Грегори Бенфорд - Not One of Us - Stories of Aliens on Earth

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Mankind comes face to face with extraterrestrial life in this short fiction reprint anthology from Clarkesworld publisher Neil Clarke.
They Are Strangers from Far Lands…
Science fiction writers have been using aliens as a metaphor for the other for over one hundred years. Superman has otherworldly origins, and his struggles to blend in on our planet are a clear metaphor for immigration. Earth’s adopted son is just one example of this “Alien Among Us” narrative.
There are stories of assimilation, or the failure to do so. Stories of resistance to the forces of naturalization. Stories told from the alien viewpoint. Stories that use aliens as a manifestation of the fears and worries of specific places and eras. Stories that transcend location and time, speaking to universal issues of group identity and its relationship to the Other.
Nearly thirty authors in this reprint anthology grapple both the best and worst aspects of human nature, and they do so in utterly compelling and entertaining ways. Not One of Us is a collection of stories that aren’t afraid to tackle thorny and often controversial issues of race, nationalism, religion, political ideology, and other ways in which humanity divides itself.

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Idon’t go to church much these days, not after our old pastor died and Beale moved into town to take his place. Reverend Beale likes his fire and brimstone, week after week of too much punishment and too little brotherhood. I felt exhausted listening to him rant in that high collar, sweat pouring down his temples. But he’s popular, and I wait on an old bench outside the red brick church for the congregation to let out. Main Street is quiet except for the faint echoes of the reverend’s sonorous preaching. Mostly I hear the cicadas, the water lapping against a few old fishing boats and the long stretch of rotting pier. There used to be dozens of sailboats here, gleaming creations of white fiberglass and heavy canvas sails with names like “Bay Princess” and “Prospero’s Dream.” I know because Dad has pictures. Main Street was longer then, a stretch of brightly painted Tudors and Victorians with little shops and restaurants on the bottom floors and rooms above. A lot of those old buildings are boarded up now, and those that aren’t look as patched-over and jury-rigged as our thresher combines. The church has held up the best of any of the town’s buildings. Time has hardly worn its stately red brick and shingled steeples. It used to be Methodist, I think, but we don’t have enough people to be overly concerned about denominations these days. I’ve heard of some towns where they make everyone go Baptist, or Lutheran, but we’re lucky that no one’s thought to do anything like that here. Though I’m sure Beale would try if he could get away with it. Maybe Tris was right to leave the whole thing behind. Now she sits the children while their parents go to church.

The sun tips past its zenith when the doors finally open and my neighbors walk out of the church in twos and threes. Beale shakes parishioners’ hands as they leave, mopping his face with a handkerchief. His smile looks more like a grimace to me; three years in town and he still looks uncomfortable anywhere but behind a pulpit. Men like him think the glassmen are right to require “full gestation.” Men like him think Tris is a damned sinner, just because she has a few men and won’t settle down with one. He hates the glassmen as much as the rest of us, but his views help them just the same.

Bill comes out with Pam. The bones in her neck stand out like twigs, but she looks a hell of a lot better than the last time I saw her, at Georgia’s funeral. Pam fainted when we laid her daughter in the earth, and Bill had to take her home before the ceremony ended. Pam is Bill’s cousin, and Georgia was her only child—blown to bits after riding her bicycle over a hidden jewel in the fields outside town. To my surprise, Bill gives me a tired smile before walking Pam down the street.

Bill and I used to dig clams from the mud at low tide in the summers. We were in our twenties and my mother had just died of a cancer the glassmen could have cured if they gave a damn. Sometimes we would build fires of cedar and pine and whatever other tinder lay around and roast the clams right there by the water. We talked about anything in the world other than glassmen and dead friends while the moon arced above. We planned the cornfield eating those clams, and plotted all the ways we might get the threshers for the job. The cow dairy, the chicken coop, the extra garden plots—we schemed and dreamt of ways to help our town hurt a little less each winter. Bill had a girlfriend then, though she vanished not long after; we never did more than touch.

That was a long time ago, but I remember the taste of cedar ash and sea salt as I look at the back of him. I never once thought those moments would last forever, and yet here I am, regretful and old.

Yolanda is one of the last to leave, stately and elegant with her braided white hair and black church hat with netting. I catch up with her as she heads down the steps.

“Can we talk?” I ask.

Her shoulders slump a little when I ask, but she bids the reverend farewell and walks with me until we are out of earshot.

“Tris needs an abortion,” I say.

Yolanda nods up and down like a sea bird, while she takes deep breaths. She became our midwife because she’d helped Bill’s mother with some births, but I don’t think she wants the job. There’s just no one else.

“Libby, the glassmen don’t like abortions.”

“If the glassmen are paying us enough attention to notice, we have bigger problems.”

“I don’t have the proper equipment for a procedure. Even if I did, I couldn’t.”

“Don’t tell me you agree with Beale.”

She draws herself up and glares at me. “I don’t know how, Libby! Do you want me to kill Tris to get rid of her baby? They say the midwife in Toddville can do them if it’s early enough. How far along is she?”

I see the needle in my mind, far too close to the center line for comfort. “Three and a half months,” I say.

She looks away, but she puts her arm around my shoulders. “I understand why she would, I do. But it’s too late. We’ll all help her.”

Raise the child, she means. I know Yolanda is making sense, but I don’t want to hear her. I don’t want to think about Tris carrying a child she doesn’t want to term. I don’t want to think about that test kit needle pointing inexorably at too fucking late. So I thank Yolanda and head off in the other direction, down the cracked tarmac as familiar as a scar, to Pam’s house. She lives in a small cottage Victorian with peeling gray paint that used to be blue. Sure enough, Bill sits in an old rocking chair on the porch, thumbing through a book. I loved to see him like that in our clam-digging days, just sitting and listening. I would dream of him after he disappeared.

“Libs?” he says. He leans forward.

“Help her, Bill. You’ve been outside, you know people. Help her find a doctor, someone who can do this after three months.”

He sighs and the book thumps on the floor. “I’ll see.”

Three days later, Bill comes over after dinner.

“There’s rumors of something closer to Annapolis,” he says. “I couldn’t find out more than that. None of my… I mean, I only know some dudes, Libby. And whoever runs this place only talks to women.”

“Your mother didn’t know?” Tris asks, braver than me.

Bill rubs the back of his head. “If she did, she sure didn’t tell me.”

“You’ve got to have more than that,” she says. “Does this place even have a name? How near Annapolis? What do you want us to do, sail into the city and ask the nearest glassman which way to the abortion clinic?”

“What do I want you to do? Maybe I want you to count your goddamn blessings and not risk your life to murder a child. It’s a sin, Tris, not like you’d care about that, but I’d’ve thought Libby would.”

“God I know,” I say, “but I’ve never had much use for sin. Now why don’t you get your nose out of our business?”

“You invited me in, Libby.”

“For help —”

He shakes his head. “If you could see what Pam’s going through right now…”

Bill has dealt with as much grief as any of us. I can understand why he’s moralizing in our kitchen, but that doesn’t mean I have to tolerate it.

But Tris doesn’t even give me time. She stands and shakes a wooden spatula under his nose. Bill’s a big man, but he flinches. “So I should have this baby just so I can watch it get blown up later, is that it? Don’t put Pam’s grief on me, Bill. I’m sorrier than I can say about Georgia. I taught that girl to read! And I can’t. I just can’t.”

Bill breathes ragged. His dark hands twist his muddy flannel shirt, his grip so tight his veins are stark against sun-baked skin. Tris is still holding that spatula.

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