Adam Roberts - Yellow Blue Tibia

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Yellow Blue Tibia: краткое содержание, описание и аннотация

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Russia, 1946, the Nazis recently defeated. Stalin gathers half a dozen of the top Soviet science fiction authors in a dacha in the countryside somewhere. Convinced that the defeat of America is only a few years away, and equally convinced that the Soviet Union needs a massive external threat to hold it together, to give it purpose and direction, he tells the writers: ‘I want you to concoct a story about aliens poised to invade earth… I want it to be massively detailed, and completely believable. If you need props and evidence to back it up, then we can create them. But when America is defeated, your story must be so convincing that the whole population of Soviet Russia believes in it—the population of the whole world!’
The little group of writers gets down to the task and spends months working on it. But then new orders come from Moscow: they are told to drop the project; Stalin has changed his mind; forget everything about it. So they do. They get on with their lives in their various ways; some of them survive the remainder of Stalin’s rule, the changes of the 50s and 60s. And then, in the aftermath of Chernobyl, the survivors gather again, because something strange has started to happen. The story they invented in 1946 is starting to come true…
A typically mind-blowing SF novel from one of the genre’s literary stars.

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Skvorecky presently lives in New Yorkwith his American wife and their young child. He has applied for US citizenship.

Wikiquote has a selection of material relating to the work of Konstantin Andreiovich Skvorecky.

AUTHOR’S NOTE

Yellow Blue Tibia - изображение 26

There is a great deal of evidence of Stalin’s interest in UFOs, as indeed there is for his interest in a wide range of cranky and peculiar things. On 19 November 2002, Pravda published an article (an English translation is available at a number of online sites) detailing Stalin’s abiding interest in extraterrestrials and the possibilities of alien contact, as well as the many military and scientific bodies set up by the Soviets to secretly investigate the phenomenon. The figure Frenkel gives in the novel (‘ Seven research institutes and eleven departments. All of them are attached to a secret wing of the KGB created specifically for this purpose by Andropov ’) is taken from Pravda , and is evidence of, at the very least, an enduring Soviet interest in the phenomenon. The alleged 1947 retrieval of an alien artefact during archeological digs in Kiev (at a site very near the present day location of the internationally renowned Kiev Tchaikovsky Conservatory) is attested from several sources, and is a hardy perennial of UFO literature. The strange events at Petrazavodsk on 20 September 1977 have likewise been debated widely in the UFO community. Many thousands of eyewitnesses saw radiation aliens (‘ radiating pulsating beams of light ’, ‘ huge jellyfish of light ’) and tens of thousands of military personnel were mobilised.

The kernel of this novel is an attempt to suggest a way of reconciling the two seemingly contradictory facts about UFOs: that, on the one hand, they have touched the lives of many millions of people, often directly; and that, on the other, that they clearly don’t exist. I have sought to suggest one possible explanation for this odd paradox of contemporary culture. Those interested in the UFO phenomenon who would like an uncranky and balanced account are advised to read Bryan Appleyard’s Aliens: Why They Are Here (Scribner 2005). I would like thank Jane Brocket for sharing her reminiscences of youthful visits to both Kiev and Moscow in the mid-1980s. Thanks also to Rachel Roberts for reading the whole MS and making many helpful suggestions, and to my editor Simon Spanton, whose input on this novel has been unusually important.

Also by Adam Roberts from Gollancz:

Salt

Stone

On

The Snow

Polystom

Gradisil

Land of the Headless

Swiftly

Copyright

Copyright © Adam Roberts 2009

All rights reserved

The right of Adam Roberts to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

First published in Great Britain in 2009 by

Gollancz

An imprint of the Orion Publishing Group

Orion House, 5 Upper St Martin’s Lane,

London WC2H 9EA

An Hachette Livre UK Company

A CIP catalogue record for this book

is available from the British Library

eISBN: 978-0-5750-8780-4

ISBN 978-0-575-08357-8 (Trade Paperback)

1 3 5 7 9 10 8 6 4 2

Typeset by Input Data Services Ltd,

Bridgwater, Somerset

Printed and bound in the UK

by CPI Mackays, Chatham, Kent

The Orion Publishing Group’s policy is to use papers that are natural, renewable and recyclable products and made from wood grown in sustainable forests. The logging and manufacturing processes are expected to conform to the environmental regulations of the country of origin.

www.orionbooks.co.uk

Note

1

The Cyrillic letter Г, sometimes transliterated into the Roman alphabet as ‘Gh’ and sometimes as an aspirated ‘H’, is idiomatic Russian slang for ‘shit’.

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