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Neil Gaiman: M Is For Magic

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Neil Gaiman M Is For Magic

M Is For Magic: краткое содержание, описание и аннотация

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Taking both inspiration and naming convention from Ray Bradbury's R Is for Rocket and S Is for Space, Gaiman's first YA anthology is a fine collection of previously published short stories. Although Gaiman's prose skill has improved markedly since the earliest stories included here, one constant is his stellar imagination, not to mention his knack for finding unexpected room for exploration in conventional story motifs. Jill Dumpty, sister of the late Humpty, hires a hard-boiled detective to look into her brother's tragic fall; the 12 months of the year sit around in a circle, telling each other stories about the things they've seen; an elderly woman finds the Holy Grail in a flea market and takes it home because of how nice it will look on her mantelpiece. Collectors will be pleased to note the inclusion of several stories that were previously published in the now-hard-to-find collection Angels & Visitations. Also of note is fan favorite How to Talk to Girls at Parties, which has been nominated for a Hugo Award for 2007. Though Gaiman is still best known for his groundbreaking Sandman comic book epic, this volume is an excellent reminder of his considerable talent for short-form prose. Ages 10-up.

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The Sleer was coiled around the wall of the barrow. It was as he remembered it, all smoky tendrils and hate and greed. This time, however, he was not afraid of it.

FEAR ME, whispered the Sleer. FOR I GUARD THINGS PRECIOUS AND NEVER-LOST.

“I don’t fear you,” said Bod. “Remember? And I need to take something away from here.”

NOTHING EVER LEAVES, came the reply from the coiled thing in the darkness. THE KNIFE, THE BROOCH, THE GOBLET. I GUARD THEM IN THE DARKNESS. I WAIT.

In the center of the room was a slab of rock, and on it they lay: a stone knife, a brooch, and a goblet.

“Pardon me for asking,” said Bod, “but was this your grave?”

MASTER SETS US HERE ON THE PLAIN TO GUARD, BURIES OUR SKULLS BENEATH THIS STONE, LEAVES US HERE KNOWING WHAT WE HAVE TO DO. WE GUARDS THE TREASURES UNTIL MASTER COMES BACK. “I expect that he’s forgotten all about you,” pointed out Bod. “I’m sure he’s been dead himself for ages.”

WE ARE THE SLEER. WE GUARD.

Bod wondered just how long ago you had to go back before the deepest tomb inside the hill was on a plain, and he knew it must have been an extremely long time ago. He could feel the Sleer winding its waves of fear around him, like the tendrils of some carnivorous plant. He was beginning to feel cold, and slow, as if he had been bitten in the heart by some arctic viper and it was starting to pump its icy venom through his body.

He took a step forward, so he was standing against the stone slab, and he reached down and closed his fingers around the coldness of the brooch.

HISH! whispered the Sleer. WE GUARDS THAT FOR THE MASTER.

“He won’t mind,” said Bod. He took a step backward, walking toward the stone steps, avoiding the desiccated remains of people and animals on the floor.

The Sleer writhed angrily, twining around the tiny chamber like ghost smoke. Then it slowed. IT COMES BACK, said the Sleer in its tangled triple voice. ALWAYS COMES BACK.

Bod went up the stone steps inside the hill as fast as he could. At one point he imagined that there was something coming after him, but when he broke out of the top, into the Frobisher vault, and he could breathe the cool dawn air, nothing moved or followed.

Bod sat in the open air on the top of the hill and held the brooch. He thought it was all black, at first, but then the sun rose, and he could see that the stone in the center of the black metal was a swirling red. It was the size of a robin’s egg, and Bod stared into the stone wondering if there were things moving in its heart, his eyes and soul deep in the crimson world. If Bod had been smaller he would have wanted to put it into his mouth.

The stone was held in place by a black metal clasp, by something that looked like claws, with something else crawling around it. The something else looked almost snakelike, but it had too many heads. Bod wondered if that was what the Sleer looked like, in the daylight.

He wandered down the hill, taking all the shortcuts he knew, through the ivy tangle that covered the Bartleby family vault (and inside, the sound of the Bartlebies grumbling and readying for sleep) and on and over and through the railings and into the potter’s field.

He called, “Liza! Liza!” and looked around.

