John Norman - Outlaw of Gor

I would have given much for a tarn in my journey, though I knew no tarn would fly into the mountains. For some reason neither the fearless hawklike tarns, nor the slow-witted tharlarions, the draft and riding lizards of Gor, would enter the mountains. The tharlarions become unmanageable and though the tarn will essay the flight the bird almost immediately becomes disoriented, uncoordinated, and drops screaming back to the plains below. Gor, sparsely inhabited by human beings, teems with animal life, and in the next weeks I had no difficulty in living by hunting. I supplemented my diet with fresh fruit picked from bushes and trees, and fish speared in Gor" s cold, swift- flowing streams. Once I brought the carcass of a tabuk, one of Gor" s single-horned, yellow antelopes, which I had felled in a Ka-la-na thicket, to the hut of a peasant and his wife. Asking no questions, as was suitable given the absence of insignia on my garments, they feasted me on my own kill, and gave me fiber, and flints and a skin of wine. The peasant on Gor does not fear the outlaw, for he seldom has anything worth stealing, unless it be a daughter. Indeed, the peasant and outlaw on Gor live in an almost unspoken agreement, the peasant tending to protect the outlaw and the outlaw sharing in return some of his plunder and booty with the peasant. The peasant does not regard this as dishonest on his part, or as grasping. It is simply a way of life to which he is accustomed. It is a different matter, of course, if it is explicitly known that the outlaw is from a city other than one" s own. In that case he is usually regarded as an enemy, to be reported to the patrols as soon as possible. He is, after all, not of one" s city.

As was wise I avoided cities in my long journey, though I passed several, for to enter a city without permission or without satisfactory reason is tantamount to a capital crime, and the punishment is usually a swift and brutal impalement. Pikes on the walls of Gorean cities are often surmounted with the remains of unwelcome guests. The Gorean is suspicious of the stranger, particularly in the vicinity of his native walls. Indeed, in Gorean the same word is used for both stranger and enemy.

There was reputedly one exception to this generally prevalent attitude of hostility towards the stranger, the city of Tharna, which, according to rumour, was willing to engage in what on Gor might be accounted the adventure of hospitality. There were many things supposedly strange about Tharna, among them that she was reportedly ruled by a queen, or Tatrix, and, reasonably enough in the circumstances, that the position of women in that city, in contrast with most Gorean custom, was one of privilege and opportunity.

I rejoiced that in at least one city on Gor the free women were not expected to wear the Robes of Concealment, confine their activities largely to their own quarters, and speak only to their blood relatives and, eventually, the Free Companion.

I thought that much of the barbarity on Gor might perhaps be traced to this foolish suppression of the fair sex, whose gentleness and intelligence might have made such a contribution in softening their harsh ways. To be sure, in certain cities, as had been the case in Ko-ro-ba, women were permitted status within the caste system and had a relatively unrestricted existence.

Indeed, in Ko-ro-ba, a woman might even leave her quarters without first obtaining permission of a male relative or the Free Companion, a freedom which was unusual on Gor. The women of Ko-ro-ba might even be found sitting unattended in the theatre or at rge reading of epics.

In the cities of Gor that I knew, with the possible exception of Tharna, women had been most free in Ko-ro-ba, but now Ko- ro-ba was no more. I wondered if I might be able to secure a tarn in the intriguing city of Tharna. It would shorten the trip to the Sardar Mountains by weeks. I had no money with which to purchase a tarn but I reasoned my hiring price as a swordsman might be sufficient to purchase a mount. For that matter, though I did not seriously consider the possibility, being without a city, in effect an outlaw, I was entitled in the Gorean way of thinking to take the bird or its purchase price in any way I saw fit.

As I was pondering these matters, I observed, approaching me, but not seeing me, in the distance, moving across a green meadow, a dark figure, that of a woman. Though she was young she walked slowly, mournfully, heedlessly, aimlessly.

It is unusual to find a woman unescorted outside the walls of a city, even near the walls. I was startled to see her alone in this wild, deserted place, far from roads and cities. I decided to wait for her to approach. I was puzzled.

On Gor a woman normally travels only with a suitable retinue of armed guards. Women, on this barbaric world, are often regarded, unfortunately, as little more than love prizes, the fruits of conquest and seizure. Too often they are seen less as persons, human beings with rights, individuals worthy of concern and regard than as potential pleasure slaves, silken, bangled prisoners, possible adornments to the pleasure gardens of their captors. There is a saying on Gor that the laws of a city extend no further than its walls.

She had not yet seen me. I leaned on my spear and waited.

The harsh, exogamous institution of capture is woven into the very fabric of Gorean life. It is regarded as meritorious to abduct one" s women from a foreign, perfereably hostile city. Perhaps this institution, which on the surface seems so deplorable, is profitable from the standpoint of the race, preventing the gradual inbreeding of otherwise largely isolated, self-sufficient cities. Few seem to object to the institution of capture, not even the women who might seem to be its victims. On the contrary, incredibly enough, their vanity is terribly outraged if they are not regarded as worth the risks, usually mutilation and impalement. One cruel courtesan in the great city of Ar, now little more than a toothless, wrinkled hag, boasted that more than four hundred men had died because of her beauty.

Why was the girl alone?

Had her protectors been killed? Was she perhaps an escaped slave, fleeing from a hated master? Could she be, like myself, an exile from Ko-ro-ba? Its people have been scattered, I said to myself, and no two stones and no two men of Ko-ro-ba may stand again side by side. I gritted my teeth. The thought ran through my head, no stone may stand upon another stone. I she were of Ko-ro-ba, I knew that I could not, for her own welfare, stay with her or help her. It would be to invite the Flame Death of the Priest-Kings for one or the other, perhaps both of us. I had seen a man die the Flame Death, the High initiate of Ar on the summit of Ar" s Cylinder of Justice, consumed in the sudden burst of blue fire that bespoke the displeasure of the Priest-Kings. Slim though her chances might be to escape wild beasts or slavers, they would be greater than the chance of escaping the wrath of the Priest-Kings.

If she were a free woman and not unfortunate, to be alone in this place was unwise and foolish.

She must know this, yet she did not seem to care.

Something of the nature of the institution of capture, and the Gorean" s attitude toward it becomes clear when it is understood that one of the young tarnsman" s first missions is often the capture of a slave for his personal quarters. When he brings home his captive, bound naked across the saddle of his tarn, he gives her over, rejoicing, to his sisters, to be bathed, perfumed and clothed in the brief slave livery of Gor. That night, at a great feast, he displays the captive, now suitably attired by his sisters in the diaphanous, scarlet dancing silks of Gor. Bells have been strapped to he ankles, and she is bound in slave bracelets. Proudly, he presents her to his parents, his friends and warrior comrades. Then, to the festive music of flutes and drums, the girl kneels. The young man approaches her, bearing a slave collar, its engraving proclaiming his name and city. The music grows more intense, mounting to an overpowering, barbaric crescendo, which stops suddenly, abruptly. The room is silent, absolutely silent, except for the decisive click of the collar lock. It is a sound the girl will never forget.