Thea Harbou - Metropolis

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Metropolis: краткое содержание, описание и аннотация

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Fritz Lang's 
is one of the best-known and controversial of the German silent films. Lang's wife, Thea von Harbou, wrote both the screenplay for the movie, and more or less simultaneously, this "novelization".
The basic plot of both film and novel is this: a high-technology city, Metropolis, built and owned by Joh Fredersen, is divided between the rich oligarchs living in the high towers and the exploited workers living under the ground level. Fredersen's only son, Freder, falls in love with a working class girl named Maria, who turns out to be the leader of a clandestine, semi-religious worker's movement, which awaits the coming of a "Mediator" to improve their position. Freder, after switching places with a worker named Georgi (but known officially as 11811) decides to take on the job of "Mediator", but is discovered by his father and the villainous inventor Rotwang. Rotwang creates a kind of android with the form of Maria, and kidnaps the real Maria. The robot replacement turns the movement violent, and Metropolis is virtually destroyed in the resulting fighting, until Freder and Maria, reunited, manage to get control and reconcile the workers with Freder's father.
Lesson: "The Mediator between Head and Hands is the Heart."

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Joh Fredersen was silent. His left eyebrow rose, while his eyes narrowed. He fixed his gaze upon Rotwang, who had not taken his eyes from him.

"What is the plan of this city of graves doing in the hands and pockets of my workmen?"

"That is yet to be discovered," answered Rotwang.

"Will you help me?"

"Yes."

"Tonight?"

"Very well."

"I shall come back after the changing of the shift."

"Do so, Joh Fredersen. And if you take some good advice… "

"Well?"

"Come in the uniform of your workmen, when you come back!"

Joh Fredersen raised his head but the great inventor did not let him speak. He raised his hand as one calling for and admonishing to silence.

"The skull of the man in the red shoes also enclosed a powerful brain, Joh Fredersen, but nevertheless, he could not find his way homewards from those who dwell down there… "

Joh Fredersen reflected. He nodded and turned to go.

"Be courteous, my beautiful Parody," said Rotwang. "Open the doors for the Master over the great Metropolis."

The being glided past Joh Fredersen. He felt the breath of coldness which came forth from it. He saw the silent laughter between the half-open lips of Rotwang, the great inventor. He turned pale with rage, but he remained silent.

The being stretched out the transparent hand in which the bones shone silver, and, touching it with its finger-tips, moved the seal of Solomon, which glowed copperish.

The door yielded back. Joh Fredersen went out after the being, which stepped downstairs before him.

There was no light on the stairs, nor in the narrow passage. But a shimmer came from the being no stronger than that of a green-burning candle, yet strong enough to lighten up the stairs and the black walls.

At the house-door the being stopped still and waited for Joh Fredersen, who was walking slowly along behind it. The house-door opened before him, but not far enough for him to pass out through the opening.

The eyes stared at him from the mass-head of the being, eyes as though painted on closed lids, with the expression of calm madness.

"Be courteous, my beautiful Parody," said a soft, far-off voice, which sounded as though the house were talking in its sleep.

The being bowed. It stretched out a hand — a graceful skeleton hand. Transparent skin was stretched over the slender joints, which gleamed beneath it like dull silver. Fingers, snow-white and fleshless, opened like the petals of a crystal lily.

Joh Fredersen laid his hand in it, feeling it, in the moment of contact, to be burnt by an unbearable coldness. He wanted to push the being away from him but the silver-crystal fingers held him fast.

"Good-bye," Joh Fredersen, said the mass head, in a voice full of a horrible tenderness. "Give me a face soon, Joh Fredersen!"

A soft far-off voice laughed, as if the house were laughing in its sleep.

The hand left go, the door opened, Joh Fredersen reeled into the street.

The door closed behind him. In the gloomy wood of the door glowed, copper-red, the seal of Solomon, the pentagram.

When Joh Fredersen was about to enter the brain-pan of the New Tower of Babel Slim stood before him, seeming to be slimmer than ever.

