Dmitry Glukhovsky - Metro 2034

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Metro 2034: краткое содержание, описание и аннотация

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The basis of two bestselling computer games
and
, the Metro books have put Dmitry Glukhovsky in the vanguard of Russian speculative fiction alongside the creator of NIGHT WATCH, Sergei Lukyanenko.
A year after the events of METRO 2033, the last few survivors of the apocalypse, surrounded by mutants and monsters, face a terrifying new danger as they hang on for survival in the tunnels of the Moscow Metro.
Featuring blistering action, vivid and tough characters, claustrophobic tension and dark satire, the Metro books have become bestsellers across Europe.

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‘Well, would you eat dry moss?’ asked Hunter, breaking off the conversation and setting Homer on his feet in one swift movement. ‘That’s it, let’s go. Or we might be too late.’

Trotting awkwardly after Hunter, who had moved up into a jog, the old man racked his brains, trying to figure out how they could have gone back to Nagornaya. The station had drugged them with its narcotic exhalations, like some predatory orchid, luring them back to itself. They hadn’t turned back at all – Homer could have sworn to that. He was almost prepared to believe in the spatial distortions that he once loved to tell stories about to his gullible comrades in the watch, but then he realised it was all much simpler than that. The old man stopped and slapped himself on the forehead: the reversing tunnel! A few hundred metres beyond Nagornaya, between the bores of the right and left tunnels, a single-track line branched off, running off to the side at a narrow angle: it was for reversing the direction of trains. Feeling their way along the wall, first they’d got onto the parallel line, and then – when the wall disappeared – they’d turned back towards the station by mistake. ‘Nothing mystical about it,’ Homer thought uncertainly. But there was something else he wanted to get clear.

‘Hey!’ he called to Hunter. ‘Wait!’

Hunter carried on marching forwards as if he was deaf, and the old man had to fight his breathlessness and pick up his own pace. Drawing level with the brigadier, Homer tried to glance into his eyes and blurted out:

‘Why did you abandon us?’

I abandoned you ?’

The old man thought he heard a note of mockery in the passionless, metallic voice, and he bit his tongue. It was true, he and Ahmed were the ones who had fled from the station, leaving the brigadier to face the demons alone.

Remembering how furiously and yet fruitlessly Hunter had fought at Nagornaya, Homer couldn’t rid himself of the impression that the inhabitants of the station had simply rejected the battle that the brigadier tried to impose on them. Were they afraid? Or did they sense a kindred spirit in him? The old man plucked up his courage: there was one question left, the simplest of all.

‘Tell me, Hunter, back there in Nagornaya… Why didn’t they touch you?’

Several minutes passed in heavy, painful silence – Homer didn’t dare to insist – until the brigadier finally gave him a brief, morose, almost inaudible answer.

‘They couldn’t stomach me.’

‘Beauty will save the world,’ her father used to joke.

Sasha would blush and hide the empty plastic packet that once contained powdered tea in the breast pocket of her overalls. This little square of plastic, which, against all the odds, had kept its aroma of green tea, was her greatest treasure. It was also a reminder that the universe was not confined to the headless trunk of their station with its four stumps of tunnel, dug at a depth of twenty metres below the graveyard city of Moscow. It was a magical portal that could transport Sasha through decades of time and across thousands of kilometres. And there was something else, something boundlessly important. In the damp climate here, any paper faded and withered as rapidly as a consumptive. The mould and putrefaction devoured more than just the books and magazines – they exterminated the past itself. Without images or records of events, human memory was left like a lame man without crutches – it stumbled about in confusion and lost its way.

But that little packet was made of plastic impervious to mildew and time. Sasha’s father once told her it would be thousands of years before it started to decompose. That meant her descendants would be able to pass it on as an heirloom, she thought. It was an absolutely genuine picture, even if it was a miniature. The golden border, still as bright as the day the little packet came off the production line, framed a view that took Sasha’s breath away. Sheer cliff faces submerged in dreamy mist, wide-spreading pine trees clinging to the almost vertical slopes, tumultuous waterfalls crashing down from the heights into the abyss, a scarlet glow in the sky and the sun just on the point of rising… Sasha had never seen anything more beautiful in her life.

She could sit for ages with the packet laid out on her palm, admiring it, and her gaze was drawn right into that early morning mist shrouding the distant mountains. Although she devoured all the books that her father found before she sold them on for cartridges, the words she read in them were not enough to describe the way she felt when she gazed at those centimetre-high cliffs and breathed the scent of those painted pine trees. The impossibility of this dream world – which was also what made it so incredibly attractive… The sweet yearning and eternal anticipation of what the sun would see for the first time… The endless re-examination – what could be hidden behind the idiotic block of colour with the name of the brand of tea on it? An unusual tree? An eagle’s nest? A little house clinging to the slope, where she and her father could live?

Her father had brought Sasha the little packet when she was not yet five – and it was full then, a great rarity! He wanted to amaze his daughter with genuine tea. She drank it stoically, like medicine, but she was genuinely astounded by the plastic packet. At the time he had had to explain to her what the naïve picture showed: a generalised landscape from a mountainous Chinese province, perfectly suited for printing on packs of tea. But ten years later Sasha still examined her present just as wonderingly as on the day she first received it.

Her father, however, thought the packet was Sasha’s pitiful substitute for the whole world. And when his daughter fell into a blissful trance, contemplating this daubed fantasy by some failed artist, he felt as if she was rebuking him for her own meagre, homeless life. He always tried to repress the impulse, but he could never hold out for long: barely even concealing his irritation, he asked Sasha for the hundredth time what she saw in a scrap of packaging from a gramme of tea dust.

And she hid the little masterpiece in the pocket of her overalls and answered awkwardly: ‘Dad… I think it’s so beautiful!’

If not for Hunter, who didn’t stop for a second all the way to Nagatino, Homer would have taken three times as long to cover the distance. He would never have risked dashing self-assuredly through these tunnels like that.

Their team had paid a terrible toll for the passage through Nagornaya – but two out of three had survived. And all three would have survived, if they hadn’t lost their way in the fog. The charge was no higher than usual; nothing had happened to them at Nakhimov Prospect or Nagornaya that hadn’t happened there before.

So the problem lay in the stretches of tunnel that led to Tula? They were quiet now, but it was a bad silence, filled with tension. Hunter could sense danger hundreds of metres away, it was true, he could tell what to expect at stations he’d never been to before – but what if his intuition betrayed him down in these tunnels, just as it had betrayed many experienced soldiers before him?

Maybe it was Nagatino, moving closer with every step they took, that held the answer to the riddle? Struggling to restrain his wild thoughts, which were churning rapidly because he was walking too fast, Homer tried to imagine what could be waiting for them at the station he used to love so much. The old man with an unquenchable passion for collecting myths could easily picture the scene if the legendary Embassy of Satan had been set up at Nagatino or it had been gnawed away by rats migrating in search of food through their own tunnels, inaccessible to humans.

Yes, if the old man had found himself in these stretches of tunnel on his own, he would have moved far more slowly, but nothing would have made him turn back. During the years spent at Sebastopol, Homer had forgotten how to fear death. He had set off on this expedition, well aware that it could be his last adventure, and he was prepared to give all the time he had left for it.

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