Terry Goodkind - The Law of Nines

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From Publishers Weekly Review
Starred Review
A Putnam hardcover (Reviews, June 22). (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
"Bestseller Goodkind (
) ventures into thriller territory with results sure to please fans of his fantasy fiction. . Fantasy and thriller readers alike will find themselves swept along. . and looking forward to the next installment."
— Publishers Weekly From the Hardcover edition.

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Alex realized that Mr. Martin was right. Such a man could easily become violent.

Alex hoped to meet him.

9

WITH THE ROLLED — UP RUINED CANVASES under one arm and the painting that he’d carefully wrapped in brown paper tucked under his other arm, Alex left Mr. Martin’s gallery without an argument. Despite how much he was fuming, there wasn’t any point in arguing. Mr. Martin was afraid.

Alex couldn’t really blame the man. Alone as he was most of the time, he was a sitting duck in the gallery. The stranger could come back at any time. What was Mr. Martin supposed to do? Alex couldn’t expect the gallery owner to have it in him to be able to handle an altercation that could become violent.

Conflicting emotions raged through Alex’s thoughts as he made his way out into the elegant halls. He was depressed, he was furious. He wanted to run home and lock himself away from a world where such people roamed free. He wanted to find the guy and shove the black markers down his throat.

When Alex looked up, the woman was standing not far off in front of him, watching him approach. He slowed to a stop.

She was in the same black dress, with the same green wrap draped over her shoulders. He thought that he saw wisps of vapor — a hint of steam or smoke — rising from her fall of blond hair and her shoulders, but as soon as he focused on it, it was gone.

As impossible as it seemed, she looked even better than he remembered.

“You come here often?” he asked.

Her gaze never left his as she slowly shook her head. “This is only my second time here.”

Something about the serious set of her features gave him pause. He knew that she wasn’t there to shop.

His grandfather’s old mantra, Trouble will find you, echoed through his mind.

“Are you all right, Alex?” she asked.

“Sure.” The sound of her voice made him all right. “You know my name, but I don’t know yours.”

A small smile softened her features as she glided a step closer. “I am Jax.”

Her name was as unusual as everything else about her. He could hardly believe that he was really seeing her again.

“I’d give anything to paint you, Jax,” he said under his breath to himself.

She smiled at his words, smiled in a way that accepted them as a compliment, but didn’t reveal her view of them or her willingness to be the subject of a painting.

He finally pulled his gaze away to check around, to see if anyone was close. “Did you hear the news on the TV?”

Her brow twitched. “News? No. What news?”

“You remember the other day when we first met out on the street? When that truck nearly ran us over.”

“The pirates, as you called them. I remember.”

“Well, later that same day those two cops who stopped the truck were found dead.”

She stared at him a moment. “Dead?”

He nodded. “The news said that both men had been found with their necks broken.”

The method of murder registered in her eyes. She let out a long sigh as she shook her head. “That’s terrible.”

Alex suddenly wished he hadn’t started the conversation with grim news. He gestured to a bench set in among a grouping of large round planters.

“Would you sit with me? I’d like to show you something.”

She returned the smile and at his bidding sat on the small mahogany bench. Huge split-leaf philodendrons created a green roof over the bench. The planters overflowing with plants to either side and behind made it resemble a forest retreat for just the two of them. The planters and vegetation blocked them off from most but not all of the shoppers strolling the halls.

Alex set the rolled-up canvases on the bench to his right, on the side away from her. He placed the painting on her lap.

“What’s this?” she asked.

“A gift.”

She stared at him a moment, then pulled off the brown paper.

She looked genuinely stunned to see the painting. She lifted it reverently in her hands. Her eyes welled up with tears.

It took her a moment to find her voice. “Why are you giving me this?”

Alex shrugged. “Because I want to. You thought it was beautiful. Not everyone thinks my work is beautiful. You did. I wanted you to have it.”

Jax swallowed. “Alex, tell me why you painted this particular place.”

“Like I told you before, it’s from my imagination.”

“No, it’s not,” she said rather emphatically.

He paused momentarily, surprised by her words. “Yes it is. I was merely painting a scene—”

“This is a place near where I live.” She touched a graceful finger to the shade beneath towering pines. “I’ve spent countless hours sitting in this very place, gazing off at the mountain passes here, and here. The views from this hidden place are unparalleled — just as you’ve painted them.”

Alex didn’t know what to say. “It’s just a painting of the woods. The woods can look much the same in one place as another. A species of tree all look pretty much the same. I’m sure that it simply reminds you of this place you know.”

With the edge of a knuckle she wiped a tear from under an eye. “No.” She swallowed and then pointed to a spot he clearly recalled painting. For some reason he’d put extra care into the trunk of the tree. “See this notch you put in this tree?” She glanced up at him. “I put that notch there.”

“You put it there,” he said in a flat tone.

Jax nodded. “I was testing the edge I’d put on my knife. The bark is thick there. I sliced paper-thin pieces of it to test the edge. Bark is tough, but is easier on a freshly sharpened blade than other things, like wood, might be.”

“And you like to sit at a place like this?”

“No, not a place like this place. This place. I like to sit at this place. This place is Shineestay.”

“Shineestay? What’s that mean?”

“It’s an ancient word that means ‘place of power.’ You have painted that exact place.” She looked again at the scene and tapped a spot to the side of the sunlit glen. “The only minor difference is that there is a tree, here, near the side of this open area, that you have not painted. This is the exact same spot, except for that one tree that’s missing.”

Alex felt goose bumps tickle the nape of his neck. He knew the tree she was talking about. He had painted it.

He had originally painted it exactly where she was pointing, but while it might have been right in such a forest, it had been compositionally wrong for the painting, so he had painted over it. He recalled at the time wondering why he’d painted it in the first place, since it didn’t fit in the composition. Even as he looked where Jax was pointing, he could see the faint contour of the brushstrokes of the tree beneath the paint that now lay over it.

Alex was at a loss to explain how it could be the place she knew. “Where is this place?”

She stared at him a moment. Her voice regained a bit of its distant, detached edge. “Alex, we need to talk. Unfortunately, there is a great deal to say, and like the last time, I can’t stay long.”

“I’m listening.”

She glanced at passersby. “Is there somewhere not far away that’s a little more private?”

Alex pointed down the hall. “There’s a restaurant down there that’s nice. The lunch rush is over, so it would be quiet and more private. How about if I buy you lunch and you can tell me what you have the time to tell me?”

She pressed her lips tightly together a moment as she considered the place he’d pointed out. “All right.” He wondered why she was being so cautious. Maybe she had a grandfather like Ben.

As they stood, she held the painting tightly to herself. “Thank you for this, Alex. You can’t possibly know what this means to me. This is one of my favorite places. I go there because it’s beautiful.”

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