered offal! We did this together and you will not disclaim it now. Only a dice roll chose which of us would stand up here. Surrender my sword? Fool! Shall I call in my soldiers to deal with you now?"

"Call them, liar," said the other man. His tone was level, almost grave. The two of them stood less than five paces apart. "There will be no reply when you do. My own men have dealt with yours already-in the woods where you thought to post them secretly."

"What? You treacherous bastard!"

"What an amusing thing for you to say, in the circumstances," said Eudric. Then he took a quick step backwards and added: "Vincelas!" extremely urgently, as Agila, eyes maddened, clove through the space between them.

There was a walkway overhead, not especially high: a place for musicians to play unseen, or for clerics" meditation and quiet pacing on days when winter or autumn rains made the outdoors bitter. The arrow that killed Agila, Master of the Antae Horse, came from there. He toppled like a tree, sword clattering on the floor, at the feet of Eudric.

Pardos looked up. There were half a dozen archers on the walkway. As he watched, the four men with drawn swords-Agila's men-slowly lowered and then dropped their weapons.

They died that way, surrendering, as six more arrows sang.

Pardos realized he was standing quite alone now, in the section reserved for the artisans. He felt utterly exposed. He didn't leave, but he did sit down. His palms were wet, his legs felt weak.

"I do apologize," said Eudric smoothly, looking up from the dead men to the three clerics still standing before the altar. Their faces were the colour of buttermilk, Pardos thought. Eudric paused to adjust the collar of his tunic and then the heavy golden necklace he wore. "We should be able to restore order quickly enough now, calm the people, bring them back in. This is a political matter, a most unfortunate one. Not your concern at all. You will carry on with the ceremony, of course."

"What? We will not!" said the court cleric, Sybard, his jaw set. "The very suggestion is an impious disgrace. Where is the queen? What has been done to her?"

"I can assure you I am far more anxious to know the answer to that than you are," said Eudric Goldenhair. Pardos, watching intently, had Agila's words still ringing in his head: We did this together.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Sailing to Sarantium»

Представляем Вашему вниманию похожие книги на «Sailing to Sarantium» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Sailing to Sarantium»

Обсуждение, отзывы о книге «Sailing to Sarantium» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x