Lev Grossman - The Magicians

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The Magicians: краткое содержание, описание и аннотация

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A thrilling and original coming-of-age novel about a young man practicing magic in the real world. Quentin Coldwater is brilliant but miserable. A senior in high school, he’s still secretly preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. Imagine his surprise when he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the craft of modern sorcery.
He also discovers all the other things people learn in college: friendship, love, sex, booze, and boredom. Something is missing, though. Magic doesn’t bring Quentin the happiness and adventure he dreamed it would. After graduation he and his friends make a stunning discovery: Fillory is real. But the land of Quentin’s fantasies turns out to be much darker and more dangerous than he could have imagined. His childhood dream becomes a nightmare with a shocking truth at its heart.
At once psychologically piercing and magnificently absorbing,
boldly moves into uncharted literary territory, imagining magic as practiced by real people, with their capricious desires and volatile emotions. Lev Grossman creates an utterly original world in which good and evil aren’t black and white, love and sex aren’t simple or innocent, and power comes at a terrible price.
Cover art by Didier Massard,

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“He died.”

She offered this neutrally, purely informationally, but it brought Quentin up short. He had never imagined that Alice could have a sibling, let alone a dead one. Or that she led anything other than a charmed life.

“Alice,” he said, “this doesn’t make any sense. You do realize you’re the smartest person in our class?”

She shrugged off the compliment with one shoulder, staring fiercely up at the House.

“So you just walked in? What did they do?”

“They couldn’t believe it. Nobody’s supposed to be able to find the House by themselves. They thought it was just an accident, but it’s so obvious there’s old magic here, tons of it. This whole place is wild with it — if you look at it through the right spells, it lights up like a forest fire.

“They must have thought I was a homeless person. I had twigs in my hair. I’d been crying all night. Professor Van der Weghe felt sorry for me. She gave me coffee and let me take the entrance Exam all by myself. Fogg didn’t want to let me, but she made him.”

“And you passed.”

She shrugged again.

“I still don’t get it,” Quentin said. “Why didn’t you get Invited like the rest of us?”

She didn’t answer, just stared up angrily at the hazy moon. There were tears on her cheeks. He realized that he had just casually put into words what was probably the overwhelming question of Alice’s entire existence at Brakebills. It occurred to him, long after it should have, that he wasn’t the only person here who had problems and felt like an outsider. Alice wasn’t just the competition, someone whose only purpose in life was to succeed and by doing so subtract from his happiness. She was a person with her own hopes and feelings and history and nightmares. In her own way she was as lost as he was.

They were standing in the shadow of an enormous fir tree, a shaggy blue-gray monster groaning with snow. It made Quentin think of Christmas, and he suddenly realized that they’d missed it. He’d forgotten they were on Brakebills time. Real Christmas, in the rest of the world, had been two months ago, and he hadn’t even noticed. His parents had said something about it on the phone, but the dime hadn’t dropped. Funny how things like that stopped mattering. He wondered what James and Julia had done for vacation. They’d talked about all of them going up to Lake Placid together. Her parents had a cabin there.

And what did matter? It was starting to snow again, fine particles settling on his eyelashes. What the hell was out there that was worth all this work? What were they doing it for? Power, he supposed, or knowledge. But it was all so ridiculously abstract. The answer should have been obvious. He just couldn’t quite name it.

Next to him Alice shuddered from the cold. She hugged herself.

“Well, I’m glad you’re here now, however you got here,” Quentin said awkwardly. “We all are.” He put an arm around her hunched shoulders. If she didn’t lean into him, or in any way admit to being comforted, she didn’t have a seizure either, which he was half afraid she would. “Come on, let’s get back before Fogg really does get pissed. And we’ve got an exam tomorrow. You don’t want to be too tired to enjoy it.”

