Грегори Бенфорд - Not One of Us - Stories of Aliens on Earth

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Mankind comes face to face with extraterrestrial life in this short fiction reprint anthology from Clarkesworld publisher Neil Clarke.
They Are Strangers from Far Lands…
Science fiction writers have been using aliens as a metaphor for the other for over one hundred years. Superman has otherworldly origins, and his struggles to blend in on our planet are a clear metaphor for immigration. Earth’s adopted son is just one example of this “Alien Among Us” narrative.
There are stories of assimilation, or the failure to do so. Stories of resistance to the forces of naturalization. Stories told from the alien viewpoint. Stories that use aliens as a manifestation of the fears and worries of specific places and eras. Stories that transcend location and time, speaking to universal issues of group identity and its relationship to the Other.
Nearly thirty authors in this reprint anthology grapple both the best and worst aspects of human nature, and they do so in utterly compelling and entertaining ways. Not One of Us is a collection of stories that aren’t afraid to tackle thorny and often controversial issues of race, nationalism, religion, political ideology, and other ways in which humanity divides itself.

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“Don’t be sad. Lexi clearly likes you. She didn’t even cry.” Ellie put on a sweater and opened her apartment door. “I won’t be gone long.”

The trees along the edge of the sidewalk had oddly purple leaves, and the people that passed looked far too weary for a sunny Saturday afternoon, but as she walked beneath the open windows of her apartment, she could hear the low hum of a lullaby, slow and sweet, sure to soothe her daughter straight to sleep.

ANGER

Amelia was twelve the night the spores fell, and she remembered it vividly. Thousands of meteors burned bright as they fell through the atmosphere. Charred black pods burst open when they crashed to the ground. By dawn, the air was filled with swirling clouds of orange mist, like pollen blowing from the trees. Every person and creature on the planet breathed the spores. The birds were the first to die, but not the last.

“Come away from the window, Sis.” Brayden tried to tousle her hair like she was six years old or something. “Dad will be home soon, and you haven’t done your homework yet.”

“I didn’t do my homework because it’s stupid to pretend that nothing has changed,” Amelia said. “Everyone in my class lost people to the spore. Friends, grandparents… siblings. Tia’s parents got killed in the riots. Zach’s older brother died in one of the fires. Then the way they healed us—”

She shuddered. She still had nightmares about the croaker that thinned into some kind of fog and poured itself down her throat, picking the spores out of her lungs and healing the damage the sprouting plants had done. It was that or die when the spores grew, but she’d still thrashed so much that Dad had to hold her down to keep her from hurting herself.

“It was eleven months ago,” Brayden said. He stared at the sky for a moment, lost in his own thoughts. “What’s the alternative to going back to normal? If you didn’t have school, you’d sit home and sulk all day like that guy that came down from Portland.”

Their neighbor’s brother had showed up on the caravan last week, looking for Jessica, but she’d already left for the space station. She was one of the scientists chosen to help negotiate a treaty with the aliens. The only treaty Amelia wanted to see was ‘get off our planet and take your damned purple plants with you.’

“Oskar sits around and sulks all day,” Amelia said, “but I would go out and kill croakers.”

Brayden shook his head. “You can’t kill croakers. People have tried. They can’t be poisoned, stabbed, or shot. No matter what you do to them, they recohere, they heal. If you did more of your homework, you might know that.”

Unlike the rest of her classes, which she’d given up on, Amelia had paid careful attention to all the details of croaker biology. Despite their solid-seeming forms, croakers were essentially sentient fog. The squat froglike body they used on Earth was a dense gray cloud, thick enough to hold up the clothes they wore, but little else. Projectiles and blades passed right through and did little harm, and poison passed through unabsorbed.

Amelia had a different plan. She would trap a croaker bit by bit in a hundred glass jars. Then she’d throw the jars into a fire, one by one. Would the pain of that death be as bad as the last desperate gasps of her little brother? Gavin was four, and screamed all his last night in pain and fear. Spores made his lungs burn, the doctor said.

