Tim Powers - Hide Me Among the Graves

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Hide Me Among the Graves: краткое содержание, описание и аннотация

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Winter, 1862. A malevolent spirit roams the cold and gloomy streets of Victorian London, the vampiric ghost of John Polidori, the onetime physician of the mad, bad and dangerous Romantic poet Lord Byron. Polidori is also the supernatural muse to his niece and nephew, poet Christina Rossetti and her artist brother Dante Gabriel.
But Polidori's taste for debauchery has grown excessive. He is determined to possess the life and soul of an innocent young girl, the daughter of a veterinarian and a reformed prostitute he once haunted. And he has resurrected Dante's dead wife, transforming her into a horrifying vampire. The Rossettis know the time has come — Polidori must be stopped. Joining forces with the girl's unlikely parents, they are plunged into a supernatural London underworld whose existence they never suspected.
These wildly mismatched allies — a strait-laced animal doctor, and ex-prostitute, a poet, a painter, and even the Artful Dodger-like young daughter — must ultimately choose between the banality and constraints of human life and the unholy immortality that Polidori offers. Sweeping from high society to grimy slums, elegant West End salons to pre-Roman catacombs beneath St. Paul's cathedral, Hide Me Among The Graves blends the historical and the supernatural in a dazzling, edge-of-your-seat thrill ride.

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As the cab whirred south through the fog, Crawford huddled on the single seat, squinting into the damp and chilly headwind, and he tried to fit the events of the last fifteen minutes into his experience; they were as vivid and loud in his mind as if they were still happening, all overlapped and at once, and he wished his house was farther away so that he’d have time to relegate them — come to terms, see priorities and comparative magnitudes — before meeting Miss McKee again.

For the moment he simply shied away from thinking about the woman who had been with Trelawny, the woman who had seemed to stop his identity, crush it; to remember the encounter might be to reexperience it.

And the old woman Carpace had died there, and he had caused her death — he could simply have knocked both glasses off the table, couldn’t he? But that hadn’t even occurred to him at the time. Even so, he might have supposed it was opium or some similar drug that would only have made the drinker lose consciousness … but in fact, to the extent that he had thought of it at all, he knew he had assumed that one of the glasses had been primed with a lethal poison.

It was to save McKee … but he could have broken the glasses. Instead, he had switched them.

Sweat on his face and in his hair made the headwind even more sharply chilling, but he welcomed the immediacy of it.

Apoplectic fit, heart attack, those were plausible — no one had seen him switch the glasses. And even if someone had, what business did Carpace have putting poison in a wine glass? And mightn’t Crawford simply have a habit of idly moving objects around…?

Hidden away under layers of cloth, his heart was shaking inside his ribs.

The woman with Trelawny had been like the moon falling out of the sky onto him

He took a deep breath and held it, and when he exhaled, he told himself that the evening’s scenes were falling away behind him with the steam of his breath.

The cab bounced across an intersection that he believed was High Holborn. He was just one anonymous Londoner among — what? a million? — in the foggy night.

He tried to imagine that his part in this entirely calamitous business was at an end. McKee had needed his help to get into that ill-starred salon — fair enough, and she had got it! — and now she could pursue her dubious quest alone.

He shifted uncomfortably on the damp leather seat at the memory of having found McKee attractive.

But her daughter — his daughter — was alive; according to that old dead bawd, at least.

I might have a living child, he told himself, cautiously tasting that thought.

Abruptly he remembered that Old Mr. Figgins was the name of his client’s dog, and his face burned now as he remembered saying that he and Figgins must get together for dinner. Did his client imagine that Crawford intended to have the dog sit at the table, or that Crawford proposed to crouch on the floor and share the dog’s dinner? Tomorrow he must send a note—

But the shallow evasive thought fell apart, leaving him with the weighty knowledge that he had a daughter, somewhere. She would be … six or seven years old now.

