Matthew Skelton - Endymion Spring

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Endymion Spring: краткое содержание, описание и аннотация

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Attractively packaged in an all-important shiny cover, and clocking in at just shy of 450 pages, Matthew Skelton's debut novel is a substantial and impressive addition to the oeuvre of modern children's books that many commentators say is undergoing something of a 'Golden Age'.
Endymion Spring, feverishly sought after by many a publisher when it was completed and thrust forth upon the books community for acquisition, has catapulted its shy creator into a very large limelight. And it is attention richly deserved. It's a well-written book that impresses from the beginning.
The author expertly interweaves two narratives with aplomb. The first tells of the adventures of 12-year-old Blake Winters, who is visiting Oxford with his academic mother and his kid sister, Duck. While their mum immerses herself in dusty academia, Blake feels trapped in the rarefied air of the college library until one day, while running his finger along a shelf, something pierces his finger, drawing blood. The biting book responsible is a battered old volume, with a strange clasp like a serpent's head―with real fangs. Printed on its front are two words: Endymion Spring.
The second part of the story takes place in 1452, in medieval Mainz, the German city where Johannes Gutenberg invented the first printing press to use movable type. It's the tale of Gutenberg's young apprentice, and the sacrifices he makes to keep a precious, dangerous dragon book from falling into the wrong hands.
The publishing industry loves a rags-to-riches story, and it hit the jackpot when Matthew Skelton, a penniless academic from Oxford, wrote a first novel that sold for huge sums of money. But Skelton has justified the investment in him by writing an intriguing, dramatic and suspenseful novel that cannot to fail to entertain all those who dare to pick it up.
(Age 10 and over) – John McLay

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Occasionally, the librarian visited the infirmary. Cowled in black, he made a pretext of checking the properties of the herbs he was including in a book of medicine, but I could feel his eye on me whenever he was near. It was as though he could sense the nature of the dragon skin I was concealing. He was forever scribbling notes in a private journal, muttering to himself, his fingers scurrying like spiders.

Sadly, I began to realize that no hiding place — not even in Oxford — would be safe for the book. There would always be people like Fust, or Ignatius, desiring the knowledge it contained. It was a temptation too great to resist; it attracted evil like a magnet. The curse of Adam and Eve lived among all men.

Luckily, the Abbot was sympathetic to my plight. Books were valuable commodities in Oxford — scholars devoted their lives to them and the town teemed with bookbinders, papermakers and stationers, all busy copying manuscripts in the vicinity of the Church of St. Mary the Virgin — and so he invited me to stay on at St. Jerome's even after I began to recuperate. Impressed by my ability to read and write, he delighted in showing me the work of the college scribes.

For years, they had been copying a translation of the Bible, supposed to have been written by their patron saint, Jerome. It was a labor of love: a book full of beautiful calligraphy and devout illustrations. Theodoric, in particular, was a gifted illuminator. When he was not busy lampooning the other monks as foxes and gargoyles in the margins of the manuscript, he was imagining a world full of saints and angels.

Slowly, in my own way, I began to teach him the principles of printing. I lacked my Master's skill and equipment, but relied on clumsier methods — whittling letters from strips of willow that we found near the river, instructing him with messages written on a wax tablet with a stylus. Theodoric, to his credit, caught on quickly and began to incorporate some of the innovations and techniques in his work.

On one occasion, he pressed a large O he had carved from wood onto the surface of the vellum he was illuminating and decorated it with a fancy picture of the two of us. I was seated on his lap like a tiny yellow puppet, speaking volumes. Ignatius objected to the monstrosity, proclaiming it an abomination, but the Abbot allowed it to pass, indicating that I was a welcome initiate of the Order.

If Ignatius viewed me with suspicion and hostility, then Theodoric was my savior, my guardian and my friend. More than anything, it was his love of life that nursed me back to health.

Days lengthened into weeks, and weeks slowly into months. Trees thatching the hills in the distance gradually lost their color and chill mists blistered the landscape. Winter closed in.