“Good morrow, young lummox,” said Liza’s voice. Bod could not see her, but there was an extra shadow beneath the hawthorn tree, and, as he approached it, the shadow resolved itself into something pearlescent and translucent in the early-morning light. Something girl-like. Something gray eyed. “I should be decently sleeping,” she said. “What kind of carrying-on is this?”

“Your headstone,” he said. “I wanted to know what you want on it.”

“My name,” she said. “It must have my name on it, with a big E, for Elizabeth, like the old queen that died when I was born, and a big haitch, for Hempstock. More than that I care not, for I did never master my letters.”

“What about dates?” asked Bod.

“Willyum the Conker ten sixty-six,” she sang, in the whisper of the dawn wind in the hawthorn bush. “A big E if you please. And a big haitch.”

“Did you have a job?” asked Bod. “I mean, when you weren’t being a witch?”

“I done laundry,” said the dead girl, and then the morning sunlight flooded the wasteland, and Bod was alone.

It was nine in the morning, when all the world is sleeping. Bod was determined to stay awake. He was, after all, on a mission. He was eight years old, and the world beyond the graveyard held no terrors for him.

Clothes. He would need clothes. His usual dress, of a gray winding sheet, was, he knew, quite wrong. It was good in the graveyard, the same color as stone and as shadows. But if he was going to dare the world beyond the graveyard walls, he would need to blend in there.

There were some clothes in the crypt beneath the ruined church, but Bod did not want to go down to the crypt, not even in daylight. While Bod was prepared to justify himself to Master and Mistress Owens, he was not about to explain himself to Silas; the very thought of those dark eyes angry, or worse still, disappointed, filled him with shame.

There was a gardener’s hut at the far end of the graveyard, a small green building that smelled like motor oil and in which the old mower sat and rusted, unused, along with an assortment of ancient garden tools. The hut had been abandoned when the last gardener had retired, before Bod was born, and the task of keeping the graveyard had been shared between the council (who sent in a man to cut the grass, once a month from April to September) and local volunteers.

A huge padlock on the door protected the contents of the hut, but Bod had long ago discovered the loose wooden board in the back. Sometimes he would go to the gardener’s hut, and sit, and think, when he wanted to be by himself.

As long as he had been going to the hut there had been a brown workingman’s jacket hanging on the back of the door, forgotten or abandoned years before, along with a green-stained pair of gardening jeans. The jeans were much too big for him, but he rolled up the cuffs until his feet showed, then he made a belt out of brown garden twine, and tied it around his waist. There were boots in one corner, and he tried putting them on, but they were so big and encrusted with mud and concrete that he could barely shuffle them, and if he took a step, the boots remained on the floor of the shed. He pushed the jacket out through the space in the loose board, squeezed himself out, then put it on. If he rolled up the sleeves, he decided, it worked quite well. It had big pockets, and he thrust his hands into them, and felt quite the dandy.

Bod walked down to the main gate of the graveyard, and looked out through the bars. A bus rattled past in the street; there were cars there and noise and shops. Behind him, a cool green shade, overgrown with trees and ivy: home.

His heart pounding, Bod walked out into the world.

Abanazer Bolger had seen some odd types in his time; if you owned a shop like Abanazer’s, you’d see them too. The shop, in the warren of streets in the Old Town—a little bit antique shop, a little bit junk shop, a little bit pawnbroker’s (and not even Abanazer himself was entirely certain which bit was which)—brought odd types and strange people, some of them wanting to buy, some of them needing to sell. Abanazer Bolger traded over the counter, buying and selling, and he did a better trade behind the counter and in the back room, accepting objects that may not have been acquired entirely honestly, and then quietly shifting them on. His business was an iceberg. Only the dusty little shop was visible on the surface. The rest of it was underneath, and that was just how Abanazer Bolger wanted it.

Abanazer Bolger had thick spectacles and a permanent expression of mild distaste, as if he had just realized that the milk in his tea had been on the turn and he could not get the sour taste of it out of his mouth. The expression served him well when people tried to sell him things. “Honestly,” he would tell them, sour faced, “it’s not really worth anything at all. I’ll give you what I can, though, as it has sentimental value.” You were lucky to get anything like what you thought you wanted from Abanazer Bolger.

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