Tim Powers - Hide Me Among the Graves

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Winter, 1862. A malevolent spirit roams the cold and gloomy streets of Victorian London, the vampiric ghost of John Polidori, the onetime physician of the mad, bad and dangerous Romantic poet Lord Byron. Polidori is also the supernatural muse to his niece and nephew, poet Christina Rossetti and her artist brother Dante Gabriel.
But Polidori's taste for debauchery has grown excessive. He is determined to possess the life and soul of an innocent young girl, the daughter of a veterinarian and a reformed prostitute he once haunted. And he has resurrected Dante's dead wife, transforming her into a horrifying vampire. The Rossettis know the time has come — Polidori must be stopped. Joining forces with the girl's unlikely parents, they are plunged into a supernatural London underworld whose existence they never suspected.
These wildly mismatched allies — a strait-laced animal doctor, and ex-prostitute, a poet, a painter, and even the Artful Dodger-like young daughter — must ultimately choose between the banality and constraints of human life and the unholy immortality that Polidori offers. Sweeping from high society to grimy slums, elegant West End salons to pre-Roman catacombs beneath St. Paul's cathedral, Hide Me Among The Graves blends the historical and the supernatural in a dazzling, edge-of-your-seat thrill ride.

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Crawford stared at her and opened his mouth, then shut it and turned to Johanna. “You’d better hurry up getting those supplies.”

Johanna nodded and started toward the ladder. “He won’t die of this,” she called back over her shoulder. “He’d scorn to.”

“She was always the best of the Larks,” whispered Trelawny.

EPILOGUE

I want to assure you that, however harassed by memory or by anxiety you may be, I have (more or less) heretofore gone through the same ordeal. I have borne myself till I became unbearable to myself, and then I have found help in confession and absolution and spiritual counsel, and relief inexpressible.

Christina Rossetti, in a letter to Dante Gabriel Rossetti, December 2, 1881
Hide Me Among the Graves - изображение 38
April 14, 1882

THE OLD FIELDSTONE All Saints Church at Birchington-on-Sea, east of the Thames Estuary in northeast Kent, was separated from the North Sea only by a gently descending mile of sand and sparse weeds, but the churchyard was bright with flowering irises and lilacs, and Christina Rossetti had brought woodspurge and forget-me-nots. The angular gray stone steeple was the only interruption of the bright blue sky.

Gabriel had died five days earlier, on the evening of Easter Sunday, at the age of fifty-three. The cause of death had been kidney failure, or a stroke, or the ravages of breaking a chloral hydrate addiction by switching to whisky and morphia. A local doctor had pronounced that Gabriel had simply not wanted to live any longer.

Birchington was a long train ride from Victoria Station in London, but Gabriel had been staying out here in therapeutic retreat, and he had been adamant that he was not to be buried at Highgate Cemetery with Lizzie and his father. No one had argued with him.

The coffin had been carried from the church down to the grave on the shoulders of William Rossetti and five men Crawford didn’t recognize, and the priest was now praying over it. The walls of the grave were straightly cut down into the chalk.

Swinburne was absent — at forty-five he had reputedly become something of a penitent hermit, living out in Putney and forswearing drink. Of course his poetry was technically competent but uninspired these days, but he seemed grateful for his deliverance from it; it was said that he even remembered Trelawny fondly.

Trelawny had died only last August, at the age of eighty-eight, having lived actively for four years after Crawford cut the stone ball from his neck.

Christina, at least, had apparently noticed the four figures hanging back by the church porch, and she hobbled up the path to where they stood.

“Adelaide!” she said, squinting in the sunlight but not cringing from it. She touched an old scar on her hand. “And Mr. Crawford. Your beard is white now! And — Johanna… Foyle, is it, now?” When Johanna nodded, Christina turned to the fourth person in the group, a diffident and clean-shaven man of about thirty. “And Mr. Foyle himself?”

“Yes, ma’am,” he said, bowing.

“I’m sorry I was too ill to attend the wedding … two years ago already?”

Crawford nodded. “At the church in Bozier’s Court.”

“I remember it well.”

“Trelawny was there,” said Johanna. “Muttering heresies.”

“And his granddaughter? Rose? Was she at the ceremony?”

“No,” said McKee. “I gather she stayed on at the Magdalen house, working there now.”

“Ah. I haven’t been back there in years.” Christina shook her head, and her gray hair blew around her face as she turned to look back down the shallow slope to the churchyard. Absently she blew aside a stray lock.

“No mirrors in Gabriel’s coffin,” she said, “and William has three children now, the youngest a two-year-old girl. All well, and I don’t know if he even remembers now where the bit of Shelley’s jawbone is.”

Christina glanced at Mr. Foyle and seemed reassured when he nodded, clearly acquainted with the whole story.

“I’ve — been to Confession,” she said, “at a Catholic Church, though it was hard. I truly think you three would benefit from doing the same.” She sighed and looked at Crawford. “But if it weren’t for your actions, I believe we would all be very different people now, and incalculably worse, living in a London like Dante’s Inferno.”

“Or dead under an inverted London,” said Johanna.

“That too, that too,” Christina said distractedly, staring again down the slope at the mourners and the coffin. “I should rejoin the others.” She blinked, then focused again on Crawford. “I’m glad you have your spouse and child,” she said, and Crawford could hear the effort it took for her not to emphasize some of the words. “And I … truly do forgive you for the … sometimes stressful changes you brought us.”

Johanna’s brown hair was longer now, pinned back against the wind. She cocked her head and smiled at Christina. “We forgive you too,” she said, “for the same.”

Christina blinked. “Oh, yes. That’s — yes, thank you. And may the — the Father forgive us all.”

She shivered in the sunlight and then began hobbling back down the path to her brother’s burial.

ACKNOWLEDGMENTS

Hide Me Among the Graves - изображение 39

With thanks to Father Chrysostom Baer, O. Praem; John Berlyne; Jim Blaylock; Russell Galen; M. L. Konett; Barry Levin; Andreas Misera; Father Jerome Molokie, O. Praem; Chris Powers; Serena Powers; and Joe Stefko.

ABOUT THE AUTHOR

TIM POWERSis the author of numerous novels, including Last Call, Declare, Three Days to Never, and On Stranger Tides, the inspiration for the blockbuster film Pirates of the Caribbean: On Stranger Tides , starring Johnny Depp and Penélope Cruz. Powers lives in San Bernardino, California.

Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.

ALSO BY TIM POWERS

Three Days to Never

Declare

Earthquake Weather

Expiration Date

Last Call

The Stress of Her Regard

On Stranger Tides

Dinner at the Deviant’s Palace

The Anubis Gates

The Drawing of the Dark

An Epitaph in Rust

The Skies Discrowned

CREDITS

Cover design by Mumtaz Mustafa

Cover photograph © by Valentino Sani

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