Guy Kay - Sailing to Sarantium

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Valerius the Trakesian has great ambition. Rumored to be responsible for the ascension of the previous Emperor, his uncle, amid fire and blood, Valerius himself has now risen to the Golden Throne of the vast empire ruled by the fabled city, Sarantium.
Valerius has a vision to match his ambition: a glittering dome that will proclaim his magnificence down through the ages. And so, in a ruined western city on the far distant edge of civilization, a not-so-humble artisan receives a call that will change his life forever.
Crispin is a mosaicist, a layer of bright tiles. Still grieving for the family he lost to the plague, he lives only for his arcane craft, and cares little for ambition, less for money, and for intrigue not at all. But an imperial summons to the most magnificent city in the world is a difficult call to resist.
In this world still half-wild and tangled with magic, no journey is simple; and a journey to Sarantium means a walk destiny. Bearing with him a and a Queen's seductive promise, Crispin sets out for the fabled city from which none return unaltered, guarded only by his own wits and a bird soul talisman from an alchemist's treasury.
In the Aldwood he encounters a great beast from the mythic past, and in robbing the zubir of its prize he wins a woman's devotion and a man's loyalty-and loses a gift he didn't know he had until it was gone.
In Sarantium itself, where rival Factions vie in the streets and palaces and chariot racing is as sacred as prayer, Crispin will begin his life anew. In an empire ruled by intrigue and violence, he must find his own source of power. And he does: high on the scaffolding of the greatest art work ever imagined, while struggling to deal with the dangers-and the seductive lures-of the men and women around him.
Guy Gavriel Kay's magnificent historical fantasies draw from the twin springs of history and legend to create seamless worlds as vibrant as any in literature. Sailing to Sarantium begins THE SARANTINE MOSAIC, a new and signal triumph by today's most esteemed master of high fantasy.

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She stood up quickly, her first awkward motion. It made her seem younger.

He approached, became aware of her perfume again. And had to ask, against his own better judgement. "I… was given to understand earlier that only the Empress Alixana was allowed that particular.. scent. Is it indiscreet to ask…?"

Shirin smiled suddenly, visibly pleased. "You noticed? She saw me dance in the spring. Sent a private message with a note and a flask. It was made public that, in appreciation of my dancing, the Empress had permitted me to use the scent that was otherwise hers alone. Even though she's known to favour the Blues."

Crispin looked down at her. A small, quick, dark-eyed woman, quite young. "A great honour." He hesitated. "It suits you as much as it does her."

She looked ironic. She would be used to compliments, he realized. "The association with power is attractive, isn't it?" she murmured dryly.

Crispin laughed aloud. "Jad's blood! If all the women in Sarantium are as clever as the ones I've already met

"Yes?" she said, looking up at him slantwise. "What follows, Caius Crispus?" Her tone was deliberately arch, teasing again. It was effective, he had to concede.

He couldn't think of a reply. She laughed. "You'll have to tell me about the others, of course. One must know one's rivals in this city."

Crispin looked at her. He could imagine what her bird would have said to that. He was grateful it was silent. Otherwise-

"Oh, gods! You are a disgrace! You bring shame upon. everything!"

Crispin winced, covering it with a quick hand to his mouth. Not silenced, obviously. It was evident that Zoticus's daughter had her own methods of controlling her bird. She'd been toying with both of them, he thought. Shirin turned, smiling privately to herself, and led the way back down the corridor to the front door.

"I'll call again," Crispin murmured, turning there. "If I may?"

"Of course. You must. I'll assemble a small dinner party for you. Where are you staying?"

He named the inn. I’ll be looking for a house, though. I believe the Chancellor's officials are to find me one."

"Gesius? Really? And Leontes met with you at the baths? You have powerful friends, Rhodian. My father was wrong. You couldn't possibly need someone like me for. anything." She smiled again, the clever expression belying the words. "Come and see me dance. The chariots are finished, it is theatre season now."

He nodded. She opened the door and stood back to let him pass.

"Thank you again for the greeting," he said. He wasn't sure why he'd said that. Teasing. Mostly. She'd done enough of it, herself.

"Oh, dear," Shirin of the Greens murmured. "I'm not to be allowed to forget that, am I? My beloved father would be so ashamed. It isn't how he raised me, of course. Good day, Caius Crispus," she added, keeping a small but discernible distance this time. After her own gibes at him, he was pleased to see that she had reacted a little, however.

