Thomas Disch - 334

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334: краткое содержание, описание и аннотация

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If Charles Dickens has written speculative fiction, he might have created a novel as intricate, passionate, and lacerating as Thomas M. Disch's visionary portrait of the underbelly of 21st-century New York City. The residents of the public housing project at 334 East 11th Street live in a world of rationed babies and sanctioned drug addiction. Real food is displayed in museums and hospital attendants moonlight as body-snatchers.
Nimbly hopscotching backward and forward in time, Disch charts the shifting relationships between this world's inheritors: an aging matriarch who falls in love with her young social worker; a widow seeking comfort from the spirit of her dead husband; a privileged preteen choreographing the perfectly gratuitous murder. Poisonously funny, piercingly authentic, 334 is a masterpiece of social realism disguised as science fiction.
* The Death of Socrates • (1972) • novelette (variant of Problems of Creativeness 1967)
* Bodies • (1971) • novelette
* Everyday Life in the Later Roman Empire • (1972) • novelette
* Emancipation: A Romance of the Times to Come • (1971) • novelette
* Angouleme • (1971) • shortstory
* 334 • (1972) • novella

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He cocked the hammer back a single click.

He locked the drawer. He replaced the keys, just so. He buried, for now, the pistol in the stuffs and cushions of the Turkish corner, tilted upright to keep the ball from rolling out. Then with what remained of yesterday’s ebullience he bounced into the bathroom and kissed Papa’s cheek, damp with the morning’s allotted two gallons and redolent of 4711.

They had a cheery breakfast together in the coffee room, which was identical to the breakfast they would have made for themselves except for the ritual of being waited on by a waitress. Little Mister Kissy Lips gave an enthusiastic account of the Alexandrians’ performance of Orfeo, and Papa made his best effort of seeming not to condescend. When he’d been driven to the limit of this pretense, Little Mister Kissy Lips touched him for a second pill, and since it was better for a boy to get these things from his father than from a stranger on the street, he got it.

He reached the South Ferry stop at noon, bursting with a sense of his own imminent liberation. The weather was M-Day all over again, as though at midnight out on the ledge he’d forced time to go backwards to the point when things had started going wrong. He’d dressed in his most anonymous shorts and the pistol hung from his belt in a dun dittybag.

Alyona Ivanovna was sitting on one of the benches near the aviary, listening to Miss Kraus. Her ring hand gripped the poster firmly, while the right chopped at the air, eloquently awkward, like a mute’s first words following a miraculous cure.

Little Mister Kissy Lips went down the path and squatted in the shadow of his memorial. It had lost its magic yesterday, when the statues had begun to look so silly to everyone. They still looked silly. Verrazzano was dressed like a Victorian industrialist taking a holiday in the Alps. The angel was wearing an angel’s usual bronze nightgown.

His good feelings were leaving his head by little and little, like aeolian sandstone attrited by the centuries of wind. He thought of calling up Amparo, but any comfort she might bring to him would be a mirage so long as his purpose in coming here remained unfulfilled.

He looked at his wrist, then remembered he’d left his watch home. The gigantic advertising clock on the facade of the First National Citibank said it was fifteen after two. That wasn’t possible.

Miss Kraus was still yammering away.

There was time to watch a cloud move across the sky from Jersey, over the Hudson, and past the sun. Unseen winds nibbled at its wispy edges. The cloud became his life, which would disappear without ever having turned into rain.

Later, and the old man was walking up the sea promenade toward the Castle. He stalked him, for miles. And then they were alone, together, at the far end of the park.

“Hello,” he said, with the smile reserved for grown-ups of doubtful importance.

He looked directly at the dim-bag, but Little Mister Kissy Lips didn’t lose his composure. He would be wondering whether to ask for money, which would be kept, if he’d had any, in the bag. The pistol made a noticeable bulge but not the kind of bulge one would ordinarily associate with a pistol.

“Sorry,” he said coolly. “I’m broke.”

“Did I ask?”

“You were going to.”

The old man made as if to return in the other direction, so he had to speak quickly, something that would hold him here.

