Linda Nagata - Memory

“There’s no point in doing a house-to-house,” Liam said, “if all the houses are like this.”

I nodded. Already I was hungering for some color other than white. “Let’s find the towers.” We needed to know if we could spend the night here, or if we would have to move on.

So we returned to the street, and rode swiftly for the city center.

The engines of our bikes made only a soft hum, and the sound of their tires was like the sound of gentle rain, but in that empty city even these slight noises reverberated like the carousing of vandals.

We rode for a mile, until our street ended suddenly at a wide square, at least two acres in size, surrounded on all sides by decaying buildings that must have once been beautiful. Most had wide stairs and columns and graceful balconies, but all of them were badly damaged. Many had collapsed roofs. Some had fallen walls that had spilled white rubble into the square, each fragment a perfect cube. But it wasn’t the buildings that commanded my attention.

At the center of the square was a working fountain. Thin jets of clear water rose from all around its edge, arching inward for a few feet before falling back to the pool in a splashing rainbow of light. In the center of this pool was a large circular platform raised a foot above the water. It was perhaps a hundred feet in diameter, and rising from its center was a white mast.

The mast was a gigantic structure. It dominated the square, reaching at least ten stories high, and I knew at once that this was the smaller tower we had seen from the highway. A cross pole branched from it at half its height, with arms as wide as the island platform. A second cross pole, half as wide, branched at right angles above the first, and two successively smaller spars split off near the top. White ropes trailed from these arms, their ends touching the stone like the broken strands of some abandoned spiderweb.

I could not imagine what purpose such a structure might serve. I tried to picture it as an antenna, but why give an antenna a position of such prominence in the city? Maybe it was to display banners? But it looked too massive, too powerfully built for that purpose. “Perhaps it’s a folly of the silver,” I said softly.

Liam shook his head. “I don’t think that’s it.” He squinted at the mast, like an artist bent on seeing a scene in its essential shapes. “I think I’ve seen something like this before… in a picture maybe.”

“I don’t like it. It gives me a bad feeling.”

“This whole city is a nasty place. Have you noticed we haven’t passed a single temple?”

I hadn’t noticed, but now that he mentioned it, I knew it was true. Temples have a distinctive architecture, with their sprawling walls and one-story structures. We’d seen nothing like that since entering the city. I nodded at the monstrosity in the square: “So what do you think this is?”

“I don’t know. I just feel like Ishould know.” He swung off his bike, kicked down the stand, then opened one of the compartments behind the seat. His savant was there, packed within the thin cushion of his sleeping bag. He took it out, unfolded its narrow wing, and released it. It drifted before him, its silver skin shimmering. “Find a match for this scene if you can,” Liam instructed it. Then he turned to me. “Let’s get out of the sun.”

We drank water and ate chocolate on a veranda held up by tall columns carved to resemble the trunks of royal palms. Our water supply was dwindling rapidly, so I took the filter and walked out into the sun again, filling all our empty water cells from the fountain. There was no wind at all to stir the air and the heat had become overwhelming. Actually frightening. I had never felt anything like it before and I dreaded returning to the narrow streets where the temperature was sure to be even higher. But we would have to move on soon. We needed to know if the second tower could offer us refuge for the night, or if we would have to make the long run to Olino Mesa.

Whether it was the heat or the anxiety this city wakened in me I cannot say, but as I returned to the veranda’s shade I was conscious of my heart fluttering in a weak and rapid beat like the heart of a frightened bird. Liam was sitting cross-legged on the floor of the veranda, studying the mimic screen of his savant. “Did you find something?” I asked as I collapsed beside him.

“Yes. I know where we are now.” He nodded at the screen.

I wiped the sweat out of my eyes and leaned forward. Displayed on his mimic screen was a ghastly painting. I could see the texture of the paint, so I knew it was not a true image, but that did little to assuage my horror. Pictured there was the very square where we found ourselves, but changed. The white buildings were all of dark gray stone. Thousands of people crowded the pavement, most of them men in uniforms of black and red. Black banners were draped from the balconies of the encircling buildings, while black flags flew from the top of the mast and from the ends of its cross poles. The purpose of the mast was quite clear. At least a hundred tiny figures hung from the cross poles, suspended by black ropes tied about their necks. Their faces were covered, but their legs were shown in postures of kicking, twisting agony. All of them had their hands tied behind their backs.

“Mother of all!”I whispered, and turned away, wishing I had not looked, and that I didn’t know.

Liam cleared the mimic screen. “The painting is ancient. It’s supposed to be an illustration of the crusade of Fiaccomo.”

“Fiaccomo?” I knew that name. Everyone did, for Fiaccomo was a legendary figure.

It was said that in the beginning of the world the silver obeyed the will of players and all was paradise. Then the dark god came, and the goddess withdrew from the world to wage war against him. The silver vanished with her, and players were left without food or tools or clothing or the simplest pleasures, for all such things had come to them through the silver. Great armies formed to fight over what remained. Hunger and war were everywhere, and so many players died that none of those left could find a lover and there were no children. The world lay on the edge of ruin.

Fiaccomo had been trained as a warrior, but he loved life, and could not bear to see the world die. So he gathered about him brave players, and together they fought their way past the scavenging armies and ventured into the high mountains, where it was said traces of the goddess might still be found.

The goddess had won her victory over the dark god, but not without cost. The battle had left her wounded and delirious. When Fiaccomo’s entreaties caused her to turn her mind again to the world she was horrified to behold her beautiful land all in ruins and her beloved players sunk in wickedness and war. She came upon the band of heroes in a fury, and in the guise of a silver flood she swept all those good players away. Among them, only Fiaccomo kept his wits. Even as his mind dissolved in the silver, he whispered to the goddess all the desires of his heart, and his passion was so like hers that she loved him, and their minds entwined in a kind of lovemaking never known in the world before and never since, and in those moments of union Fiaccomo seized the creative power of the silver and dreamed the first kobolds into existence.

The goddess gave Fiaccomo back his life, and more, she gave him a gift that he could pass through the silver unscathed, and command its flow when he had need. He returned to the world bringing with him both the silver and the kobolds, and prosperity followed after him, and peace.

That was the legend as I knew it, but the painting Liam had found did not show a time of prosperity or of peace.

“It doesn’t make sense, Liam. This city is a real place. But Fiaccomo is a myth… isn’t he?”