"Don't kiss him! Don't! Is the door open?"

A brief pause, then, "No I do not know that, Shirin! With you I am never certain." Another silence, as Shirin said whatever she said, and then in a very different tone Crispin heard the bird say, "Very well. Yes, dear. Yes, I know. I do know that."

There was a tenderness there that took him straight back to the Aidwood. Linon. Remember me.

Crispin bowed, feeling a sudden wave of grief pass over him. Zoticus's daughter smiled and the door closed. He stood on the portico thinking, though not very coherently. Carullus's soldiers waited, watching him, eyeing the street. which was empty now. A wind blew. It was cold, the late-afternoon sun hidden by the roofs of houses west.

Crispin took a deep breath then he knocked on the door again.

A moment later it swung open. Shirin's eyes were wide. She opened her mouth but, seeing his expression, said nothing at all. Crispin stepped inside. He himself closed the door on the street.

She looked up at him.

"Shirin, I'm sorry, but I can hear your bird," he said. "We have a few things to talk about."

The Urban Prefecture in the reign of the Emperor Valerius II fell under the auspices of Faustinus the Master of Offices, as did all of the civil service and, accordingly, it was run with his well-known efficiency and attention to detail.

These traits were much in evidence when the former courier and suspected assassin, Pronobius Tilliticus, was brought to questioning in the notorious, windowless building near the Mezaros Forum. The new legal protocols established by Valerius's Quaestor of the Judiciary, Marcellinus, were painstakingly followed: a scribe and a notary were both present as the Questioner set out his array of implements.

In the event, none of the hanging weights or metal probes or the more elaborate contrivances proved necessary. The man Tilliticus offered a complete and detailed confession as soon as the Questioner, gauging his subject with an experienced eye, elected to suddenly clutch and shear off a hank of the man's hair with a curved, serrated blade. As his locks fell to the stone floor, Tilliticus screamed as if he'd been pierced by the jagged blade. Then he began to babble forth far more than they needed to hear. The secretary recorded; the notary witnessed and affixed his seal when it was done. The Questioner, showing no signs of disappointment, withdrew. There were other subjects waiting in other chambers.

The detailed revelations made it unnecessary to interrogate formally the soldier from Amoria who had been interrupted and personally halted by the Supreme Strategos while apparently attempting a further assault on the Rhodian artisan in a public bathhouse.

In accordance with the new protocols, a member of the judiciary was requested to attend immediately at the Urban Prefecture. Upon arrival, the judge was presented with the one-time courier's confession and such further details as had been assembled regarding the events of the night before and that afternoon.

The judge had some latitude under Marcellinus's new Code of Laws. The death penalty had been largely eliminated as contrary to the spirit of Jad's creation and as a benign Imperial gesture in the aftermath of the Victory Riots, but the possible fines, dismemberments, mutilations, and terms of exile or incarceration were wide-ranging.

The judge on duty that evening happened to be a Green supporter. The deaths of two common soldiers and a Blue partisan was a grave matter, to be sure, but the Rhodian involved-the only important figure in the story, it seemed-had been unharmed, and the courier had confessed his crimes freely. Six perpetrators had been killed. The judge had barely divested himself of his heavy cloak and sipped once or twice from the wine cup they brought him before ruling that the gouging of one eye and a slit nose, to label Tilliticus as a punished criminal, would be a proper and sufficient judicial response. Along with a lifetime's exile, of course. Such a figure could not possibly be allowed to remain in the City. He might corrupt the pious inhabitants.

The Amorianite soldier was routinely branded on the forehead with a hot iron as a would-be assassin and-of course-thereby forfeited his place in the army and his pension. He too was exiled.

It all unfolded with satisfying efficiency, and the judge even had time to finish his wine and exchange some salacious gossip with the notary about a young pantomime actor and a very prominent Senator. He was home in time for his evening meal.

That same evening, a surgeon on contract to the Urban Prefecture was called in and Pronobius Tilliticus lost his left eye and had his nose carved open with a heated blade. He would lie in the Prefecture's infirmary for that night and the next and then be taken in chains across the harbour to Deapolis port and released there, to make his one-eyed, marked way in exile through the god's world and the Empire-or wherever he chose to go beyond it.

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