They took the test the next morning, on the Monday of the third week in December. It was two hours of essays and two hours of practical exercises. There wasn’t much actual spellcasting. Mostly Quentin sat in a bare classroom while three examiners, two from Brakebills and one external (she had a German accent, or maybe Swiss), listened to him recite Middle English incantations and identify spell forms and watched him try to make perfect circles of different sizes in the empty air, in different directions, with different fingers, while still more powdery snow sifted soundlessly down from the white sky outside. It was almost anticlimactic.

The results were slipped under each of their doors early the following morning, on a piece of thick cream paper that looked like a wedding invitation, folded over once. Quentin had passed, Alice had passed, and Penny had failed.

THE MISSING BOY

Brakebills let out for the last two weeks of December. At first Quentin wasn’t sure why he was so terrified of going home until he realized that it wasn’t home he was worried about per se. He was worried that if he left Brakebills they’d never let him back in. He would never find his way back again — they would close the secret door to the garden behind him, and lock it, and its outline would be lost forever among the vines and the stonework, and he would be trapped out in the real world forever.

In the end he went home for five days. And for a moment, as he was climbing the front stairs, and the good old familiar home smell descended on him, a lethal enchantment compounded of cooking and paint and Oriental rugs and dust, when he saw his mother’s toothy, exasperated smile and his dad’s hale, stubbly good humor, he became the person that he used to be around them again, and he felt the gravitational pull of the little kid he once was and in some unswept back corner of his soul always would be. He gave in to the old illusion that he’d been wrong to leave, that this was the life he should be living.

But the spell didn’t hold. He couldn’t stay. Something about his parents’ house was unbearable to him now. After his little curved tower-top room, how could he go back to his dingy old bedroom in Brooklyn with its crumbly white paint and its iron bars on the window and its view of a tiny walled-in dirt patch? He had nothing to say to his well-meaning, politely curious parents. Both their attention and their neglect were equally intolerable. His world had become complicated and interesting and magical. Theirs was mundane and domestic. They didn’t understand that the world they could see wasn’t the one that mattered, and they never would.

He came home on a Thursday. On Friday he texted James, and on Saturday morning he met up with James and Julia at an abandoned boat launch on the Gowanus. It was hard to say why they liked this place, except that it was roughly equidistant from their homes and fairly secluded — it was at the end of a dead-end street that butted up against the canal, and you had to climb over a corrugated-metal barrier to get to it. It had the quiet stillness of any place that was close to open water, however stagnant and poisonous that water might be. There was a kind of concrete barricade you could sit on while you troubled the viscous surface of the Gowanus with handfuls of stray gravel. A burnt-out brick warehouse with arched windows loomed over the scene from the opposite bank. Somebody’s future luxury condo.

It was good to see James and Julia again, but it was even better to see himself seeing them, and to see how much he had changed. Brakebills had rescued him. He was no longer the shoe-gazing fuck-up he’d been the day he left, James’s sidekick and Julia’s inconvenient suitor. When he and James exchanged their gruff hellos and cursory handshake-hugs, he didn’t feel that instinctive deference he used to feel around James, as if he were the hero of the piece and not Quentin. When he saw Julia, he searched himself for the old love he used to feel for her. It wasn’t gone, but it was a dull, distant ache, still there but healed over — just the shrapnel they couldn’t remove.

It hadn’t occurred to Quentin that they might not be completely glad to see him. He knew he’d left abruptly, without explanation, but he had no idea how hurt and betrayed they would feel. They all sat together, three in a row, looking out at the water, as Quentin extemporized a breezy account of the obscure but still highly selective educational institution that he was for some reason attending. He kept the curriculum as vague as possible. He focused on architectural details. James and Julia huddled together stiffly against the March chill (it was March now in Brooklyn) like an elderly married couple on a park bench. When it was his turn, James rattled on about senior projects, the prom, teachers Quentin hadn’t thought about once in six months — it was incredible that all this stuff was still going on, and that James still cared about it, and that he couldn’t see how everything had changed. Once magic was real everything else just seemed so unreal.

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