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Mercedes Lackey: The Outstretched Shadow

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Mercedes Lackey The Outstretched Shadow

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In the captivating world conjured by veteran Lackey and classical scholar Mallory (Merlin: The Old Magic) in this first of a high fantasy trilogy, there are three types of magic, each of which has its own rules, limits and variables. But it is the Wild Magic-anathema to Armethalieh, "the Golden City of the Bells," and considered by its residents to be heresy and truly evil-that has the most unusual aspects, for its practitioners must bargain for what they need and pay an often high price for power. Kellen Tavadon, son of Arch-Mage Lycaelon of Armethalieh, has been raised (indoctrinated, actually) to believe that High Magick is the only true magic and that his father and the Council of Mages have the final word. But Kellen isn't so sure. He's always been a bit suspicious of the council's tight control over the city. One day, while playing hooky from his lessons in magery, Kellen finds a set of books about Wild Magic. He knows he shouldn't touch them. To open the books and read them is to court a death sentence, no matter if your father is the Arch-Mage. But Kellen can't resist. And thus, after a bit of a slow start, Kellen sets down a road he never expected to take, on a journey of dire importance to both humans and nonhumans (the latter including elves, unicorns and other enchanting creatures).

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There they were—just as he remembered. His three books—titles and all.

He leafed back a page.

"The Foule and Invidious Practices of Wilde Magick." Now what in the name of the Light is that supposed to mean? Kellen wondered, frowning.

The chapter in question didn't exactly answer any of his questions, although Ye Boke of Sunne, Ye Boke of Moone, and Ye Boke of Starres were named as the "prime texts of the heinous practitioners of those who seek anarchy and chaos." In fact, except for that single item of hard fact, the chapter was singularly unhelpful. It railed at great length against the "Wilde Mages," suggested any number of unpleasant means to deal with them, and attributed all manner of evils to them (always prefacing the accusation with the words "it is said") but it didn't say anything about what this "Wilde Magick" was, or why it should be so bad.

In fact, the worst accusations that the author seemed to be able to come up with were that it was unpredictable, that it could not be controlled, and that some of the so-called lesser races such as Centaurs and fauns were known to practice it. "And well we knowe that these creatures are closer to the Beaste in nature than to Noble Manne—"

Huh. "And in particular, Wilde Magick is the greatest seducer of Womyn, who are weak in Mind and Spirit and inclined to Corruption." Now what did that mean? That women could and did use it—or that it could be used to seduce women?

Hmm… Now there was a possibility that had all manner of pleasant ramifications…

Well, at least he knew now what the books were, and why they were passing themselves off as children's tales. He put the Ars Perfidorum back in its proper place, taking care that it fit exactly into the place where he'd pulled it down from, then moved the ladder back to where he'd found it. It looked as if the only place he was going to find any answers about the books was within their covers.

He grinned to himself. And what good luck that he had the entire rest of the day free! I got just what I wished for, Kellen thought with glee, something new — something new —at last!

NIGHT had fallen over the City while Kellen puzzled his way through the Books' peculiar crabbed handwriting in the safety of his room, although it was never really dark here. Lamps, magickal and otherwise, kept the darkness at bay all night long, in every season. Lamps illuminated the streets and decorated the gardens; lamps even lit alleyways to discourage the presence of thieves. Not that anyone would be foolish enough to attempt to rob the household of a Mage of any sort. Not twice, anyway. He'd skimmed through all three of the Books once quickly, finding little that made sense to him. The Book of Sun was composed partly of philosophy, partly of spells, but the spells were not of a kind that he recognized, and Kellen was doubtful that they could actually work. They seemed to verge on wondertale superstition. Burn this leaf. Say those rhymes. He could imagine nothing further from the abstruse disciplines of the High Magick.