"What is it?" asked Joh Fredersen.

Slim made to speak but at the sight of his master the words died on his lips.

"Well—?" said Joh Fredersen, between his teeth.

Slim breathed deeply.

"I must inform you, Mr. Fredersen," he said, "that, since your son left this room, he has disappeared!"

"What does that mean?… disappeared!"

"He has not gone home, and none of our men has seen him… "

Joh Fredersen screwed up his mouth.

"Look for him!" he said hoarsely. "What are you all here for? Look for him!"

He entered the brain-pan of the New Tower of Babel. His first glance fell upon the clock. He stepped to the table and stretched out his hand to the little blue metal plate.

Chapter 5

THE MAN BEFORE THE MACHINE which was like Ganesha, the god with the elephant's head, was no longer a human being. Merely a dripping piece of exhaustion, from the pores of which the last powers of volition were oozing out in large drops of sweat. Running eyes no longer saw the manometer. The hand did not hold the lever — It clawed it fast in the last hold which saved the mangled man-creature before it from falling into the crushing arms of the machine.

The Pater-noster works of the New Tower of Babel turned their buckets with an easy smoothness. The eye of the little machine smiled softly and maliciously at the man who stood before it and who was now no more than a babel.

"Father!" babbled the son of Joh Fredersen, "to-day, for the first time, since Metropolis stood, you have forgotten to let your city and your great machines roar punctually for fresh food… Has Metropolis gone dumb, father? Look at us! Look at your machines! Your god-machines turn sick at the chewed-up cuds in their mouths — at the mangled food that we are… Why do you strangle its voice to death? Will ten hours never, never come to an end? Our Father, which art in heaven—!"

But in this moment Joh Fredersen's fingers were pressing the little blue metal plate and the voice of the great Metropolis.

"Thank you, father!" said the mangled soul before the machine, which was like Ganesha. He smiled. He tasted a salty taste on his lips and did not know if it was from blood, sweat or tears. From out a red mist of long-flamed, drawn-out clouds, fresh men shuffled on towards him. His hand slipped from the lever and he collapsed. Arms pulled him up and led him away. He turned his head aside to hide his face.

The eye of the little machine, the soft, malicious eye, twinkled at him from behind.

"Good-bye, friend," said the little machine.

Freder's head fell upon his breast. He felt himself dragged further, heard the dull evenness of feet tramping onwards, felt himself tramping, a member of twelve members. The ground under his feet began to roll; it was drawn upwards, pulling him up with it.

Doors stood open, double doors. Towards him came a stream of men.

The great Metropolis was still roaring.

Suddenly she fell dumb and in the silence Freder became aware of the breath of a man at his ear, and of a voice-merely a breath — which asked:

"She has called… Are you coming?"

He did not know what the question meant, but he nodded. He wanted to get to know the ways of those who walked, as he, in blue linen, in the black cap, in the hard shoes.

With tightly closed eyelids he groped on, shoulder to shoulder with an unknown man.

She has called, he thought, half asleep. Who is that… she…?

He walked and walked in' smouldering weariness. The way would never, never come to an end. He did not know where he was walking. He heard the tramp of those who were walking with him like the sound of perpetually falling water.

She has called! he thought. Who is that: she, whose voice is so powerful that these men, exhausted to death by utter weariness, voluntarily throw off sleep, which is the sweetest thing of all to the weary — to follow her when her voice calls?

It can't be very much further to the centre of the earth…

Still deeper — still deeper down?

No longer any light round about, only, here and there, twinkling pocket torches, in men's hands.

At last, in the far distance, a dull shimmer.

Have we wandered so far to walk towards the sun, thought Freder, and does the sun dwell in the bowels of the earth?

The procession came to a standstill. Freder stopped too. He staggered against the dry, cool stones.

Where are we, he thought — In a cave? If the sun dwells here, then she can't be at home now… I am afraid we have come in vain… Let us turn back, brother… Let us sleep…

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