When the cab drew up in front of his house in the narrow lane that was Wych Street, Crawford had paid the cabbie and started up his steps before he noticed McKee leaning in the recessed doorway, out of the wind.

Thinking of overlapping auras, he quickly unlocked the door and led her into the parlor and turned up the gas jet. Cats, a few of them missing limbs, looked up incuriously from the couch.

“Shall I take your coat?” he asked neutrally, unbuttoning his own. His fingers were still trembling.

But McKee just laid her purse on the table by the couch and pulled the tiny cage out; she peered at the little bird for a moment, then set it down.

“I hope he shook all of this morning’s salt out of his tail,” she said. “With any luck, he did catch that old woman.”

The old woman I killed, Crawford thought; and he threw his coat onto a chair and crossed to the mantel. The fire had gone out, and the room was chilly.

“Will it — save her from Hell?” he asked as he poured himself a glass of whisky. He looked from his glass to McKee. “Would you like … some tea?”

“No. And no, thank you. We have to be going. No, the bird might have caught her ghost, but her ghost isn’t her .”

“Going? No, Miss McKee, I’ve—”

“You and I need to see a man.” She was pacing the carpet by the table.

Crawford shook his head in bewilderment. “Who, that Vindaloo fellow that Trelawny mentioned? Fricassee? Look what time it is — he’ll be asleep.”

McKee frowned and halted. “Trelawny? That old bearded man was Edward John Trelawny?”

“Apparently.”

“I think you saw the — the woman he was with.”

Crawford cleared his throat and nodded, and he took a gulp of the whisky before he dared to speak. “Good thing you were quick with your garlic,” he said finally, trying to put a light tone in his voice. “I”—he forced an awkward laugh—“almost tipped over and fell into her eyes.”

“It would have been a long fall. And it’s a good thing you were quick at switching glasses — I owe you my life, I believe.” She blinked at him, then looked away and went on, “But Trelawny didn’t … oppose us.”

“No,” said Crawford. He rubbed his free hand over his face. “In fact, before I left, he showed me the empty palms of his hands and made me show him mine. A … truce gesture?”

McKee shook her head. “He was establishing that neither of you is a member of the Carbonari. They all have a black brand on one palm. And it’s Chichuwee, not Vindaloo.” She canted her head and looked at him through narrowed eyes. “We need to go see him now, to save our daughter.”

For several seconds neither of them spoke; the only sound was throaty mumbling from the bird. Finally, “We’ll go in the morning,” Crawford said. “You and I can’t travel under a — a naked sky at night, correct?”

“It will be mainly … indoors. And she’s alive ! Put your coat back on.”

Crawford tried to yell very quietly as he looked around the room and thought of his bed and the oblivion of sleep waiting for him upstairs.

His wife and younger son were dead, and Girard was … something like and unlike dead.

But this Johanna was, apparently, still alive.

He drained the whisky and, with huge reluctance, picked up his coat.

MCKEE WHISPERED, “YOU KNOW the Spotted Dog, on the next street?”

She and Crawford were standing in the recessed doorway of his house with the closed door at their backs. The night air was colder than ever, and her little birdcage was wrapped in a cloth in her handbag.

Crawford was hugging his coat around himself and shivering. “Of course.”

“Meet me there. I’ll walk west, around the old Inn of Chancery, and you go east, as we did this morning.” He saw a quick smile on her face in the shadows, and she softly sang a couple of lines from a popular song: “‘Meet me by moonlight alone, / And then I will tell you a tale.’”

And something-something at the end of the vale, thought Crawford, remembering the vapid lyrics. And was it, he thought forlornly, only this morning that this woman and I walked down to the Strand and got in an old hackney cab with that clerk? And the day’s not done yet.

She had tapped down the steps and was hurrying away to his right, quickly disappearing in the shadows of the old overhanging houses that were now mostly used-clothing shops.

Crawford touched the lump under his coat that was the little bottle of crushed garlic, then sighed and descended the steps and set off to the east.

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