Amelia would make a croaker burn.

Croakers wandered the streets like ghosts, occasionally stopping to eat leaves from the purple plants that had grown from the spores. According to the news, the croakers were observing, collecting data so they could repair more of the damage they did at sporefall, but as near as Amelia could tell, the big gray frogs were just making themselves right at home. Amelia waited behind one of their licorice-smelling plants with a cardboard box full of glass jars.

A croaker came to nibble at the leaves, and she jumped out from behind the bush, jar in hand. She scooped out a big section of the croaker’s ugly frogface. The croaker was thicker than she expected, like gelatin or pudding, rather than air. The gray goo in the jar was repulsively flesh-like, and her stomach churned as she screwed the lid into place. The croaker let out a high pitched whine. Its face appeared unchanged, despite her jarful of gray goo.

She couldn’t do it. She had a boxful of jars, and she wanted the croaker to burn, but she couldn’t bring herself to take another scoop of its ashen flesh. It stared at her with round black eyes, still making a high-pitched sound, though softer now, a sad keening sound.

“You killed Gavin!” she screamed. “You messed up my whole world and now you stay here like you own it! You should burn for it!”

She hurled the jar of gray goo at the sidewalk. It shattered against the concrete and shards of glass flew everywhere. A cloud of gray swirled up from the shimmering fragments of the jar before drifting back onto the croaker. Into the croaker.

She grabbed another jar from her box and threw it at the croaker. It bounced off the alien’s face, and the froglike grin didn’t even flinch. “Go back to where you came from!” she shouted and flung jar after jar at the croaker, until her cardboard box was empty and the sidewalk was buried beneath a pile of shattered glass.

The croaker scooped up the broken glass in big webbed hands, mounding it and sculpting it into its own image. Amelia watched, fascinated despite herself. The croaker smoothed the bits of glass as easily as a sculptor might shape clay. It made a statue of a croaker, and in the statue’s broad glass hands there was a human child with indistinct features. Not her brother, but a child like him. Perhaps all children like him. Unlike every croaker Amelia had ever seen, there was no froglike grin on the statue’s face.

Brayden ran over. “I heard all the noise, and—” He stared at the statue.

“I wanted to set a croaker on fire, but I couldn’t do it.” Amelia said. “Not even after everything they did.”

Perhaps it was a trick of the light, but the statue didn’t look empty. Delicate orange flames danced inside the statue of the croaker, complete with thin wisps of gray smoke that reminded her of the swirling cloud when she broke the jar and let the croaker go. It had left a piece of itself inside the statue, to burn inside the glass.

She thought her mind was playing tricks on her, but Brayden saw it too. “They already burn for what they did.”

The croaker bowed its head, then turned and walked away.

BARGAINING

The alien standing in front of Jessica was four feet tall, slate gray, and shaped like an oversized toad. It smelled like chalk and made a quiet wheezing noise, barely audible over the hum of the orbital stabilizers. The temperature onboard the station was comfortable for humans, but the alien wore a thick sweater, knitted by one of Jessica’s former graduate students as a gesture of goodwill from all humankind. A large round button with the number 17 was pinned to the purple wool. Eridani didn’t use names.

Eridani 17 extended a webbed hand. The flesh of its fingers thinned, creating the illusion of wisps of smoke curling up from its palm. The smoke shaped itself into North America, and then a city skyline.

“Toronto?” Jessica asked. The city had a distinctive tower. Eridani 17 shook its head.

Negotiating with the Eridani was like a game of Pictionary, except that Jessica was sober and—thank god—didn’t have to actually draw anything. Her brother Oskar had always been the artist in the family, excelling at Pictionary even when he was half her age. If his most recent message was any indication, all he ever drew now was pictures of his estranged wife, who lost her mind after sporefall killed their baby.

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