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K Parker: Evil for Evil

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K Parker Evil for Evil

Evil for Evil: краткое содержание, описание и аннотация

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They licked it. That was it; they licked the end of the thread. Presumably, if you got the tufty bit wet, you could sort of mat it down and stop it being all fluffy and hard to manipulate. He tried it, and found he could twist the strands tightly together into a point that would just about go through the needle-hole (there was a word for it, wasn't there? The eye of a needle). He tried that. At first he thought it was going to work. The tip of the point went through easily, and he tried to pinch hold of it with his fingernails as it came out the other side. But clearly it wasn't as simple as that. He'd got most of the strands through, but not all of them, so that when he pulled, the thread started to unravel and jammed. He felt his arms and neck clench with frustration, but he daren't let her see. He tried again, carefully rolling the tip of the thread between his lips; it didn't do to hurry when you were trying something new and complicated. Still no joy; one or two strands stubbornly evaded the eye, like sheep who are too scared to go back into the pen. He was confident that he'd got the technique, but evidently it took both skill and practice to execute. For crying out loud, he thought; human beings are supposed to be resourceful, why can't somebody invent a tool to do this quickly and easily? Or make needles with bigger holes in them, come to that.

The fourth time; he didn't quite know what he'd done differently. It just seemed to go, as if it had given up the struggle. Victory; now what? He went back to his memories. They threaded it, right, and then they cut or broke off a foot or two of thread. He scowled. It stood to reason that if you stuck the needle in and pulled it through, the thread would simply pass through the cloth and come out the other side, and you'd be sitting there with the cloth in one hand and a threaded needle in the other. There had to be some way of anchoring the end of the thread in the cloth; did you tie it to something, or stick it down with glue, or what? All his life, all those hundreds of sewing women, all he'd have had to do was stop and ask and one of them would've been happy to explain it to him. As it was…

They tied a knot in the end of the thread. He remembered now, he could picture it. The knot was thicker than the hole the needle made in the cloth, so it stuck. Excellent. He laid the needle carefully down on his knee-the last thing he needed was for the thread to slip out of the eye after all that performance getting it in there-and found the other end. Was there a special kind of knot you had to use, like sailors or carters? The women in his memory hadn't used any special procedure that he could recall, however, so he'd just have to take his chances on that. He dropped the knot and retrieved the needle. Now, he imagined, came the difficult part.

Think about it, he ordered himself. Sewing is basically just tying two sheets of material together with string. Surreptitiously, he turned over his wrist and unbuttoned his cuff.

The Ducas, of course, has nothing but the best, and this rule applies especially to clothes. He had no idea who'd made his shirts-they tended to appear overnight, like mushrooms-but whoever they were, it went without saying that they were the best in the business. Obviously, therefore, they didn't leave exposed seams, not even on the inside, where it didn't show, and their stitches were small enough to be practically invisible. He cursed himself for being stupid; looking in the wrong place. He put his hand into the sack and pulled out a shirt; a proper, honest-to-goodness, contractor-made army shirt, Mezentine, made down to a price and with nice exposed seams on the inside that even the Ducas could copy. He studied them. Apparently the drill was, you stacked the edges of the two bits of cloth one on top of the other; you left about three-sixteenths of an inch as a sort of headland (why couldn't it have been farm work instead of sewing? he asked himself; at least I know something about farm work), and then you ran a seam along to join them together. But even the army-issue stitches were too small to be self-explanatory; he stared at them, but he couldn't begin to figure out how on earth they'd ever got that way. It was a mystery, like the corn or the phases of the moon.

Fine. If I can't work out how a load of stupid women do it, I'll just have to invent a method of my own. Think; think about the ways in which one bit of something can be joined to another. There's nails, or rivets; or how about a bolt on a door? You push a bolt through a sort of cut-about tube into a hole that keeps it-Or a net. Now he was onto something he actually knew a bit about. Think how the drawstring runs through the mouth of a purse-net, weaving in and out through the mesh; then, when you pull on it, it draws the net together. If you do something similar with the thread, weave it in and out through both layers of cloth, that'll hold them together. Brilliant. I've invented sewing. I'd be a genius if only someone hadn't thought of it before me.

He took another look at the shirt-seam. It hadn't been done like that. But if he went up it once, then turned it round and went down again, he could fill in the gaps and it'd look just like the real thing. Was that the proper technique? he wondered. Like I care, he thought.

Now for something to sew. He was looking for damage; a hole, cut or tear. He examined the shirt in his hands, but there didn't seem to be anything wrong with it, so he put it on the floor and took another one from the sack. This time he was in luck. There was a big, obvious tear in the sleeve, just the sort of thing for an enthusiastic novice to cut his teeth on. He looked for the needle, couldn't find it, panicked, found it, picked it up carefully, carried it across to the sleeve and drove it home like a boar-spear. It passed through the cloth as though it wasn't there and came out the other side, but with an empty eye and without the thread.

He looked up. She was standing over him, looking down. "So," she said, "which one are you?"

His mind emptied, like grain through a hole in ajar. "What?"

"Which one are you," she said, "Miel or Jarnac?"

Oh. "I'm sorry," he said, "I don't know what you're-"

"Jarnac's the falconry nut," she went on matter-of-factly, "but he's supposed to be big and good-looking. I met Miel once, but it was years ago and we were both children, so I wouldn't recognize him again. I could probably guess, but it's easier if you tell me, isn't it? Well?"

He sagged. "I'm Miel," he said.

She nodded. "Actually, I'm impressed," she said. "I've been watching you. It's clever, how you figured it all out. But you need to fold back a couple of inches when you thread the needle," she added. "Otherwise it just pulls out."

"Is that right?" Miel said. "Well, now I know." He sighed, and let the shirt drop from his hands. "So what are you going to do?" he said.

She shrugged. "Obviously," she said, "either I teach you how to sew properly, or I'll have to do all those clothes myself. Why did you pretend to be someone else?"

"I was afraid that if you knew who I was, you'd sell me to the Mezentines," he said. "Isn't that what you do?"

She didn't move or say anything for a moment. "No," she said. "They're the enemy. If it wasn't for them, we'd still be at home on our farms." She frowned. "We don't do this out of choice."

"I'm sorry." He wasn't sure he believed her, but he still felt ashamed. "Do you know what happened in the battle?" he asked (but now it was just a way of changing the subject).

"No. I expect we'll hear sooner or later. Why, don't you?"

"I got knocked out halfway through," he explained.

"Ah." She smiled, crushing the scar up like crumpled paper. "I can see that'd be frustrating for you. Not that it matters. You're bound to lose eventually. You never stood a chance, and at your best you were nothing but a nuisance."

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