Грегори Бенфорд - Not One of Us - Stories of Aliens on Earth

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Mankind comes face to face with extraterrestrial life in this short fiction reprint anthology from Clarkesworld publisher Neil Clarke.
They Are Strangers from Far Lands…
Science fiction writers have been using aliens as a metaphor for the other for over one hundred years. Superman has otherworldly origins, and his struggles to blend in on our planet are a clear metaphor for immigration. Earth’s adopted son is just one example of this “Alien Among Us” narrative.
There are stories of assimilation, or the failure to do so. Stories of resistance to the forces of naturalization. Stories told from the alien viewpoint. Stories that use aliens as a manifestation of the fears and worries of specific places and eras. Stories that transcend location and time, speaking to universal issues of group identity and its relationship to the Other.
Nearly thirty authors in this reprint anthology grapple both the best and worst aspects of human nature, and they do so in utterly compelling and entertaining ways. Not One of Us is a collection of stories that aren’t afraid to tackle thorny and often controversial issues of race, nationalism, religion, political ideology, and other ways in which humanity divides itself.

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The living room is like the showroom of a furniture store.

I jerk awake. The pieces of my memories have become as unreal as Walker Lincoln’s apartment.

Tau, Claire’s spouse, is at the door. The tips of thir secondary arms are mangled, oozing blue blood. Thie stumbles.

Claire is by thir side in a moment. “What happened?”

Instead of answering, Tau tears Claire’s jacket and blouse away, and thir thicker, less delicate primary arms hungrily, blindly seek the Tawnin port on Claire’s back. When they finally find the opening, they plunge in and Claire gasps, going limp immediately.

I turn my eyes away from this scene of intimacy. Tau is in pain and needs Claire.

“I should go,” I say, getting up.

“Adam had booby-trapped his spine,” Tau says through thir voice box.

I pause.

“When I ported him, he was cooperative and seemed resigned to his fate. But when I began the probe, a miniature explosive device went off, killing him instantly. I guess some of you still hate us so much that you’d rather die than be Reborn.”

“I’m sorry,” I say.

“I’m the one that’s sorry,” Tau says. The mechanical voice struggles to convey sorrow, but it sounds like an imitation to my unsettled mind. “Parts of him were innocent.”

The Tawnin do not care much for history, and now, neither do we.

They also do not die of old age. No one knows how old the Tawnin are: centuries, millennia, eons. Kai speaks vaguely of a journey that lasted longer than the history of the human race.

What was it like? I once asked.

I don’t remember , thie had thought.

Their attitude is explained by their biology. Their brains, like the teeth of sharks, never cease growing. New brain tissue is continuously produced at the core while the outer layers are sloughed off periodically like snakeskin.

With lives that are for all intents and purposes eternal, the Tawnin would have been overwhelmed by eons of accumulated memories. It is no wonder that they became masters of forgetting.

Memories that they wish to keep must be copied into the new tissue: retraced, recreated, re-recorded. But memories that they wish to leave behind are cast off like dried pupa husks with each cycle of change.

It is not only memory that they leave behind. Entire personalities can be adopted, taken on like a role, and then cast aside and forgotten. A Tawnin views the self before a change and the self after a change as entirely separate beings: different personalities, different memories, different moral responsibilities. They merely shared a body seriatim.

Not even the same body, Kai thought to me.

?

In about a year every atom in your body will have been replaced by others , thought Kai. This was back when we had first become lovers, and thie was often in a lecturing mood. For us it’s even faster.

Like the ship of Theseus where each plank was replaced over time, until it was no longer the same ship.

You’re always making these references to the past. But the flavor of thir thought was indulgent rather than critical.

When the Conquest happened, the Tawnin had adopted an attitude of extreme aggression. And we had responded in kind. The details, of course, are hazy. The Tawnin do not remember them, and most of us do not want to. California is still uninhabitable after all these years.

But then, once we had surrendered, the Tawnin had cast off those aggressive layers of their minds—the punishment for their war crimes—and become the gentlest rulers imaginable. Now committed pacifists, they abhor violence and willingly share their technology with us, cure diseases, perform wondrous miracles. The world is at peace. Human life expectancy has been much lengthened, and those willing to work for the Tawnin have done well for themselves.

The Tawnin do not experience guilt.

We are a different people now, Kai thought. This is also our home. And yet some of you insist on tasking us with the sins of our dead past selves. It is like holding the son responsible for the sins of the father.

What if war should occur again? I thought. What if the Xenophobes convince the rest of us to rise up against you?

Then we might change yet again, become ruthless and cruel as before. Such changes in us are physiological reactions against threat, beyond our control. But then those future selves would have nothing to do with us. The father cannot be responsible for the acts of the son.

It’s hard to argue with logic like that.

Adam’s girlfriend, Lauren, is a young woman with a hard face that remained unchanged after I informed her that, as Adam’s parents are deceased, she is considered the next of kin and responsible for picking up the body at the station.

We are sitting across from each other, the kitchen table between us. The apartment is tiny and dim. Many of the lightbulbs have burnt out and not been replaced.

“Am I going to be ported?” she asks.

Now that Adam is dead, the next order of business is to decide which of his relatives and friends should be ported—with appropriate caution for further booby-trapped spines—so that the true extent of the conspiracy can be uncovered.

“I don’t know yet,” I say. “It depends on how much I think you’re cooperating. Did he associate with anyone suspicious? Anyone you thought was a Xenophobe?”

“I don’t know anything,” she says. “Adam is… was a loner. He never told me anything. You can port me if you want, but it will be a waste of energy.”

Normally, people like her are terrified of being ported, violated. Her feigned nonchalance only makes me more suspicious of her.

She seems to sense my skepticism and changes tack. “Adam and I would sometimes smoke oblivion or do blaze.” She shifts in her seat and looks over at the kitchen counter. I look where she’s looking and see the drug paraphernalia in front of a stack of dirty dishes, like props set out on a stage. A leaky faucet drips, providing a background beat to the whole scene.

Oblivion and blaze both have strong hallucinogenic effects. The unspoken point: her mind is riddled with false memories that even when ported cannot be relied upon. The most we can do is Rebirth her, but we won’t find out anything we can use on others. It’s not a bad trick. But she hasn’t made the lie sufficiently convincing.

You humans think you are what you’ve done , Kai once thought. I remember us lying together in a park somewhere, the grass under us, and I loved feeling the warmth of the sun through thir skin, so much more sensitive than mine. But you’re really what you remember.

Isn’t that the same thing? I thought.

Not at all. To retrieve a memory, you must reactivate a set of neural connections, and in the process change them. Your biology is such that with each act of recall, you also rewrite the memory. Haven’t you ever had the experience of discovering that a detail you remembered vividly was manufactured? A dream you became convinced was a real experience? Being told a fabricated story you believed to be the truth?

You make us sound so fragile.

Deluded, actually. The flavor of Kai’s thought was affectionate. You cannot tell which memories are real and which memories are false, and yet you insist on their importance, base so much of your life on them. The practice of history has not done your species much good.

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