John Norman - Guardsman of Gor

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From kidnapped collegian to a woman’s slave, from landless fugitive to warrior-captain, the life of Jason Marshall on Earth’s orbital twin was a constant struggle against the naked power and barbaric traditions of glorious Gor.
Now, in the heat of a desperate naval battle against overwhelming odds, Jason faced the pivotal hours of his Gorean career. For him victory would mean a homeland, a warrior’s honors, and the lovely Earthgirl who was the prize he had long sought. Defeat would mean degradation worse than the chains he had once escaped.
GUARDSMAN OF GOR is the blazing climax of this saga of one man against an entire world.

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The girl, from a shelf to one side, fetched a large candle, some five inches in diameter. This candle was set in a shallow, silver bowl. She had lifted the bowl upward, off the shelf. In its bottom, protruding, was a spike. This spike had been sitting in an aperture cut in the shelf, that the bowl might sit evenly on the wood. There was a similar aperture, about a half of an inch in width, in the table. She set the spike into this hole and, again, the silver bowl rested evenly on wood. This prevents the movement of the candle in rough weather. The table, too, was bolted to the floor. For similar reasons ships’ lanterns, in cabins or below decks, are usually hung from hooks overhead. Thus, in rough weather they may swing, but they are not likely to fall, scattering flaming oil about, with attendant dangers of fire. Most ships’ furniture, of course, berths and such, are fixed in place. This prevents the shifting of position which, otherwise, of course, particularly in rough seas, would be inevitable.

She lit the candle. On the table, too, in a moment, she placed waxed paper, and an envelope of oil cloth. Such things are not uncommon on ships, to protect papers which might be carried in the spray or weather, for example, on a longboat between ships, or between ships and the shore. Sealing wax, too, in a rectangular bar, she placed on the table. She then knelt beside the table. She kept her head down, deferentially, not daring to meet my eyes.

“Head to the floor,” I told her.

She obeyed, swiftly.

I replaced the papers in their envelope, from with I had withdrawn them to examine them. I then wrapped the envelope in several thicknesses of waxed paper. Then, with the sealing wax, melted by the candle, drop by drop, then smoothing the drops into rivulets of liquid wax, I seamed shut the waxed paper.

The girl trembled, to one side, kneeling, her blond hair forward, on the dark, polished floor of the cabin. The collar was clearly visible on her neck, and the small, heavy lock, by means of which it was secured upon her.

“What is your name?” I asked her, while working.

“Luta,” she said.

“Oh?” I asked.

“Whatever Master wishes,” she said, quickly. “Please do not whip me further, Master,” she begged.

“Your name now,” I said, seaming shut the last opening on the waxed paper, “is Shirley.”

“‘Shirley’!” she sobbed. “That is an Earth-girl name.”

“Yes,” I said.

Her shoulders shook with the indignity of what had been done to her.

“I was a captain’s woman,” she said.

“Do you not rejoice in your new name?” I asked.

“Yes, Master,” she said, quickly, “I rejoice in my new name.”

“Good,” I said.

She began to sob.

I inserted the envelope, now enclosed in several thicknesses of sealed waxed paper, in the larger envelope of oil cloth.

“Master,” she said.

“Yes,” I said.

“Please do not whip me,” she said.

“We shall see if you are sufficiently pleasing,” I said.

“With such a name,” she said, “will I be expected to be so abject, so low, as those hot, surrendered sluts of Earth, so obedient, so owned, so helpless, in the arms of their Gorean masters?”

“What is your name?” I asked.

“‘Shirley’,” she said.

“What?” I asked.

“‘Shirley’” she said. “‘Shirley’!”

“Is the answer to your question not now obvious?” I asked.

“Yes, Master,” she sobbed.

Earth girls have a reputation on Gor of being among the lowest and hottest of slaves. There are doubtless various reasons for this. Perhaps one is that Earth girls are alien to Gor and have no Home Stones. They are thus subject to unmitigated predation and total domination. They are slave animals, completely. Gorean men, accordingly, treat them as such. In turn, of course, their womanhood is reborn and blossoms, as it can only in a situation in which the order of nature both obtains and flourishes.

A second reason, however, I suspect, why Earth girls make such astoundingly desirable slaves, is their background. In their native environments they encounter few but psychologically and sexually crippled men, men whose merest intuitions of their blood rights are likely to be productive of conditioned, internally administered shocks and anxieties, or externally administered sanctions of censorship, suppression, ridicule and denunciation, imposed by those who are perhaps only a bit more rigid and fearful than themselves.

In such a world, largely the ideological product of superstition and hysteria, it is difficult for manhood to exist, even dormantly. Accordingly, when an Earth female finds herself translated to Gor, she finds herself, for the first time, in the presence of large numbers of men to whom nature and power are not anathema. Moreover, she is likely to find herself belonging to them. Beyond this, of course, the culture itself, for all its possible defects and faults, is one which has been constructed to be congenial to the natural biological order, and neither antithetical to, nor contradictory of it. The culture has not suppressed the biotruths of human nature but found a place for them.

The culture is a setting which transforms and enhances the simplicities and rudenesses of nature, ennobling her and exalting her, lending her glory and articulation, refining her, fulfilling her, rather than a sewer and a trap, in which she is kept half-starved and chained.

An example of this sort of thing is the institution of female slavery. It is clearly founded on, and expressive of, the order of nature, but what a wonder has civilization wrought here, elevating and transforming what is in effect a genetically coded biological datum, male dominance and female submission, into a complex, historically developed institution, with its hundreds of aspects and facets, legal, social and aesthetic.

What a contrast is the beautiful, vended girl, branded and collared, desiring a master and trained to please one, kneeling before her purchaser and kissing his whip, with the brutish female, cowering under her master’s club at the back of his cave. And yet, of course, both women are owned, and completely. But the former, the slave girl, is owned with all the power and authority of law. If anything, she is owned even more completely than her primitive forebear. Civilization, as well as nature, collaborates in her bondage, sanctifying and confirming it.

It is no wonder that the institution of slavery provides the human female, in all her sensitivities and vulnerabilities, in all her psychophysical complexity, with the deepest fulfillments and most exquisite emotions she can know.

Briefly put, the second reason that Earth girls make such astoundingly desirable slaves is that they have been, in their Earth years, subjected, in effect, to sexual and emotional starvation. They have labored in a fruitless desert, often not even understanding the causes of their unhappiness, of their misery and frustration. Confused, they have lashed out at themselves and others, ultimately profitlessly and meaninglessly.

Translated to Gor, encountering true men in large numbers, in overwhelming numbers, so different from the crippled males of Earth, finding themselves in an exotic environment, and participating in a culture markedly different from their own, and in many respects both fearful and beautiful, and founded on the order of nature, they find themselves, in effect, restored to love. The Gorean girl knows such joys can exist, though she may or may not have experienced them. The Earth girl, commonly, did not know that such joys, truly, could exist. Only in her troubled sleep, perhaps, did the Earth girl dream of the slaver’s noose or the harsh, flat stones of the dungeon on which she might be forced to kneel.

There was a sudden, loud pounding on the cabin door.

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