Memories of Mainz continued to fill me with wisps of longing, but I was gradually building a new life here in Oxford. I quickly learned the layout of the streets. Not surprisingly, a large proportion of the scolars — like William — spent their time in the taverns, their rooming houses much too squalid or dilapidated to live in. The Swyndelstock Tavern and the Bear Inn were the most popular, and I often dived into their boozy, warm interiors to escape Ignatius, who took it into his head to follow me on occasion. The rooms were rife with unwholesome discussion and I began to suspect that some of the scholars learned far more here than in their tutorials.

My excursions, however, did little to diminish Ignatius' suspicions. Word began to arrive from the continent of a Black Art, a mode of artificial writing that produced mirror copies of books. It was no more than a whisper, but Ignatius believed I held the key to such secrets. He thirsted to know more. He began to keep vigil by my bed at night, his blind eye rolling in its socket and his good one hunting for the truth — a truth he never learned. I took to carrying the book of dragon skin again on my back, and the toolkit concealed beneath my girdle, anything to keep its knowledge safe with me.

I had to find a more secure resting place for them — and fast.

The answer came on a frosty December morning.

Theodoric was summoned to the Congregation House in the center of town to discuss the performance of three young novitiates who had embarked on a course of undergraduate study.

While he met with the university officials in a small stone chamber attached to the Church of St. Mary the Virgin, I was free to roam through the Old Library above. A long rectangular room, it was full of gowned scholars, mainly standing at dark wooden lecterns, memorizing lengthy tracts from books. The mothlike flutter of lips drowned out the sound of my book of dragon skin, which, strapped to my back, responded to the setting with excited flickers of movement.

At the far end of the library, under an arched window overlooking the recent foundations of the College of All Souls of the Faithful Departed, was an immense chest. Longer than I was tall, it was fortified with thick metal slats, like an iron maiden, which the librarian calmly told me no living man could break. Five locks awaited five keys from five separate key holders to unleash its secrets. Inside lay irreplaceable documents pertaining to the university's origins and a pile of books belonging to students who could no longer afford their tuition. They had to pay their debts in books — for books, in Oxford at least, were as precious as gold.

For a moment, I considered hiding the book of dragon skin inside. What better place could there be than a guarded chest in a spectacular library! But there was no way of picking the locks unaided and the bearded librarian was regarding me with suspicion. Besides, the magical paper was pulling me in a different direction.

A hundred or so paces from the Old Library was another structure, a half-built edifice girded by ladders and wooden scaffolds. For almost three decades, masons had been working on an exquisite chamber to house a collection of books bequeathed to the university by Humfrey, Duke of Gloucester. This was the room William had spoken of in the Little Lamb, the library to rival Alexandria!

Everything seemed to be leading towards this moment. I hurried towards the building, my heart full of joy. My journey was almost at an end.

And yet, when I looked around me, I could see that the chamber was hardly a hallowed depository for books: workmen clambered over the wooden platforms, industrious as ants, and tall fluted columns supported a ceiling of open sky. Reeds matted the ground, bundled against the walls to prevent the damp from seeping in. The time was not yet right. The book and I would have to wait.

Disheartened, I ventured outside and stood in the cold, desolate square. Clouds of powdered stone hovered in the air as masons chipped a forest of foliage from the massive slabs of rock that had been drawn up close to the library. Squinting away my disappointment, I peered up at the lonely spire of St. Mary the Virgin. The church seemed no match for the magnificent cathedral I had left behind in Mainz. Once again, I felt empty, alone.

For a while, I paced back and forth between the two libraries, the old and the new, unable to settle, beginning to despair that my mission had been in vain. Around me the town heaved with activity. From the south came the competing calls of peddlers and street-sellers, while the anguished cries of cattle in the slaughterhouse close to the castle sluiced through the lanes from the west. Flies buzzed everywhere — around the heaps of salted fish on the market stalls, the carcasses of meat dangling from the butchers' shambles and the ropes of entrails slung across the streets. Scribes ducked into the nearby binderies, keen to replenish their supplies.

And then I glimpsed something. On the far side of the church, obscured by a stunted, twisted tree, a series of stone steps led down to a tiny door set into the wall of the chapel. My pulse quickened. Could there be a hidden chamber beneath the church? A vault, perhaps, silted up and forgotten?

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