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Mercedes Lackey: The Outstretched Shadow

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Mercedes Lackey The Outstretched Shadow

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In the captivating world conjured by veteran Lackey and classical scholar Mallory (Merlin: The Old Magic) in this first of a high fantasy trilogy, there are three types of magic, each of which has its own rules, limits and variables. But it is the Wild Magic-anathema to Armethalieh, "the Golden City of the Bells," and considered by its residents to be heresy and truly evil-that has the most unusual aspects, for its practitioners must bargain for what they need and pay an often high price for power. Kellen Tavadon, son of Arch-Mage Lycaelon of Armethalieh, has been raised (indoctrinated, actually) to believe that High Magick is the only true magic and that his father and the Council of Mages have the final word. But Kellen isn't so sure. He's always been a bit suspicious of the council's tight control over the city. One day, while playing hooky from his lessons in magery, Kellen finds a set of books about Wild Magic. He knows he shouldn't touch them. To open the books and read them is to court a death sentence, no matter if your father is the Arch-Mage. But Kellen can't resist. And thus, after a bit of a slow start, Kellen sets down a road he never expected to take, on a journey of dire importance to both humans and nonhumans (the latter including elves, unicorns and other enchanting creatures).

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Why?

THE house of Lycaelon Tavadon was not set apart from the street by a wall. It didn't need to be. The two great stone mastiffs on either side of the walkway to the front door were not mere ornaments, but guardians. Anyone not invited, or not belonging to the household, would be… discouraged from entering. And as one long-ago thief had discovered, a knife has very little effect on a stone dog. Lycaelon's guardians were very, very good.

The front garden, a geometric arrangement of walkway, sculptural shrubbery, and guardians, was not particularly large. The back garden was larger, but no more inviting. The former served to isolate the house from the common thoroughfare and as an ornament against the white stone walls of the mansion. The latter—well, Kellen would have thought that a back garden should be a private place to relax; a spot insulated and surrounded by greenery, to enjoy a bit of sun away from the prying eyes and the noise of the City. Lycaelon's back garden, home to tall, dark, somber cypresses planted along the wall, kept it too shaded for that, and far too cold except in the heat of summer when the sun was overhead. No grass grew there; only careful, somber evergreen plantings in raised beds, separated by gravel, and more statuary, though at least the statuary in the back garden wasn't animated. There was nothing to sit on, in any event, except the edges of the beds or the gravel. There was a single water-spike of a fountain that stabbed up at the sky. Not even birds could find anything to like in this place—though it was possible that, to spare his statues, Lycaelon had worked a little spell to chase the birds away.

Kellen carried his burden up the walkway between the stone mastiffs. As he passed them, there was, as ever, the faintest suggestion of movement; the barest tilt of neck in his direction, the tiniest twitching of stone noses as the household guardians tested him, the hint of the glitter of life in those deeply carved and polished granite eyes.

As always, the back of his neck crawled when he passed them. But he refused to go around by the back entrance just because the damned things intimidated him. He hated the sight of them, though—they were too like the worst aspects of their master, hard and cold, unchangeable and unyielding.

The ebony door, inlaid with silver runes, swung open at his touch, and closed behind him without any effort on his part. More magick, of course; you could hardly do without ostentatious use of magick at every possible opportunity in the home of a High Mage. And when that High Mage was the head of the Council, well, it was actually more surprising that Lycaelon had human servants at all.

He could have done without them, had he chosen to—but it would have meant a great deal of work on his part. Nothing came for free, after all; magick servants in the form of simulacra or homunculi were difficult to create and required an endless supply of magick to keep them working. The alternative, literally making dust vanish, food appear, clothes to clean themselves, was even more time and effort-consuming. Lycaelon would dispense with servers if he had an important gathering of his fellow Mages here, animating a single simulacra that he kept on view, serving double-duty the rest of the time as a chaste statue of a shepherd-boy, but with no one here to impress but his son, human servants were cheaper, easily replaced if they gave offense, and took very little thought on his part—only orders.

On their part—well, the servants knew who they had to please. Lycaelon was generous with his money, but not with forgiveness if anything went wrong. Kellen, however, mattered not at all—except as Lycaelon ordered.

As soon as Kellen set foot in the entryway—black and white marble floor, the pattern being square-in-square rather than checks, white walls, a few tasteful black plinths with tasteful black urns standing against the walls at aesthetic intervals—one of the servants materialized, dressed in the household livery of black and white. An oh-so-refined and elegant livery; hose with one black leg and one white, black half-boots, black, long-sleeved tunic coming to the knee, crisp, white shirt beneath it. The careful, rigid correctness of the man's expression relaxed a trifle when he saw who it was.

"Good afternoon, Kellen," the servant said. He did not offer to take Kellen's book-bag from him. There was nothing about Kellen to command fear or respect from the servants, and no real consequences if they didn't offer him deference. Politeness, yes, they would be polite to him. If they were cheeky, it was possible that Lycaelon would come to hear about it, and then they'd find themselves on the street without references. But they regarded him, Kellen suspected, as a damned nuisance, and did their best to encourage him to stay out of their way as much as possible.

Politely, of course.

The servant turned and vanished before Kellen could return his greeting. Kellen shrugged, and followed in the man's footsteps, into the vast and echoing reception room at the end of the entryway. Here the decor was varied a trifle from the stark black and white of the entryway by the addition of two shades of blue. The ceiling was dark blue, with little Mage-stars glittering above, mimicking the movement of the stars in the night sky. And the three long, low couches and the discreet scattering of chairs were upholstered in satin a slightly paler shade of the same color. All the tables, ornaments, and other accoutrements (including a fireplace big enough to stand or lie down in) were white or black—alabaster and ebony. Even the famous simulacrum, standing on (what else?) another black marble plinth, looked like the finest white alabaster.

There wasn't anything alive in this room; sometimes the rare female visitor would look about, smile knowingly, and say something about the place needing a "woman's touch." Such ladies were never invited back a second time. It was quite true, though, that Kellen couldn't remember flowers ever being in the vases, and the air in here never seemed to warm, no matter how the fire in the fireplace roared.

There were no apparent doors, no openings into this room, other than the one by which he had just entered. Not even windows; the light came from glowing panels set high on the walls, which was how anyone who could afford Magelights would generally illuminate a windowless room.

The servant was nowhere to be seen, which was no great surprise; having ascertained that the master was not the one who had just entered the front door, he considered his duty discharged. Kellen took a few echoing steps into the reception chamber, then turned right and went straight toward a panel of white marble set in the wall between two blue-and-ebony chairs. At a touch, it dissolved before him and he stepped through and onto a fine, handsome staircase.

The panel was keyed to him and other members of the immediate household, of course; a stranger would still be facing a blank slab of marble. He was now in his own portion of the house; House Tavadon was a vast mausoleum, and there were probably sections he had never been in and never would have access to until Lycaelon died and the magic doors all opened. He had never been in his father's wing, for instance, and wasn't even quite sure where it was. He could come and go as he liked within his own rooms—bedroom, separate small library and study, magical workroom, bathroom—and within the set of public rooms comprising the main library, dining chamber, reception room, his father's "public" study—and he could make free use of the guest quarters, which were in this wing below his rooms, reached by a separate entrance from the reception chamber below. Kellen also knew from experimentation that he could also get into the servants' quarters and the kitchen, cellars, and storerooms, but he was usually ushered summarily back to the "proper" parts of the Tavadon manse if he was found in any of those areas.

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