Peter Beagle - The Last Unicorn

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The Last Unicorn: краткое содержание, описание и аннотация

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True to tradition,
is the story of a quest, the search by the unicorn — immortal, infinitely beautiful — for her lost fellows. Early on, she is joined by Schmendrick the Magician — a name pointing to the low comedy that surprisingly (though also traditionally) coexists here with terror, pathos, tenderness, paradox, and wit, and frequent passages where the prose bursts into song and into poetry itself. A kind of upside-down Merlin, Schmendrick is looking for something for himself too, his life perhaps. Molly Grue, the third of the travelers, seems simply to embody every womanly trait. After a richly entertaining variety of adventures — with splendid, quirky characters — the search reaches its climax at the castle of evil King Haggard, where the terrifying Red Bull is encountered and where the handsome Prince Lír plays his predestined role.
Like Tolkien's
, this odd, evocative, and brilliant book utilizes an imaginary world to connect profoundly with the real questions and aspirations of thoughtful and sensitive readers.
may well join that widely read masterpiece as a book that speaks with a mysterious but tangible resonance to a receptive audience.

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Molly Grue had taken the white girl's head onto her lap, and was whispering over and over, "What have you done?" The girl's face, quiet in sleep and close to smiling, was the most beautiful that Schmendrick had ever seen. It hurt him and warmed him at the same time. Molly smoothed the strange hair, and Schmendrick noticed on the forehead, above and between the closed eyes, a small, raised mark, darker than the rest of the skin. It was neither a scar nor a bruise. It looked like a flower.

"What do you mean, what have I done?" he demanded of the moaning Molly. "Only saved her from the Bull by magic, that's what I've done. By magic, woman, by my own true magic!" Now he was helpless with delight, for he wanted to dance and he wanted to be still; he shook with shouting and speeches, and yet there was nothing that he wanted to say. He ended by laughing foolishly, hugging himself until he gasped, and sprawling down beside Molly as his legs let go.

"Give me your cloak," Molly said. The magician beamed at her, blinking. She reached over and ungently pulled the shredded cloak from his shoulders. Then she wrapped it around the sleeping girl, as much as it would wrap. The girl shone through it like the sun through leaves.

"Doubtless you are wondering how I plan to return her to her proper shape," Schmendrick offered. "Wonder not. The power will come to me when I need it — I know that much now. One day it will come when I call, but that time is not yet." Impulsively he seized Molly Grue, hugging her head in his long arms. "But you were right," he cried, "you were right! It is there, and it is mine!"

Molly pulled away from him, one cheek roughed red and both ears mashed. The girl sighed in her lap, ceased to smile, turned her face from the sunrise. Molly said, "Schmendrick, you poor man, you magician, don't you see —"

"See what? There's nothing to see." But his voice was suddenly hard and wary, and the green eyes were beginning to be frightened. "The Red Bull came for a unicorn, so she had to become something else. You begged me to change her — what is it frets you now?"

Molly shook her head in the wavering way of an old woman. She said, "I didn't know you meant to turn her into a human girl. You would have done better —" She did not finish, but looked away from him. One hand continued to stroke the white girl's hair.

"The magic chose the shape, not I," Schmendrick answered. "A mountebank may select this cheat or that, but a magician is a porter, a donkey carrying his master where he must. The magician calls, but the magic chooses. If it changes a unicorn to a human being, then that was the only thing to do." His face was fevered with an ardent delirium which made him look even younger. "I am a bearer," he sang. "I am a dwelling, I am a messenger —"

"You are an idiot," Molly Grue said fiercely. "Do you hear me? You're a magician, all right, but you're a stupid magician." But the girl was trying to wake, her hands opening and closing, and her eyelids beating like birds' breasts. As Molly and Schmendrick looked on, the girl made a soft sound and opened her eyes.

They were farther apart than common, and somewhat deeper set, and they were as dark as the deep sea; and illuminated, like the sea, by strange, glimmering creatures that never rise to the surface. The unicorn could have been transformed into a lizard, Molly thought, or into a shark, a snail, a goose, and somehow still her eyes would have given the change away. To me, anyway. I would know.

