Фриц Лейбер - Swords Of Lankhmar[Мечи Ланкмара]

And on the continent's northern tip, on the east bank of the Hlal, mistress of the grainfields and their wealth, the City of Lankhmar, oldest in the world. Lankhmar, thick-walled against barbarians and beasts, thick-floored against creepers and crawlers and gnawers.

At the south of the City of Lankhmar, the Grain Gate, its twenty-foot thickness and thirty-foot width often echoing with the creak of ox-drawn wagons bringing in Lankhmar's tawny, dry, edible treasure. Also the Grand Gate, larger still and more glorious, and the smaller End Gate. Then the South Barracks with its black-clad soldiery, the Rich Men's Quarter, the Park of Pleasure and the Plaza of Dark Delights. Next Whore Street and the streets of other crafts. Beyond those, crossing the city from the Marsh Gate to the docks, the Street of the Gods, with its many flamboyantly soaring fanes of the Gods _in_ Lankhmar and its single squat black temple of the Gods _of_ Lankhmar — more like an ancient tomb except for its tall, square, eternally silent bell-tower. Then the slums and the windowless homes of the nobles; the great grain-towers, like a giant's forest of house-thick tree-trunks chopped off evenly. Finally, facing the Inner Sea to the north and the Hlal to the west, the North Barracks, and on a hill of solid, sea-sculptured rock, the Citadel and the Rainbow Palace of Glipkerio Kistomerces.

An adolescent serving maid balancing on her close-shaven head with aid of a silver coronet-ring a large tray of sweet-meats and brimming silver goblets, strode like a tightrope walker into a green-tiled antechamber of the Blue Audience Chamber of that palace. She wore black leather collars around her neck, wrists, and slender waist. Light silver chains a little shorter than her forearms tied her wrist-collars to her waist-collar — it was Glipkerio's whim that no maid's finger should touch his food or even its tray and that every maid's balance be perfect. Aside from her collars she was unclothed, while aside from her short-clipped eyelashes, she was entirely shaven — another of the fantastic monarch's dainty whims, that no hair should drop in his soup. She looked like a doll before it is dressed, its wig affixed, and its eyebrows painted on.

The sea-hued tiles lining the chamber were hexagonal and big as the palm of a large hand. Most were plain, but here and there were ones figured with sea creatures: a mollusk, a cod, an octopus, a sea horse.

The maid was almost halfway to the narrow, curtained archway leading to the Blue Audience Chamber when her gaze became fixed on a tile in the floor a long stride from the archway ahead but somewhat to the left. It was figured with a sea lion. It lifted the breadth of a thumb, like a little trapdoor, and eyes with a jetty gleam a finger-joint apart peered out at her.

She shook from toes to head, but her tight-bitten lips uttered no sound. The goblets chinked faintly, the tray began to slide, but she got her head under its center again with a swift sidewise ducking movement, and then began to go with long fearful steps around the horrid tile as far as she could to the right, so that the edge of the tray was hardly a finger's-breadth from the wall.

Just under the edge of the tray, as if that were a porch-roof, a plain green tile in the wall opened like a door and a rat's black face thrust out with spade-teeth bared.

The maid leaped convulsively away, still in utter silence. The tray left her head. She tried to get under it. The floor-tile clattered open wide and a long-bodied black rat came undulating out. The tray struck the dodging maid's shoulder, she strained toward it futilely with her short-chained hands, then it struck the floor with a nerve-shattering clangor and all the spilled goblets rang.

As the silver reverberations died, there was else only the rapid soft _thump_ of her bare feet running back the way she had come. One goblet rolled a last turn. Then there was desert stillness in the green antechamber.

Two hundred heartbeats later, it was broken by another muted thudding of bare feet, this time those of a party returning the way the maid had run. There entered first, watchful-eyed, two shaven-headed, white-smocked, browny cooks, each armed with a cleaver in one hand and a long toasting-fork in the other. Second, two naked and shaven kitchen boys, bearing many wet and dry rags and a broom of black feathers. After them, the maid, her silver chains gathered in her hands, so that they would not chink from her trembling. Behind her, a monstrously fat woman in a dress of thick black wool that went to her redoubled chins and plump knuckles and hid her surely monstrous feet and ankles. Her black hair was dressed in a great round beehive stuck through and through with long black-headed pins, so that it was as if she bore a prickly planet on her head. This appeared to be the case, for her puffed face was weighted with a world of sullenness and hate. Her black eyes peered stern and all-distrustful from between folds of fat, while a sparse black mustache, like the ghost of a black centipede, crossed her upper lip. Around her vast belly she wore a broad leather belt from which hung at intervals keys, thongs, chains, and whips. The kitchen boys believed she had deliberately grown mountain-fat to keep them from clinking together and so warn them when she came a-spying.

Now the fat kitchen-queen and palace mistress stared shrewdly around the antechamber, then spread her humpy palms, glaring at the maid. Not one green tile was displaced.

In like dumb-show, the maid nodded vehemently, pointing from her waist at the tile figured with a sea lion, then threaded tremblingly forward between the spilled stuff and touched it with her toe.

One of the cooks quickly knelt and gently thumped it and the surrounding tiles with a knuckle. Each time the faint sound was equally solid. He tried to get the tines of his fork under the sea lion tile from every side and failed.

The maid ran to the wall where the other glazed door had opened and searched the bare tiles frantically, her slim hands tugging uselessly. The other cook thumped the tiles she indicated without getting a hollow sound.

The glare of the palace mistress changed from suspicion to certainty. She advanced on the maid like a storm cloud, her eyes its lightning, and suddenly thrusting out her two ham-like arms, snapped a thong to a silver ring in the maid's collar. That snap was the loudest sound yet.

The maid shook her head wildly three times. Her trembling increased, then suddenly stopped altogether. As the palace mistress led her back the way they had come, she drooped her head and shoulders, and at the first vindictive downward jerk dropped to her hands and knees and padded rapidly, dog-fashion.

Under the watchful eyes of one of the cooks, the kitchen boys began swiftly to clean up the mess, wrapping each goblet in a rag ere they laid it on the platter, lest it chink. Their gazes kept darting fearfully about at the myriad tiles.

The Gray Mouser, standing on _Squid_'s gently-dipping prow, sighted the soaring Citadel of Lankhmar through the dispersing fog. Beyond it to the east there soon came into view the square-topped minarets of the Overlord's palace, each finished in stone of different hue, and to the south the dun granaries like vast smokestacks. He hailed the first sea-wherry he saw to _Squid_'s side. With the black kitten spitting at him reproachfully, and against Slinoor's command but before Slinoor could decide to have him forcibly restrained — he slid down the long boathook with which the prow wherryman had caught hold of _Squid_'s rail. Landing lightly in the wherry, he gave an approving shoulder-pat to the astonished hook-holder, then commanded, promising a fat fee, that he be rowed with all speed to the palace dock. The hook was shipped, the Mouser wove his way to the slender craft's stern, the three wherrymen out-oared and the craft raced east over the silty water, brown with mud from the Hlal.