“I saw you speaking with Miss Kraus.”

He was held.

“Congratulations—you broke through the ice!”

The old man half-smiled half-frowned. “You know her?”

“Mm. You could say that we’re aware of her.” The “we” had been a deliberate risk, an hors d’oeuvre. Touching a ringer to each side of the strings by which the heavy bag hung from his belt, he urged on it a lazy pendular motion. “Do you mind if I ask you a question?”

There was nothing indulgent now in the man’s face. “I probably do.”

His smile had lost the hard edge of calculation. It was the same smile he’d have smiled for Papa, for Amparo, for Miss Couplard, for anyone he liked.

“Where do you come from? I mean, what country?”

“That’s none of your business, is it?”

“Well. I just wanted … to know.”

The old man (he had ceased somehow, to be Alyona Ivanovna) turned away and walked directly toward the squat stone cylinder of the old fortress. He remembered how the plaque at the entrance—the same that had cited the 7.7 million—had said that Jenny Lind had sung there and it had been a great success.

The old man unzipped his fly and, lifting out his cock, began pissing on the wall.

Little Mister Kissy Lips fumbled with the strings of the bag. It was remarkable how long the old man stood there pissing because despite every effort of the stupid knot to stay tied he had the pistol out before the final sprinkle had been shaken out.

He laid the fulminate cap on the exposed nipple, drew the hammer.

He said “Ha!” And even this, rather than being addressed to the boy with the gun was only a parenthesis from the faintly aggrieved he resumed each day at the edge of the water. He turned away and a moment later he was back on the job, hand out, asking some fellow for a quarter.

334

Part I: Lies

1. The Teevee (2021)

Mrs. Hanson liked to watch television best when there was someone else in the room to watch with her, though Shrimp, if the program was something she was serious about—and you never knew from one day to the next what that might be—, would get so annoyed with her mother’s comments that Mrs. Hanson usually went off into the kitchen and let Shrimp have the teevee to herself, or else to her own bedroom if Boz hadn’t taken it over for his erotic activities. For Boz was engaged to the girl at the other end of the corridor and since the poor boy had nowhere in the apartment that was privately his own except one drawer of the dresser they’d found in Miss Shore’s room it seemed the least she could do to let him have the bedroom when she or Shrimp weren’t using it.

With Boz when he wasn’t taken up with l‘amour, and with Lottie when she wasn’t flying too high for the dots to make a picture, she liked to watch the soaps. As the World Turns. Terminal Clinic. The Experience of Life. She knew all the ins and outs of the various tragedies, but life in her own experience was much simpler: life was a pastime. Not a game, for that would have implied that some won and others lost, and she was seldom conscious of any sensations so vivid or threatening. It was like the afternoons of Monopoly with her brothers when she was a girl: long after her hotels, her houses, her deeds, and her cash were gone, they would let her keep moving her little lead battleship around the board collecting her $200, falling on Chance and Community Chest, going to Jail and shaking her way out. She never won but she couldn’t lose. She just went round and round. Life.

But better than watching with her own children she liked to watch along with Amparo and Mickey. With Mickey most of all, since Amparo was already beginning to feel superior to the programs Mrs. Hanson liked best—the early cartoons and the puppets at five-fifteen. She couldn’t have said why. It wasn’t just that she took a superior sort of pleasure in Mickey’s reactions, since Mickey’s reactions were seldom very visible. Already at age five he could be as interior as his mother. Hiding inside the bathtub for hours at a time, then doing a complete U-turn and pissing his pants with excitement. No, she honestly enjoyed the shows for what they were—the hungry predators and their lucky prey, the good-natured dynamite, the bouncing rocks, the falling trees, the shrieks and pratfalls, the lovely obviousness of everything. She wasn’t stupid but she did love to see someone tiptoeing along and then out of nowhere: Slam! Bank! something immense would come crashing down on the Monopoly board scattering the pieces beyond recovery. “Pow!” Mrs. Hanson would say and Mickey would shoot back, “Ding-Dong!” and collapse into giggles. For some reason “Ding-Dong!” was the funniest notion in the world.

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