Charles Stross - Rule 34

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Rule 34: краткое содержание, описание и аннотация

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Meet Edinburgh Detective Inspector Liz Kavanaugh, head of the Innovative Crimes Investigation Unit, otherwise known as the Rule 34 Squad. They monitor the Internet for potential criminal activity, analyzing trends in the extreme fringes of explicit content. And occasionally, even more disturbing patterns arise…
Three ex-cons have been murdered in Germany, Italy, and Scotland. The only things they had in common were arrests for spamming—and a taste for unorthodox entertainment. As the first officer on the scene of the most recent death, Liz finds herself sucked into an international investigation that isn’t so much asking who the killer is, but what—and if she doesn’t find the answer soon, the homicides could go viral.

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DEDICATION

For George and Leo

ACKNOWLEDGMENTS

No author works in a vacuum, and this book in particular benefited from the critical input of dozens of people. First and foremost I’d like to thank my agent Caitlin Blasdell for her patience and perseverance. I’d also like to thank my test readers, notably Stew Wilson, Marcus Rowland, Vernor Vinge, Sean Eric Fagan, David Skogsberg, Jeffrey Wilson, David Goldfarb, Soon Lee, Skip Huffman, Ross Younger, Harry and Omega, Dave Brown, Milena Popova, Anthony Cunningham, and Roy Øvrebø.

(If I’ve forgotten to mention you, please accept my grovelling apologies.)

In Scotland, you can’t believe how strong the homosexuals are.

TELEVANGELIST PAT ROBERTSON, ON THE 700 CLUB, 1999 (ATTRIB: BBC NEWS)

Part 1

LIZ: Red Pill, Blue Pill

It’s a slow Tuesday afternoon, and you’re coming to the end of your shift on the West End control desk when Sergeant McDougall IMs you: INSPECTOR WANTED ON FATACC SCENE.

“Jesus fucking Christ,” you subvocalize, careful not to let it out aloud—the transcription software responds erratically to scatology, never mind eschatology—and wave two fingers at Mac’s icon. You can’t think of a reasonable excuse to dump it on D. I. Chu’s shoulders when he comes on shift, so that’s you on the spot: you with your shift-end paper-work looming, an evening’s appointment with the hair salon, and your dodgy gastric reflux.

You push back your chair, stretch, and wait while Mac’s icon pulses, then expands. “Jase. Talk to me.”

“Aye, mam. I’m on Dean Park Mews, attendin’ an accidental death, no witnesses. Constable Berman was first responder, an’ she called me in.” Jase pauses for a moment. There’s something odd about his voice, and there’s no video. “Victim’s cleaner was first on the scene, she had a wee panic, then called 112. Berman’s got her sittin’ doon with a cuppa in the living room while I log the scene.”

What he isn’t saying is probably more important than what he is, but in these goldfish-bowl days, no cop in their right mind is going to say anything prejudicial over an evidence channel. “No ambulance?” You prod. “Have you opened an HSE ticket already?”

“Ye ken a goner when ye see wan.” McDougall’s Loanhead accent comes out to play when he’s a tad stressed. “I didna want to spread this’un around, skipper, but it’s a two-wetsuit job. I don’ like to bug you, but I need a second opinion…”

Wow, that’s something out of the ordinary. A two -wetsuit job means kinky beyond the call of duty . You look at the map and see his push-pin. It’s easy walking distance, but you might as well bag a ride if there’s one in the shed. “I was about to go off shift. If you can hold it together for ten minutes, I’ll be along.”

“Aye, ma’am.”

You glance sideways across the desk. Sergeant Elvis—not his name, but the duck’s arse fits his hair-style—is either grooving to his iPod or he’s really customized his haptic interface. You wave at him, and he looks up. “I’ve got to head out, got a call,” you say, poking the red-glowing hover-fly case number across the desktop in his direction. He nods, catches it, and drags it down to his dock. “I’m off duty in ten, so you’re holding the fort. Ping me if anything comes up.”

Elvis bobs his head, then does something complex with his hands. “Yessir, ma’am. I’ll take care of things, you watch me.” Then he drops back into his cocoon of augmented reality. You can see him muttering under his breath, crooning lyrics to a musically themed interface. You sigh, then reach up, tear down the control room, wad it up into a ball of imaginary paper, and shove it across to sit in his desk. There’s a whole lot more to shift-end handover than that, but something tells you that McDougall’s case is going to take priority. And it’s down to the front desk to cadge a ride.

* * *

It’s an accident of fate that put you on the spot when Mac’s call came in; fate and personnel allocation policy, actually: all that, and politics beside.

You don’t usually sit in on the West End control centre, directing constables to shoplifting scenes and chasing hit-and-run cyclists. Nominally you’re in charge of the Rule 34 Squad: the booby-prize they gave you for backing the wrong side in a political bun-fight five years ago.

But policing is just as prone to management fads as any other profession, and it’s Policy this decade that all officers below the rank of chief inspector must put in a certain number of Core Community Policing hours on an annual basis, just to keep them in touch with Social Standards (whatever they are) and Mission-Oriented Focus Retention (whatever that is). Detective inspector is, as far as Policy is concerned, still a line rank rather than management.

And so you have to drag yourself away from your office for eight hours a month to supervise the kicking of litter-lout ass from the airconditioned comfort of a control room on the third floor of Fettes Avenue Police HQ. It could be worse: At least they don’t expect you to pound the pavement in person. Except Jason McDougall has called you out to do some rare on-site supervision on—

A two-wetsuit job.

Back in the naughty noughties a fifty-one-year-old Baptist minister was found dead in his Alabama home wearing not one but two wet suits and sundry bits of exotic rubber underwear, with a dildo up his arse. (The cover-up of the doubly-covered-up deceased finally fell before a Freedom of Information Act request.)

It’s not as if its like isnae well-known in Edinburgh, city of grey stone propriety and ministers stern and saturnine (with the most surprising personal habits). But propriety—and the exigencies of service under the mob of puritanical arseholes currently in the ascendant in Holyrood—dictates discretion. If Jase is calling it openly, it’s got to be pretty blatant. Excessively blatant. Tabloid grade, even.

Which means—

Enough of that. Let’s see if we can blag a ride, shall we?

* * *

“Afternoon, Inspector. What can I do for ye?”

You smile stiffly at the auxiliary behind the transport desk: “I’m looking for a ride. What have you got?”

He thinks for a moment. “Two wheels, or four?”

“Two will do. Not a bike, though.” You’re wearing a charcoal grey skirt suit and the police bikes are all standard hybrids, no step-through frames. It’s not dignified, and in these straitened times, your career needs all the dignity it can get. “Any segways?”

“Oh aye, mam, I can certainly do one of those for ye!” His face clears, and he beckons you round the counter and into the shed.

A couple of minutes later you’re standing on top of a Lothian and Borders Police segway, the breeze blowing your hair back as you dodge the decaying speed pillows on the driveway leading past the stables to the main road. You’d prefer a car, but your team’s carbon quota is low, and you’d rather save it for real emergencies. Meanwhile, you take the path at a walk, trying not to lean forward too far.

Police segways come with blues and twos, Taser racks and overdrive: But if you go above walking pace, they invariably lean forward until you resemble a character in an old Roadrunner cartoon. Looking like Wile E. Coyote is undignified, which is not a good way to impress the senior management whether or not you’re angling for promotion, especially in the current political climate. (Not that you are angling for promotion, but… politics .) So you ride sedately towards Comely Bank Road, and the twitching curtains and discreet perversions of Stockbridge.

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