But at least The Book of Sun did contain things Kellen recognized as magick. The Book of Moon didn't even seem to contain any actual spells, just hints at spells—as far as he could tell from a quick skim, it was something halfway between an etiquette book and a philosophy text—and The Book of Stars made no sense to him at all. He had the odd feeling, though, that there was something there, if he could only figure it out.

The house was utterly silent, with all of the household in bed, from which comfort no one would stir until they had to. That Lycaelon was a stern master was no secret; he did not approve of his servants "prowling," as he put it, during the bells of proper sleep. This included Kellen, of course, and after having been caught by Lycaelon once or twice, he kept to his own part of the mansion when restlessness kept him awake.

Tonight was one of those nights.

He had his shutters open on the small balcony that overlooked the gardens, and across the gardens he could see the lights of the other homes of the Mage elite. Soft globes of pastel colors lit their gardens—you could tell where one garden took over from the next by the color of the lamps. Only a few lights were burning in the homes themselves, and those were probably night-lights, not an indication that anyone was wakeful or working. In the distance he could see the Council House, facing the Delfier Gate that opened onto the forest road.

The Council House stood symbolic guard over the gate and access into the City. Or was it more than merely symbolic?

There were a few farming villages in that direction—the City claimed extensive lands outside itself. Certainly soldiers were sent out there, and tax collectors, the latter to feed the City's prosperity, and the former— perhaps to ensure the City's prosperity?

But Kellen had never been there, and emigration between village and City was strongly discouraged, or so he'd been told, though never why.

He could understand why the Council wouldn't want too many people trying to move into the City; conditions were crowded enough without adding more people. But why keep citizens from leaving if they wanted to?

It was a puzzle for which he had no answer. Unless it was simply that City-dwellers had few, if any, skills that would be of use in a rural or agrarian society. Perhaps the idea was merely to save them from inevitable failure...

Still, shouldn't people be allowed to learn this for themselves?

If would-be City-folk-turned-rustics came trailing back with their tails between their legs after failing some bucolic experiment to the ridicule of their former neighbors, surely that would be more effective than any reprimand from the Council.

The Council House itself was ablaze with light, for Mages worked there all night, every night, weaving spells for the good of the City. It was the only place in the City that never slept. Of course, all those lights so nearby meant that the stars were hard to see from the gardens of those living nearby.

Someday Kellen would spend his nights there too, if his father's plans for his future went according to Lycaelon's oft-expressed wishes.

A night owl by nature, that hadn't seemed so bad in the past, for he would be well out of Lycaelon's purview most of the time once he went to night duties—but for some reason now, the thought seemed stifling. As stifling as the High Magick itself had seemed of late, for it required a finicking obsession with detail that, applied to anything else, would be considered unhealthy. Kellen had come to realize of late that High Magick was boring, that—once certain tools of memory and power manipulation were mastered—it was entirely composed of written spells that were descriptions of the change in reality that the Mage would like to produce. Very exact descriptions, very minute descriptions, down to the smallest detail, written in a kind of mystical shorthand and forced into the face of reality-as-it-was by magickal power.

Frankly, if the simple spells were enough to induce yawns, the advanced spells that he'd managed to glimpse looked to Kellen a very great deal like abstruse mathematical problems expressed in words and symbols of the sort that drove schoolboys mad—"If A leaves his house on the corner of Bodhran Street and approaches Taman Square at the same time B—"

Learning how to read, write, and thoroughly comprehend this sigil-language and apply it to the world in the form of memorized spells was what the Mage-in-training first learned. Only then was he allowed to do anything with his knowledge.

It was bloodless and terribly boring, when it came right down to it. There was so much preparation and memorization and detail required to do even the simplest thing that by the time you actually accomplished what you'd set out to do, you were probably so bored with the process that the accomplishment came as an anticlimax. And in any case, the tiny things Kellen was allowed to do now—and so far, all he'd managed to do successfully was light a candle once or twice—were so simple and so insignificant that he hardly knew why anyone had ever bothered to write down the spells for them.

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