The girl lay without moving, her eyes finding herself in Molly's eyes, and in Schmendrick's. Then, in one motion, she was on her feet, the black cloak falling back across Molly's lap. For a moment she turned in a circle, staring at her hands, which she held high and useless, close to her breast. She bobbed and shambled like an ape doing a trick, and her face was the silly, bewildered face of a joker's victim. And yet she could make no move that was not beautiful. Her trapped terror was more lovely than any joy that Molly had ever seen, and that was the most terrible thing about it.

"Donkey," Molly said. "Messenger."

"I can change her back," the magician answered hoarsely. "Don't worry about it. I can change her back."

Shining in the sun, the white girl hobbled to and fro on her strong young legs. She stumbled suddenly and fell, and it was a bad fall because she did not know how to catch herself with her hands. Molly flew to her, but the girl crouched on the ground staring at her, and spoke in a low voice. " What have you done to me? " Molly Grue began to cry.

Schmendrick came forward, his face cold and wet, but his voice level. "I turned you into a human being to save you from the Red Bull. There was nothing else I could do. I will turn you to yourself again, as soon as I can."

"The Red Bull," the girl whispered. "Ah!" She was trembling wildly, as though something were shaking and hammering at her skin from within. "He was too strong," she said, "too strong. There was no end to his strength, and no beginning. He is older than I."

Her eyes widened, and it seemed to Molly that the Bull moved in them, crossing their depths like a flaming fish, and vanishing. The girl began to touch her face timidly, recoiling from the feel of her own features. Her curled fingers brushed the mark on her forehead, and she closed her eyes and gave a thin, stabbing howl of loss and weariness and utter despair.

"What have you done to me?" she cried. "I will die here!" She tore at the smooth body, and blood followed her fingers. "I will die here! I will die!" Yet there was no fear in her face, though it ramped in her voice, in her hands and feet, in the white hair that fell down over her new body. Her face remained quiet and untroubled.

Molly huddled over her, as near as she dared, begging her not to hurt herself. But Schmendrick said, "Be still," and the two words cracked like autumn branches. He said, "The magic knew what it was doing. Be still and listen."

"Why did you not let the Bull kill me?" The white girl moaned. "Why did you not leave me to the harpy? That would have been kinder than closing me in this cage." The magician winced, remembering Molly Grue's mocking accusation, but he spoke with a desperate calmness.

"In the first place, it's quite an attractive shape," he said. "You couldn't have done much better and still remained human."

She looked at herself: sideways at her shoulders and along her arms, then down her scratched and welting body. She stood on one foot to inspect the sole of the other; cocked her eyes up to see the silver brows, squinted down her cheeks to catch a flash of her nose; and even peered closely at the sea-green veins inside her wrists, themselves as gaily made as young otters. At last she turned her face to the magician, and again he caught his breath. I have made magic, he thought, but sorrow winked sharp in his throat, like a fishhook setting fast.

"All right," he said. "It would make no difference to you if I had changed you into a rhinoceros, which is where the whole silly myth got started. But in this guise you have some chance of reaching King Haggard and finding out what has become of your people. As a unicorn, you would only suffer their fate — unless you think you could defeat the Bull if you met him a second time."

The white girl shook her head. "No," she answered, "never. Another time, I would not stand so long." Her voice was too soft, as though its bones had been broken. She said, "My people are gone, and I will follow them soon, whatever shape you trap me in. But I would have chosen any other than this for my prison. A rhinoceros is as ugly as a human being, and it too is going to die, but at least it never thinks that it is beautiful."

"No, it never thinks that," the magician agreed. "That's why it goes on being a rhinoceros and will never be welcome even at Haggard's court. But a young girl, a girl to whom it can never mean anything that she is not a rhinoceros — such a girl, while the king and his son seek to solve her, might unravel her own riddle until she comes to its end. Rhinoceri are not questing beasts, but young girls are."

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